Pietro Guarneri of Mantua violin 1704 poster
Carlo Giuseppe Testore violin c.1703 poster
‘Schneider’ Gofriller cello 1693 poster
G.P. Maggini violin c.1630 poster
‘Alard’ Guarneri ‘del Gesù’ violin 1742 poster
‘De Munck’ Stradivari cello 1730 poster
‘Milanollo’ Stradivari violin 1728 poster
G.B. Rogeri violin 1704 poster
Nicolò Amati violin 1666 poster
Pietro Guarneri of Venice violin 1735 poster
‘Kochanski’ Guarneri ‘del Gesù’ violin 1741 poster
‘Muir-Mackenzie’ Stradivari violin 1694 poster
Lachmann Schwechter Guadagnini violin 1776 poster
Jacob Stainer violin 1679 poster
Alessandro Gagliano ‘Rotondo’ violin 1710 poster
Giuseppe Guarneri ‘filius Andrea’ violin 1705 poster
‘Kreisler’ Guarneri ‘del Gesù’ violin 1733 poster
Great Instruments
- c.1566 Andrea Amati Violin
- c.1600 Brothers Amati Cello
- 1619 Henry Jaye Viol
- c.1650 Jacob Stainer Tenor viola
- 1709 Antonio Stradivari 'Viotti' violin
- 1715 Antonio Stradivari 'Titian' violin
- 1716 Antonio Stradivari 'Messiah' violin
- 1717 Domenico Montagnana Violin
- 1717 Pietro Giacomo Rogeri Cello
- 1721 Antonio Stradivari 'Kruse' violin
- 1735 Guarneri 'del Gesu' 'Plowden' violin
- 1736 Carlo Bergonzi Violin
- 1736 Guarneri 'del Gesu 'Cessole', 'Teja-Ferni'
- 1740 Domenico Montagnana Cello
- 1808 Niclas Lupot Violin
Girolamo Amati II violin 1671 poster – FOLDED VERSION
Antonio Stradivari ‘Boissier, Sarasate’ Violin 1713 poster – FOLDED VERSION
Antonio Stradivari ‘Harrison’ violin 1693 poster – FOLDED VERSION
A perfect example of Stradivari's Long Pattern, the 'Harrison' was for many years the principal performing instrument of Kyung Wha Chung. It is now part of the collection of the National Music Museum in Vermillion, South Dakota, US.
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Antonio Stradivari ‘King Carlos IV’ violin 1709 poster – FOLDED VERSION
FOLDED VERSION
The ‘King Carlos IV’ is one of the few instruments remaining from the collection of the Spanish king, who ruled from 1788 to 1808. Made during Stradivari’s ‘golden period’, it is one of the rare examples that is so well preserved that its sound is seldom matched by other violins of the era. The maple back has deep, wide flames descending slightly, which shimmer like water in the light. The scroll is incredibly round and bold, displaying an ultimate strength in making.
Florian Leonhard examines its history and present condition in The Strad magazine July 2023