In a North American special, we talk to double bassist Joseph Conyers and look at the work of the Sphinx Organization. There’s a look at the immigration of German bow makers to the US and we find out how over 30 luthiers collaborated on a single cello at Oberlin. Plus Aleksey Igudesman’s Sentimental Work.

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We talk to the Leonkoro Quartet and investigate the history of the Hardanger fiddle. There’s a look at Pablo Casals’ unique interpretation of Bach’s Cello Suites, and double bassist Leon Bosch gives a Masterclass on Koussevitzky. Plus interviews with Johan Dalene, Nils Mönkemeyer and Sergej Krylov.

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In an education special, we talk to violinist Randall Goosby and explore strategies to help adult learners on the cello. There’s a look at training a lutherie apprentice, and what conservatoires are doing to safeguard students’ mental health. Plus interviews with Hilary Hahn, Ronald Copes and Eldbjørg Hemsing.

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Nicola Benedetti talks about becoming director of the Edinburgh International Festival, and there’s a look at the life of luthier Marino Capicchioni. We ask what Stradivari used as a pre-varnish preparation layer, and Julian Rachlin gives his Sentimental Work. Plus a Dvořák Masterclass with Pavel Šporcl.

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We examine the 1709 ‘King Carlos IV’ Stradivari violin and chat to US fiddler Mark O’Connor. There’s a look at the early history of Brahms’s Violin Concerto and cellist Thomas Demenga gives a Debussy Masterclass. Plus our annual Accessories supplement.

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British cellist Ayanna Witter-Johnson discusses her influences and we report on the efforts to help young displaced musicians from Ukraine. There’s a Masterclass on Fauré and we mark the 100th anniversary of Ligeti’s birth. Plus Francesca Dego’s Sentimental Work.

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Alina Ibragimova talks about her latest projects and we take a look at the work of Luthiers sans Frontières. Blind violist Myra Ross discusses her playing methods and we examine the various versions of Shostakovich’s Cello Sonata. Plus Antoine Tamestit’s Sentimental Work.

In a North America special, we talk to the Emerson Quartet and investigate black community orchestras in the United States. There’s an interview with violinist–composer Caroline Shaw and Matt Wehling completes his examination of Voirin bows. Plus Nicolas Altstaedt’s Sentimental Work.

We talk to the Danish Quartet about the philosophy behind their music, and explore the history of the baryton. There’s a look at violin making in Argentina and the story of Russia cello tutor Natalia Shakhovskaya. Plus Jean-Guihen Queyras’s Life Lessons.

Carolin Widmann is the cover star of a German-themed issue, with a profile of the 12 Cellists of the Berlin Philharmonic and the story of collector Baron Johann Knoop. We look at how luthiers can calculate their instrument prices, and the Tippett Quartet discuss recording Korngold. Plus cellist Tanja Tetzlaff’s Sentimental Work.

Christian-Pierre La Marca is on the cover of a French-themed issue, in which we examine pedagogue Lucien Capet’s legacy and luthier Pierre Flavetta investigates Cremonese varnish. There’s a look inside David Ayache’s Montpellier workshop and Yann Poulain explores modern lutherie techniques. Plus Midori’s 40 years in the spotlight

British violinist Daniel Pioro discusses his influences and we ask how players can get the most out of entering competitions. There’s a Masterclass on Beethoven’s Grosse Fuge and we rewrite the early history of Russian bow making. Plus cellist Matt Haimovitz’s Life Lessons

We take a close look at the 1693 ‘Harrison’ Stradivari violin and speak to superstar Czech violinist Pavel Šporcl. There’s a look at the late bows of François Xavier Tourte and a peep into the orchestra pit at the Bayreuth Festival. Plus violinist Philippe Quint’s Sentimental Work.