A rare example of an unaltered contralto viola from the middle period of the great 17th-century Brescian maker. Date unknown.
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Maggini Contralto viola poster
£22.95
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| Weight | 0.1 kg |
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Lord Wilton’ Guarneri ‘del Gesù’ violin 1742 poster
Once the concert instrument of Yehudi Menuhin, this magnificent violin makes an interesting contrast with the ‘Alard’ of the same year
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Jacob Stainer tenor viola c. 1650 poster
The only remaining tenor viola made by the Tyrolean maker Jacob Stainer reveals the maker's painstaking attention to detail and offers tantalising clues about Italian influence on his style. It is in superb condition: the scroll is a replacement but the rest of the instrument – including, remarkably, the neck and fingerboard – are believed to be original. The label, which is a facsimile, states that it was made in 1650. Includes measurements.
'The viola's most striking feature is its size. The body stretches more than 18 arm-aching inches. The neck is relatively short, however. In the 18th century, many tenor violas were cut down to more manageable sizes, though a few were left large. Three of the best examples are the 1690 Antonio Stradivari 'Medici', the 1574 Andrea Amati, and this Jacob Stainer' – Darren Freeman in the March 2010 issue of The Strad
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***
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Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
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Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
Great Instruments
Every generation of violin makers has sought to analyse and understand the classic forms, and, for the past 122 years, the violin world's leading experts have assessed the latest research into the finest instruments in the pages of The Strad. Great Instruments includes 15 authoritative and beautifully illustrated articles from the past ten years, which provide unique insights into some of the world's most celebrated stringed instruments.
Full list of featured instruments
- c.1566 Andrea Amati Violin
- c.1600 Brothers Amati Cello
- 1618 Henry Jaye Viol
- c.1650 Jacob Stainer Tenor viola
- 1709 Antonio Stradivari 'Viotti' violin
- 1715 Antonio Stradivari 'Titian' violin
- 1716 Antonio Stradivari 'Messiah' violin
- 1717 Domenico Montagnana Violin
- 1717 Pietro Giacomo Rogeri Cello
- 1721 Antonio Stradivari 'Kruse' violin
- 1735 Guarneri 'del Gesu' 'Plowden' violin
- 1736 Carlo Bergonzi Violin
- 1736 Guarneri 'del Gesu 'Cessole', 'Teja-Ferni'
- 1740 Domenico Montagnana Cello
- 1808 Niclas Lupot Violin
Nicolò Amati ‘Romanov’ Viola 1677 Poster
The 1677 'Romanov' was made when Nicolò Amati was 81 years old and clearly shows the hand of the master, along with that of his son, Girolamo Amati II. It has been part of the collections of the Venetian nobility and Russian imperial dynasty, and was for many years the concert instrument of Max Aronoff, violinist with the Curtis Quartet.
'This is only the third poster of a Nicolò Amati instrument in The Strad’s history – perhaps surprising given the maker’s significance to the world of violin making. Nicolò’s violins have been overshadowed by the great works of Stradivari, Guarneri ‘del Gesù’ and Guadagnini which are generally better for large concert halls: as a consequence, contemporary makers seldom choose Nicolò Amati models for their violins (unless making a Baroque instrument specifically). When it comes to violas, however, there is a different trend: when I was a judge at the 2018 Cremona Triennale it was a nice surprise for me to see how many violas were based on Amati models.
'When using a Stradivari violin pattern it’s important to respect the original design. It is not advisable to make significant changes to the proportions to a mould that is apparently perfect: you cannot mess up with a Strad model. For viola making, a Nicolò Amati model can be modified much more successfully without losing its original spirit and balance: the relationship between the f-holes and the central body, for instance, can be more easily modified when resizing the instrument. For this reason, it makes sense to publish a poster of a resized large viola; and given that digital technologies are now available to everyone, makers will be able to adjust the model according to their own needs and personal solutions.
'The good side of viola making is that there is still a great deal to be learnt in terms of sound research, and that it gives makers a chance to develop their own style while respecting the classical roots of our tradition.'
– Alberto Giordano in The Strad's December 2019 edition
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***
Basics by Simon Fischer
Basics is a collection of practice methods and exercises for violin and viola players of all standards, from concert soloists to students. Based on Simon Fischer's monthly series in The Strad, Basics makes it possible to work directly on any aspect of technique. Simon Fischer, performer and teacher, studied the violin in London with Yfrah Neaman and in New York with Dorothy DeLay.
Paperback. 231pp; illustrations.
