- Antoine Tamestit: The French violist on the Goldberg Variations and Bach’s viola da gamba sonatas
- 1672 ‘Gustav Mahler’ Stradivari Viola: The earliest surviving viola by the master luthier
- Michel Van Der Aa Concerto: For Patricia Kopatchinskaja and Sol Gabetta
- Edinburgh Quartet: Their innovative apprenticeship scheme
- Lutherie Cost And Time: How much time and money does it take to make a single violin?
- Strings In Uganda: How string players are faring in the central African nation
- In Focus: A c.1870 cello by William Forster II
- Trade Secrets: Regluing corner-blocks that have been split
- My Space: Hungarian luthier Pál Rácz
- Making Matters: Giving a chamber orchestra the same Baroque set-up
- Masterclass: Saint-Saëns’s Introduction and Rondo capriccioso, with Rodney Friend
- Technique: Violinist Pavel Berman on chords
- Sentimental Work: Gary Hoffman on Brahms’s Cello Sonata op.99
- Life Lessons: British cellist Natalie Clein
- Opinion: Does Harold en Italie contain a secret message to violists?
- Postcard From Windsor: The Windsor Festival International String Competition
Antoine Tamestit discusses his new recordings and we examine his viola, the 1672 ‘Gustav Mahler’ Stradivari. There’s a look at string teaching in Uganda and we have interviews with Sol Gabetta, Patricia Kopatchinskaja, Gary Hoffman, Natalie Clein – and many more!
|Dimensions||21 x 30 x 0.5 cm|
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The Strad is the world’s most authoritative and influential string music magazine, read by makers, musicians and teachers since 1890. It brings you Interviews with star string players, In-depth articles examining instruments by master makers, reports on the latest advances in instrument research and technology, Masterclass sheet music section and news, comment and analysis from the string music world and more.
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For a limited time only, The Strad is issuing the first in the In Focus series with a beautiful, new limited edition cover.
This collection of articles from The Strad’s long-running In Focus series brings together more than 80 fascinating stringed instruments, with commentaries by some of today’s top instrument experts.
Makers include Antonio Stradivari, Guarneri ‘del Gesù’ and G.B. Guadagnini, but also lesser-known masters such as Paul Knorr, Dante Baldoni, Charles Nicolas Altermatt and many others. This makes it an essential resource for anyone seeking to extend their lutherie knowledge into areas and makers whose work is more rare, and a significant addition to the lutherie literature.
In Focus features exceptional high-quality photographs for every featured instrument – front, back and scroll – this book will provide inspiration for today’s makers and anyone who enjoys the beauty and variety of stringed instruments.