Carlo Giuseppe Testore violin c.1703 poster
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Montagnana c.1720–Guarneri ‘del Gesù’ c.1742 ‘Paderewski, Wendling’ violin – FOLDED VERSION
FOLDED VERSION
This is a unique instrument with a body by Montagnana and a top plate by Guarneri 'del Gesù'. Artists such as Vilde Frang, Isabelle Faust and Augustin Dumay have unanimously praised the violin's sound, recognising its unmistakably ‘del Gesù’ character, with dark basses, great projection and a particularly warm and open E string.
'The large Venetian model combined with the distinctive ‘del Gesù’ front arching, well-preserved thickness and f-holes, offers a particularly attractive and inspiring reference model.' - Balthazar Soulier in the January 2025 issue.
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G.B. Guadagnini ‘Cozio’ viola 1773 poster FOLDED VERSION
FOLDED VERSION
This viola is one of the first to be made by Giovanni Battista Guadagnini during his ‘Turin period’, which saw the crafting of some of his finest works. His regular income from Count Cozio di Salabue gave him greater freedom to experiment, as evidenced by this small-size viola with high-set f-holes and enlarged centre bouts. With a back length of 400mm, it has wide, full arching and a brilliant yellow-orange varnish. The poster includes high-definition CT scans as well as full measurements.
'The workmanship of the viola is of great quality and care: the archings are perfectly cut and finished, the interior appears to be in an excellent state of conservation, and it bears a number of the maker's marks' - Alberto Giordano in the January 2022 issue
Lachmann Schwechter Guadagnini violin 1776 poster
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G.B. Rogeri violin 1704 poster
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Giuseppe Guarneri ‘filius Andrea’ violin 1705 poster
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‘Armingaud, Fernández Blanco’ Guarneri ‘del Gesù’ violin 1732 poster
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‘Muir-Mackenzie’ Stradivari violin 1694 poster
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José Contreras violin 1767 poster
This splendid violin from the so-called ‘Classical Age’ of Spanish violin making might well have been commissioned for King Charles IV. José Contreras (c.1710–82) was one of the greatest luthiers of the era, sometimes referred to as ‘the Spanish Stradivari’. The influence of the Cremonese master can clearly be seen in this fine instrument.
‘The general form of the arching is rounded and slightly bulbous, especially in the middle of the upper and lower bouts. The f-holes are very Stradivarian in form, and generally widely cut and broadly spaced on the front. The lower wings are lightly fluted and the nicks are typically small’ – John Dilworth in the December 2013 issue of The Strad
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‘Kruse’ Stradivari violin 1721 poster
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‘Armingaud, Fernández Blanco’ Guarneri ‘del Gesù’ violin 1732 poster – FOLDED VERSION
An extraordinarily well-preserved violin from Guarneri's middle period, the 'Armingaud, Fernández Blanco' languished for decades untouched until its rediscovery in a Buenos Aires wardrobe. The quality of its varnish and workmanship are exceptional.
'The "Armingaud, Fernández Blanco" is so well preserved that we can learn a great deal about the maker from it' – Frédéric Chaudière in the November 2017 edition of The Strad.
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Guarneri ‘del Gesù’ ‘Plowden’ violin 1735 poster
One of the finest and most acclaimed ‘del Gesù’ instruments in existence, the ‘Plowden’ is striking in its vivid freshness and particularly notable for the intense orange–red varnish on its stunning one-piece back. Includes scans and measurements.
'The ‘Plowden’ gives an outsize impression that defies its rather petite dimensions. Several factors combine to create this effect: the very broad-flamed maple back, the substantial thickness of the purfling, the wide-grained top, back arching that quickly rises from the relatively shallow channel, the open f-holes and, above all, the plentiful red varnish that lies with an almost sculptural effect over the undulating flames of the back.’ – Sam Zygmuntowicz in the July 2011 issue of The Strad
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Guarneri ‘del Gesù’ ‘Brusilow’ violin 1743 poster
A superb violin from the last years of the maker's life, the 'Brusilow' is in an incredible state of preservation. Played for many years by Anshel Brusilow during his years as concertmaster of the Philadelphia Orchestra, the instrument displays many of the idiosyncratic qualities that characterise the late period of 'del Gesù'. Includes scans and measurements.
'It has a kind of powerful three-dimensionailty that hits the eyes and makes the viewer want to touch it lightly in order to scan its unpredictable surface' – Alberto Giordano in the December 2015 issue of The Strad
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today. ***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***Jean-Baptiste Vuillaume cello 1865 poster
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G.B. Guadagnini 1774 Salabue Berta Violin poster – Flawed
This poster has damage in the form of a small rip and a crumple, both on the sides, not affecting the images or measurements.
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‘Sleeping Beauty’ Montagnana cello 1739 poster
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Guarneri Del Gusu Heifetz, 1742
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Gibson viola, 1734
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Tuscan’ Medici’ Stradivari viola, 1690
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Maggini Contralto viola poster
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Domenico Montagnana cello 1740
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Andrea Amati ‘King’ cello poster
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G.B. Guadagnini 1774 Salabue Berta Violin poster
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.