- ELGAR CELLO CONCERTO AT 100: To mark a century since the work’s premiere, Raphael Wallfisch tells the story of its composition, and gives some insights into its performance
- ‘PAGANINI’ STRADIVARIS: Gavin Dixon travels to Tokyo to hear the Kuss Quartet perform a complete Beethoven cycle on four Strads, all previously owned by Nicolò Paganini
- GAETANO SGARABOTTO: A fine luthier in his own right, the Italian maker had a flair for copying the old masters, as Andrea Zanrè shows though a comparison of his scrolls
- MUSIQUE & VIN AU CLOS VOUGEOT: The Burgundy region of France hosts an annual festival dedicated, as its name suggests, to music and wine. Charlotte Gardner has a heady experience there
- FINGERBOARDS AND TAILPIECES: In the first of two articles on violin set-up, Joseph Curtin examines how these two essential parts of an instrument can affect its acoustics and resonance
- LIFE LESSONS: Violinist Richard Tognetti
- OPINION: New works should be played more than just once in their lifetimes
- POSTCARD FROM MOSCOW: Report from the violin section of the Tchaikovsky Competition
- POSTCARD FROM ST PETERSBURG: The cello section of the same competition
- IN FOCUS: A 1759 viola by Petter Hellstedt
- TRADE SECRETS: Janet Starck-Toon explains her restoration method of recreating purfling
- MY SPACE: The workshop of the Cremona-based Hungarian luthier Stefano Conia
- MAKING MATTERS: Making ten copies of a bow
- MASTERCLASS: Daniel Müller-Schott on the third movement of Franck’s Cello Sonata
- TECHNIQUE: Fingerboard mapping for harmony and improvisation
- SENTIMENTAL WORK: Boris Kuschnir’s memories of playing Mozart’s Violin Concerto no.4
Raphael Wallfisch marks the centenary of Elgar’s Cello Concerto with the story of the work’s composition, premiere and subsequent interpretations. Plus we speak to the Kuss Quartet about performing Beethoven on the ‘Paganini’ set of Stradivaris, and investigate how instrument set-up can affect sound.
Only 7 left in stock
|Dimensions||21 x 30 x 0.5 cm|
The Strad ’s second compilation of fascinating articles, written within the last 5 years, brings together fine instruments by some of the world’s greatest instrument experts. In this new anthology, every instrument has been given three pages to include more close-up photographs, archings, angles and tiny details.
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The Strad is the world’s most authoritative and influential string music magazine, read by makers, musicians and teachers since 1890. It brings you Interviews with star string players, In-depth articles examining instruments by master makers, reports on the latest advances in instrument research and technology, Masterclass sheet music section and news, comment and analysis from the string music world and more.
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- Three special supplements and The Strad Directory
- Archive of digital issues from January 2010
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- Two detailed instrument posters a year
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For a limited time only, The Strad is issuing the first in the In Focus series with a beautiful, new limited edition cover.
This collection of articles from The Strad’s long-running In Focus series brings together more than 80 fascinating stringed instruments, with commentaries by some of today’s top instrument experts.
Makers include Antonio Stradivari, Guarneri ‘del Gesù’ and G.B. Guadagnini, but also lesser-known masters such as Paul Knorr, Dante Baldoni, Charles Nicolas Altermatt and many others. This makes it an essential resource for anyone seeking to extend their lutherie knowledge into areas and makers whose work is more rare, and a significant addition to the lutherie literature.
In Focus features exceptional high-quality photographs for every featured instrument – front, back and scroll – this book will provide inspiration for today’s makers and anyone who enjoys the beauty and variety of stringed instruments.