Features:
- Experimental teaching methods: Donald Weilerstein, Natasha Brofsky and Ali Kian Yazdanfar
- Ševčík’s female pupils: The renowned Czech pedagogue was progressive in his tuition of women
- Session report: Thomas Zehetmair and the Orchestre d’Auvergne
- Life Lessons: Matthew Barley
- Opinion: Young people need to learn to listen
- Postcard from: the Carl Nielsen International Violin Competition
- Masterclass: Violist Philip Dukes on Mozart’s Sinfonia Concertante
- Technique: Cellist Adriana Larosa Ransom on left-hand finger independence
- Sentimental Work: Vadim Gluzman on Pēteris Vasks’ Violin Concerto ‘Distant Light’
- Stradivari’s moulds, part 2: Philip Ihle and Andrea Zanrè on matching the master’s violins with the surviving forms
- Bow chamfers: From the Baroque era to the present day
- In Focus: A c.1870 viola by Carl Mettus Weis
- Trade Secrets: Christopher Thorp’s method for making a mould and rib structure
- My Space: French luthier Charlélie Dauriat
- Making Matters: The function of the violin string between the peg and fingerboard nut