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Home Produced by The Strad Single issues January 2024
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January 2024

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We examine the 1713 ‘Boissier, Sarasate’ violin by Antonio Stradivari and chat to young virtuoso cellist Zlatomir Fung. There’s a look at how Maud Powell championed the Sibelius Violin Concerto in the US, and Carolin Widmann reveals her Life Lessons. Plus a Mozart Masterclass with Dmitry Sitkovetsky

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SKU: Jan-24 Categories: Produced by The Strad, Single issues
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Contents:

  • ANTONIO STRADIVARI ‘BOISSIER, SARASATE’ VIOLIN 1713 –  Roberto Jardón Rico examines one of the best-preserved of the master luthier’s instruments, formerly owned by the Spanish virtuoso Pablo Sarasate
  • ANALYSING THE ‘BOISSIER, SARASATE’  – The Stradivari violin has recently undergone experimental modal analysis to discover how it vibrates. George Stoppani presents the results of the research
  • ZLATOMIR FUNG – Amanda Holloway speaks to the youngest cellist ever to win first prize at the International Tchaikovsky Competition, to find out where he goes from here
  • ALL-FEMALE STRING QUARTETS – In the first of two articles, Tully Potter reports on the phenomenon of female chamber musicians forming their own ensembles in the early 20th century
  • SESSION REPORT – British cellist Laura van der Heijden talks to Tom Stewart about her latest album with pianist Jâms Coleman, inspired by composers’ conceptions of the moon
  • MAUD POWELL AND SIBELIUS – The acclaimed US violinist was the first to champion the Finnish composer’s Violin Concerto in America. Karen A. Shaffer explores their friendship

Regulars:

  • IN FOCUS – A 1925 violin by Giuseppe del Lungo
  • TRADE SECRETS – William Szott’s method for half-edging a top plate with a router
  • MY SPACE – Martin Kuhn of Diessenhofen
  • MAKING MATTERS – How and why G.B. Ceruti restored the wood of his own instruments
  • MASTERCLASS – Dmitry Sitkovetsky on the first movement of Mozart’s A major Violin Concerto
  • TECHNIQUE – Violinist Alda Dizdari discusses different aspects of bow distribution
  • LIFE LESSONS – The memories and opinions of German violinist Carolin Widmann
  • OPINION – Why violin fingerboards should be available in different widths
  • POSTCARD FROM DORSET – Report from the Purbeck International Chamber Music Festival
  • FROM THE ARCHIVE – From January 1904
  • SENTIMENTAL WORK – Cellist Ophélie Gaillard talks about her love for Bloch’s Schelomo
Additional information
Weight 0.48 kg
Dimensions 21 × 30 × 0.5 cm

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