‘Conte Vitale’ Andrea Guarneri viola c.1676 poster
An important instrument from the first maker to concentrate on the smaller-pattern viola. Includes measurements.
‘Guarneri’s scrolls are always charming and totally distinctive. Careless in cutting the central eye perfectly round, he left a little tail into the first turn of the volute that is a Guarneri trademark, giving the bonus of having two different scrolls to enjoy either side of the one head. The fluting carries right round the front of the head and is very cleanly finished at the throat, ample testimony to Guarneri’s skill. What finally elevates this viola to highest rank is its almost entire coat of fine yellow varnish.’ – John Dilworth in the October 1996 issue.
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Brothers Amati tenor viola 1592 poster
A fine example of the rarely played tenor viola, which set the standard for all the great Cremonese makers. Includes measurements
‘Generally the workmanship, though clean and delicate, lacks something of the usual pristine quality which one would normally associate with a Brothers instrument. Fortunately true art is seldom precise and the majestic beauty of this head is not marred by any shortfall in mathematical symmetry.' – Roger Hargrave in the March 1993 issue
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
‘Alard’ Amati violin 1649 poster
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
Varnishes and Very Curious Secrets: Cremona 1747, ed. Vincenzo Gheroldi
This study is based on a collection of varnish recipes in an 18th-century manuscript in a Milan library. Based on this manuscript, Gheroldi, Stefania Vitale and Luciano Colombo provide the cultural background to the amateurs who wrote artistic recipe books and their preferences and technical skills in preparing varnishes for paintings, as well as 'Chinese varnishes' and varnishes for miniature paintings. Two further essays deal with 18th-century varnishes for violin making and restoration.
This is a fascinating document for understanding the techniques of the 'Golden Age' of Cremonese instruments, and to further experimentation for contemporary violin makers.
Paperback in hard box. 251pp; text in English and Italian.
Andrea Amati violin 1564 poster
The beauty of the workmanship, tonal properties and rich decoration of this royal instrument has seldom if ever been matched or surpassed. Includes measurements.
'For his scrolls, Andrea seems to have gone directly back to Nature itself. The concept was mathematically and optically so perfect that what followed over the centuries could only be a steady degeneration' – Roger Hargrave in the December 1991 issue of The Strad.
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
‘Servais’ Stradivari cello 1701 poster
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
Lord Wilton’ Guarneri ‘del Gesù’ violin 1742 poster
Once the concert instrument of Yehudi Menuhin, this magnificent violin makes an interesting contrast with the ‘Alard’ of the same year
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
The Strad Varnish Colour Swatch
The Strad Colour Swatch has been designed to help you match varnish colours between instruments. Ideal for specifying colours with partners and suppliers in other locations.
The collection of 70 graded and uniquely coded colour tabs comes with a protective plastic cover and should be an essential tool in your workshop.
