‘Armingaud, Fernández Blanco’ Guarneri ‘del Gesù’ violin 1732 poster
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‘Kruse’ Stradivari violin 1721 poster
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G.B. Rogeri violin 1704 poster
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‘Muir-Mackenzie’ Stradivari violin 1694 poster
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José Contreras violin 1767 poster
This splendid violin from the so-called ‘Classical Age’ of Spanish violin making might well have been commissioned for King Charles IV. José Contreras (c.1710–82) was one of the greatest luthiers of the era, sometimes referred to as ‘the Spanish Stradivari’. The influence of the Cremonese master can clearly be seen in this fine instrument.
‘The general form of the arching is rounded and slightly bulbous, especially in the middle of the upper and lower bouts. The f-holes are very Stradivarian in form, and generally widely cut and broadly spaced on the front. The lower wings are lightly fluted and the nicks are typically small’ – John Dilworth in the December 2013 issue of The Strad
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‘Milanollo’ Stradivari violin 1728 poster
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‘Armingaud, Fernández Blanco’ Guarneri ‘del Gesù’ violin 1732 poster – FOLDED VERSION
An extraordinarily well-preserved violin from Guarneri's middle period, the 'Armingaud, Fernández Blanco' languished for decades untouched until its rediscovery in a Buenos Aires wardrobe. The quality of its varnish and workmanship are exceptional.
'The "Armingaud, Fernández Blanco" is so well preserved that we can learn a great deal about the maker from it' – Frédéric Chaudière in the November 2017 edition of The Strad.
***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***
Jean-Baptiste Vuillaume cello 1865 poster
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G.B. Guadagnini 1774 Salabue Berta Violin poster – Flawed
This poster has damage in the form of a small rip and a crumple, both on the sides, not affecting the images or measurements.
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‘Sleeping Beauty’ Montagnana cello 1739 poster
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G.B. Guadagnini ‘Cozio’ viola 1773 poster FOLDED VERSION
FOLDED VERSION
This viola is one of the first to be made by Giovanni Battista Guadagnini during his ‘Turin period’, which saw the crafting of some of his finest works. His regular income from Count Cozio di Salabue gave him greater freedom to experiment, as evidenced by this small-size viola with high-set f-holes and enlarged centre bouts. With a back length of 400mm, it has wide, full arching and a brilliant yellow-orange varnish. The poster includes high-definition CT scans as well as full measurements.
'The workmanship of the viola is of great quality and care: the archings are perfectly cut and finished, the interior appears to be in an excellent state of conservation, and it bears a number of the maker's marks' - Alberto Giordano in the January 2022 issue
Guarneri Del Gusu Heifetz, 1742
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Gibson viola, 1734
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Tuscan’ Medici’ Stradivari viola, 1690
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Maggini Contralto viola poster
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Domenico Montagnana cello 1740
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Andrea Amati ‘King’ cello poster
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G.B. Guadagnini 1774 Salabue Berta Violin poster
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Pietro Giacomo Rogeri cello 1717 poster
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‘Viotti’ Antonio Stradivari violin 1709 poster
One of the top Stradivari violins in the world, the 1709 'Viotti' helped to establish the master's name – thanks to its illustrious owner. The powerful tone and brilliance of sound created by this exceptional combination of instrument and performer (G.B. Viotti) helped to create the Stradivari legend. Includes measurements
‘The whole instrument seems to have been designed to be light, to exploit the minimum mass of wood in the plates and ribs which could support a low but characteristically stiff arching. The arching is full and seems undistorted and extremely regular. The front is delicately worked with a reverse gradation of 2.5–3mm around the perimeter reducing to 2mm in the centre. Yet still the arching is firm, with no sign of collapse around the fs or excessive pressure from the soundpost.’ – John Dilworth in the March 2006 issue
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An A-Z of Instrument Care by Jane Dorner (2nd Edition)
Matteo Gofriller violin 1700 poster
A classic example of the great Venetian's work: his own pattern with glorious varnish and individual wood selection. Includes measurements
'The violin's hollowed edge is characteristic and the purfling is swept across the corner in Stradivari fashion. The f-holes are typical of the Cremona-influenced Tyrolean makers – based on the Brothers Amati but wider and upright in stance. Over the wood Gofriller laid the most supple varnish, which often seems to have no substance at all but is steeped into the wood, turning it a deep burgundy colour. Beneath the dark patina there is a slight rose-madder tint to the red.' – John Dilworth in the December 2000 issue of The Strad
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G.B. Guadagnini viola 1785 poster
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
