An important instrument from the first maker to concentrate on the smaller-pattern viola. Includes measurements.
‘Guarneri’s scrolls are always charming and totally distinctive. Careless in cutting the central eye perfectly round, he left a little tail into the first turn of the volute that is a Guarneri trademark, giving the bonus of having two different scrolls to enjoy either side of the one head. The fluting carries right round the front of the head and is very cleanly finished at the throat, ample testimony to Guarneri’s skill. What finally elevates this viola to highest rank is its almost entire coat of fine yellow varnish.’ – John Dilworth in the October 1996 issue.
Sold out
‘Conte Vitale’ Andrea Guarneri viola c.1676 poster
£22.95
An important instrument from the first maker to concentrate on the smaller-pattern viola. Includes measurements.
‘Guarneri’s scrolls are always charming and totally distinctive. Careless in cutting the central eye perfectly round, he left a little tail into the first turn of the volute that is a Guarneri trademark, giving the bonus of having two different scrolls to enjoy either side of the one head. The fluting carries right round the front of the head and is very cleanly finished at the throat, ample testimony to Guarneri’s skill. What finally elevates this viola to highest rank is its almost entire coat of fine yellow varnish.’ – John Dilworth in the October 1996 issue.
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
Out of stock
Description
Additional information
| Weight | 0.1 kg |
|---|
Related products
Tuscan’ Medici’ Stradivari viola, 1690
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
Gibson viola, 1734
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
In Focus
For a limited time only, The Strad is issuing the first in the In Focus series with a beautiful, new limited edition cover.
This collection of articles from The Strad’s long-running In Focus series brings together more than 80 fascinating stringed instruments, with commentaries by some of today’s top instrument experts.
Makers include Antonio Stradivari, Guarneri ‘del Gesù’ and G.B. Guadagnini, but also lesser-known masters such as Paul Knorr, Dante Baldoni, Charles Nicolas Altermatt and many others. This makes it an essential resource for anyone seeking to extend their lutherie knowledge into areas and makers whose work is more rare, and a significant addition to the lutherie literature.
In Focus features exceptional high-quality photographs for every featured instrument – front, back and scroll – this book will provide inspiration for today’s makers and anyone who enjoys the beauty and variety of stringed instruments.
In Focus 3
This new collection of articles from The Strad’s long-running In Focus section brings together violins, violas, cellos and double basses by some of the greatest instrument makers in history. Instruments by famous luthiers such as Nicolò Amati and G.B. Guadagnini are featured alongside the work of less well-known names such as Domenico Degani and Joseph Marquès. Each article showcases the full-length front and back of each instrument along with close-ups and angled shots, as well as some comments on its form and construction, and a brief biography of the maker. In Focus 3 belongs on every violin maker’s shelf alongside the two previous collections.
Don't miss out! Purchase the first two In Focus collections along with this brand new third one today, and save £24 when you buy all three. Click here to purchase the In Focus 3-book bundle, saving 20%.
Basics by Simon Fischer
Basics is a collection of practice methods and exercises for violin and viola players of all standards, from concert soloists to students. Based on Simon Fischer's monthly series in The Strad, Basics makes it possible to work directly on any aspect of technique. Simon Fischer, performer and teacher, studied the violin in London with Yfrah Neaman and in New York with Dorothy DeLay.
Paperback. 231pp; illustrations.
