£29.95
329 in stock
This collection of Trade Secrets articles from The Strad’s archives is an essential addition to any instrument maker’s library. It includes sections on edgework, purfling, varnish and repair, and makes an invaluable resource in combination with The Best of Trade Secrets 2, 3 & 4.
The contents listing of this product is available to download here.
| Weight | 0.455 kg |
|---|---|
| Dimensions | 29.5 x 21.5 cm |
Stradivari’s ‘Messiah’, one of the most revered instruments ever made, gets a full appraisal including dendrochronological analysis. Fabio Biondi discusses
This month’s issue features a detailed analysis of the ‘Plowden’ Guarneri ‘del Gesù’ violin, an interview with double bass pedagogue
The only remaining tenor viola made by the Tyrolean maker Jacob Stainer reveals the maker’s painstaking attention to detail and
What can the corners of Stradivari’s instruments tell us about the forms he used? Was Maud Powell the first virtuoso
Bundle contains:
The latest collection of articles from The Strad’s popular Trade Secrets section brings together methods for everything from reinforcing a cello neck
Written by luthiers for luthiers, this third compilation of articles from The Strad’s popular Trade Secrets section brings together over
The Best of Trade Secrets 2 is a 120-page collection of lutherie techniques used by 29 of today's top makers,
The Strad Colour Swatch has been designed to help you match varnish colours between instruments. Ideal for specifying colours with partners
A fine example of the rarely played tenor viola, which set the standard for all the great Cremonese makers. Includes
A fine example of a long-pattern Stradivari, showing a marked divergence from the Amati pattern. Includes measurements. ‘With the exception
A remarkably preserved violin by the most popular non-Italian maker of his day, and one of the few Classical violins
A characteristic violin from the end of the Brescian maker’s career, clearly showing the influence of Amati. Includes measurements. ‘Although
This study is based on a collection of varnish recipes in an 18th-century manuscript in a Milan library. Based on
