Violinist Nadja Salerno-Sonnenberg talks about her multifaceted career and the Kronos Quartet looks back on 40 years at the cutting edge of contemporary music. Teachers discuss ways of preparing their students for orchestral auditions and we investigate the complex world of insurance for players and makers. Plus, Peter Herresthal gives a Masterclass on Thomas Adès.
|Dimensions||21 x 30 x 0.5 cm|
Buy the December 2017 issue of The Strad. Includes focus on Stradivari’s final years and the turbulent social and political times in Cremona from 1702 to 1737.
Plus Renaud Capuçon on teaching; Steven Isserlis’ trench cello; double bassist Barry Guy; Dragonetti’s Gasparo da Salò bass and its seismic effect on English luthiery; Trondheim Chamber Music Festival; an 1856 violin by Giuseppe Rocca; luthiers David Finck and Eric Benning; exercises to release tension and improve movement; Daniel Müller-Schott on Shostakovich’s First Cello Concerto
We complete our analysis of the ‘Vieuxtemps’ Guarneri, with Anne Akiko Meyers’ views on playing the priceless violin. There’s a look at the pitfalls of playing outdoors, we go in search of Stradivari’s ‘lost’ mould, and Kyung Wha Chung gives her Life Lessons.
Plus Accessories 2018: your guide to strings, bridges, rosin, pickups, and much more.
James Ehnes, Hilary Hahn, Leonidas Kavakos, Maxim Vengerov, Nikolaj Znaider: some of the violin world's top names have given their thoughts on key works of string repertoire within The Strad's pages. Now, for the first time, Masterclass: Solo Violin brings together articles from the magazine's popular Masterclass section over the past nine years.