March-2017
February-2017
January-2017
We examine how today's composers are pushing the boundaries of the violin concerto form, and Sam Zygmuntowicz discusses the cutting edge of violin research. Augustin Hadelich completes his Tchaikovsky Masterclass and we talk to the Emerson Quartet, 40 years after its formation. Plus Lynn Harrell's Sentimental Work.
December-2016
Tasmin Little discusses her love for British composers and we examine the 1727 ‘Benvenuti’ Stradivari violin using high-resolution micro-CT scans. Sarah Chang talks about her love of Brahms and Augustin Hadelich gives a detailed guide to Tchaikovsky’s Violin Concerto in Masterclass. Plus a collector’s guide to Bloch’s Schelomo
November-2016
October-2016
Violinist Julia Fischer and cellist Daniel Müller-Schott talk about the challenges of working as a duo; Kronos Quartet violinist David Harrington discusses the ensemble’s relationship with composer Pelle Gudmundsen-Holmgreen; five string players in their twenties describe their experiences of building a performing career; and Paul Silverthorne gives fingerings and annotations for Brahms's Viola Sonata op.120 no.2.
September-2016
In this education-themed special issue, veteran violinist–violist Pinchas Zukerman talks about his life in string education; we take a look at the effectiveness of improvisation as a learning tool; lutherie schools divulge how they approach sound; and we explore the work of Dall'Aglio and Coppi, two Mantuan makers of the early 19th century.
August-2016
June-2016
What can the corners of Stradivari’s instruments tell us about the forms he used? Was Maud Powell the first virtuoso to favour a modern instrument? What are the best recordings of Prokofiev’s First Violin Concerto? The Strad investigates all this and more in its June issue, also containing interviews with Antje Weithaas, Nils Mönkemeyer and Lionel Handy.
April-2016
Frank Peter Zimmermann graces the cover of our special German issue, with articles on the Klotz violin making dynasty and modern-day luthier Stefan-Peter Greiner. Auction house directors give their top tips on buying instruments at auction, and Augustin Hadelich discusses Tchaikovsky’s Violin Concerto. Plus, the favourite encores of Leonidas Kavakos, Hilary Hahn, Arabella Steinbacher
March-2016
We report on the 2015 VSA/Oberlin Violin Makers Workshop, where 60 luthiers collaborated on a brand new model of violin. James Ehnes gives a Masterclass on Beethoven’s ‘Spring’ Sonata and we examine two cellos by the lesser-known maker Antonio Casini. Plus interviews with David Geringas, Christian Poltéra, Lynn Harrell, Rosalind Ventris and many more.
February-2016
In a French-themed issue, cellist Gautier Capuçon discusses his series of masterclasses for postgraduates and we report on new research that casts light on luthier Nicolas Lupot’s career. Paul Childs gives an in-depth appraisal of a Dominique Peccatte bow and we examine Pierre Fournier’s playing style in Great Cellists. Plus Pierre Amoyal on Heifetz and Saint-Saëns.
January-2016
Leonidas Kavakos discusses the Sibelius Violin Concerto and we explore the life of Paganini’s protégé Camillo Sivori. There’s a close-up examination of a Balestrieri violin and Ray Chen gives a Mozart Masterclass. Plus Summerplus 2016 – your guide to courses for players, teachers and makers worldwide.
November-2015
In a North America-themed issue, we track the evolution of violin making in the US (with full-length photos of 10 instruments by American makers). We visit the elite Domaine Forget music camp in Canada, and examine the Metropolitan Museum of Art’s collection of Cremonese instruments. Plus articles by double bassists Edgar Meyer and Joel Quarrington, and our FREE 36-page Accessories 2015 supplement
October-2015
The members of the Pavel Haas Quartet discuss their love of Czech music, and we reconstruct Stradivari’s house and workshop from historical clues. Alban Gerhardt gives a Masterclass on Dvořák and Richard Tognetti reflects on performing Bach. Plus double bassist François Rabbath on improving finger dexterity.
July-2015
We speak to the current members of the Borodin Quartet, celebrating its 70th anniversary this month, and reveal new findings about Mantua luthier Tommaso Balestrieri. Cellist Alexander Baillie analyses Britten, Lawrence Wheeler gives hints on playing spiccato, and we examine a late Guarneri ‘del Gesù’ for In Focus..
May-2015
In a special edition to mark The Strad’s 125th anniversary, we look through the photo archives for some of the highlights of the past 13 decades. We examine how the dawn of recording influenced string playing, pay tribute to New York violinist David Nadien and examine possibly the world’s oldest cello: the Andrea Amati ‘King’.
March-2015
Nikolaj Znaider discusses how conducting informs his string playing, with further insights on the subject from Joshua Bell, Maxim Vengerov and Julian Rachlin among others. Instrument dealers explain how they help customers find their perfect instrument, and bassist Leon Bosch completes his analysis of Dittersdorf’s Second Double Bass Concerto. Plus violist Bruno Giuranna on tone production.
February-2015
Philippe Graffin is on the cover of a French-themed issue, with articles on bow maker Joseph Lafleur, lutherie in Mirecourt, and Jean-Jacques Kantorow on Tartini. Plus a new series on Great Cellists begins with Paul Tortelier, Raphael Wallfisch gives tips on playing Tchaikovsky's Rococo Variations, and what classical players can learn from playing alternative styles
November-2014
James Ehnes is on the cover of our North America-focused issue, in which we pay tribute to the late bow maker William Salchow, report on schemes to promote diversity in US orchestras, and examine recordings of Leonard Bernstein’s Serenade. Plus, cellist Natalie Clein gives a Saint-Saëns Masterclass and Philip Kass examines the lives of Mantuan luthiers.
May-2014
Violinist Nadja Salerno-Sonnenberg talks about her multifaceted career and the Kronos Quartet looks back on 40 years at the cutting edge of contemporary music. Teachers discuss ways of preparing their students for orchestral auditions and we investigate the complex world of insurance for players and makers. Plus, Peter Herresthal gives a Masterclass on Thomas Adès.
March-2014
We investigate Berlin’s burgeoning chamber music scene in a German-themed issue, and find out why the nation’s music schools are so highly regarded. String players and luthiers remember the fall of the Berlin Wall in 1989 and Antoine Tamestit gives a Masterclass on Bach. Plus, cellist Jan Vogler’s practice diary and an in-depth interview with the Mandelring Quartet
January 2024
We examine the 1713 ‘Boissier, Sarasate’ violin by Antonio Stradivari and chat to young virtuoso cellist Zlatomir Fung. There’s a look at how Maud Powell championed the Sibelius Violin Concerto in the US, and Carolin Widmann reveals her Life Lessons. Plus a Mozart Masterclass with Dmitry Sitkovetsky
Read more in The Strad
September-2020
August-2020
November-2019
October-2019
Raphael Wallfisch marks the centenary of Elgar's Cello Concerto with the story of the work's composition, premiere and subsequent interpretations. Plus we speak to the Kuss Quartet about performing Beethoven on the 'Paganini' set of Stradivaris, and investigate how instrument set-up can affect sound.
March-2019
June-2018
We complete our analysis of the ‘Vieuxtemps’ Guarneri, with Anne Akiko Meyers’ views on playing the priceless violin. There’s a look at the pitfalls of playing outdoors, we go in search of Stradivari’s ‘lost’ mould, and Kyung Wha Chung gives her Life Lessons.
Plus Accessories 2018: your guide to strings, bridges, rosin, pickups, and much more.
May-2018
The Strad Directory 2018
December-2017
Buy the December 2017 issue of The Strad. Includes focus on Stradivari's final years and the turbulent social and political times in Cremona from 1702 to 1737.
Plus Renaud Capuçon on teaching; Steven Isserlis’ trench cello; double bassist Barry Guy; Dragonetti’s Gasparo da Salò bass and its seismic effect on English luthiery; Trondheim Chamber Music Festival; an 1856 violin by Giuseppe Rocca; luthiers David Finck and Eric Benning; exercises to release tension and improve movement; Daniel Müller-Schott on Shostakovich’s First Cello Concerto
The Strad Calendar 2018: The Friends of Stradivari
July-2016
Chamber music tutor Tim Frederiksen discusses putting together string quartets and we examine the history of violin making in Amsterdam. Joshua Bell and Steven Isserlis discuss their latest collaboration, and there’s an In Focus on a Stradivari cello. Plus bassist Dan Styffe on Arvo Pärt’s Spiegel im Spiegel.
May-2016
In a special edition to mark the 100th anniversary of Yehudi Menuhin’s birth, we ask some of the people who knew him best fr their memories of the great violinist. We also explore Menuhin’s photo archive and examine his favourite instrument, the ‘Lord Wilton’ Guarneri. Plus two free supplements: Cremona 2016 and Degrees, your guide to string teaching courses around the world.
December-2015
Baroque violinist Rachel Podger discusses the perils of scordatura and we a late-period Guarneri violin comes under scrutiny. Christian Tetzlaff completes his Masterclass on Beethoven, there’s a Kodály retrospective and double bassist DaXun Zhang gives his Practice Diary. Plus Jan Vogler on Tchaikovsky’s Rococo Variations
September-2015
Violinist Nicola Benedetti discusses her work with young players in our education special, while recent competition winners discuss their practice methods. We look back at the life and teaching style of luthier Peter Paul Prier, and Roby Lakatos gives a guide to gypsy fiddling. Plus Jaime Laredo and Sharon Robinson on the Brahms ‘Double’
August-2015
We talk to Itzhak Perlman, 70 this month, and investigate the story of America’s first female violin maker. Lynn Harrell gives a guide to resonant cello sound, and Rachel Barton Pine explains why Mozart’s Third Violin Concerto is her ‘good friend’. Plus a Masterclass on Brahms’s Viola Sonata and a tribute to Lindsay Quartet co-founder Peter Cropper.
June-2015
We talk to the Carducci Quartet about its upcoming Shostakovich quartet cycle, and examine the career of Gregor Piatigorsky. There’s a report on how acting techniques can benefit string players, and the second of two articles on the Andrea Amati ‘King’ cello. Plus Hilary Hahn on Vieuxtemps, Christian Tetzlaff on Beethoven, and a celebration of Leopold Auer’s life and career.