The Violin in 5ths – Developing Intonation and Sound
Heifetz, Oistrakh, Stern, Menuhin, Milstein, Szeryng, Ricci, Rabin…Their innate talent and outstanding skills made violin mastery seem natural and easy. As a young man, British violinist, concertmaster and Royal Academy of Music professor Rodney Friend had the privilege to collaborate with many of the virtuosos. During these encounters he observed the simplicity of their practice patterns and a tendency towards effortless posture and natural hand freedom. These observations became the cornerstones of a teaching method that he has developed and perfected over the past decades.
The Strad Masterclass: Solo Violin
James Ehnes, Hilary Hahn, Leonidas Kavakos, Maxim Vengerov, Nikolaj Znaider: some of the violin world's top names have given their thoughts on key works of string repertoire within The Strad's pages. Now, for the first time, Masterclass: Solo Violin brings together articles from the magazine's popular Masterclass section over the past nine years.
The Strad Masterclass: Solo Cello
Alban Gerhardt, Bonnie Hampton, Gary Hoffman, Jean-Guihen Queyras, Jan Vogler: some of the cello world’s top names have given their
Carl Flesch: The Art of Violin Playing Volume 1
This new translation of Carl Flesch’s classic work deals with practically everything of concern to the violinist. Flesch seeks to
Basics by Simon Fischer
Basics is a collection of practice methods and exercises for violin and viola players of all standards, from concert soloists