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Home Produced by The Strad Single issues March 2024
February 2024 £5.95
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April 2024 £5.95

March 2024

£5.95

We talk to superstar violinist Augustin Hadelich and explore the life of composer Pierre Rode. Cellist Laurence Lesser looks back on his six-decade career and there’s a Masterclass on Ravel’s Violin Sonata no.2. Plus a look at setting up a double bass, and Gidon Kremer reveals his Sentimental Work.

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SKU: Mar-24 Categories: Produced by The Strad, Single issues
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Contents:

  • AUGUSTIN HADELICH The superstar violinist talks to Ariane Todes about his European upbringing, his myriad influences and his various performance techniques
  • LAURENCE LESSER The US cellist and pedagogue looks back on his life and career, with personal reminiscences of some of the greatest string players of the 20th century
  • OTTO SCHÜNEMANN Now almost forgotten, the 19th-century luthier had an idealistic vision to bring the glories of Cremona to his peers in Germany. Clifford Hall tells his story
  • SESSION REPORT Violinist Francesca Dego tells Peter Quantrill about the recording of her latest album, which brings together the violin concertos of Brahms and Busoni
  • PIERRE RODE Born 250 years ago, the French violinist is best remembered for his 24 Caprices – but there was much more to his life and music, as Charlotte Gardner discovers
  • DOUBLE BASS SET-UP Arnold Schnitzer presents a practical guide for luthiers and keen instrumentalists encompassing everything from the fingerboard to the soundpost and tailpiece

Regulars:

  • IN FOCUS An 1899 viola by Luigi Rovatti
  • TRADE SECRETS A restoration method for creating a new button on the back plate
  • MY SPACE Laufer & Klein of Landshut, Germany
  • MAKING MATTERS Wolfgang Schiele on the use of the ‘golden ratio’ in Cremonese lutherie
  • MASTERCLASS Curtis Stewart gives his thoughts on playing the ‘Blues’ second movement of Ravel’s Violin Sonata no.2 in G major
  • TECHNIQUE Violinist Jack Liebeck gives hints on how to use the lower half of the bow
  • LIFE LESSONS The memories and opinions of US double bassist Christopher Hanulik
  • OPINION Is it more challenging to play at the back of a section than at the front?
  • POSTCARD FROM HONG KONG A report from the eleventh edition of the Musicus Fest
  • FROM THE ARCHIVE From March 1914
  • SENTIMENTAL WORK Violinist Gidon Kremer on Raminta Šerkšnytė’s This too shall pass
Additional information
Weight 0.48 kg
Dimensions 21 × 30 × 0.5 cm

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