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Home Produced by The Strad Single issues November 2024
October 2024
October 2024 £5.95
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November 2024

£5.95

We talk to US violinist Rachel Barton Pine and explore the world of string groups in the US military. There’s a retrospective of Leonid Kogan and a Saint-Saëns Masterclass with Max Baillie. Plus interviews with US cellists Alisa Weilerstein and Astrid Schween.

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SKU: Nov-24 Categories: Produced by The Strad, Single issues
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Contents:

  • RACHEL BARTON PIN The American violinist talks to Ariane Todes about her eclectic playing career, ranging from heavy metal to her new recording of Corelli violin sonatas
  • STRING GROUPS IN THE US MILITARY Rita Fernandes speaks to string players from the US Air Force, Army and Marine Corps about their experience as military musicians
  • GIORGIS FAMILY Claudio Amighetti explores the lives of Nicola Giorgis and his daughter Francesca Maria – possibly the first female luthier to run her own business
  • SESSION REPORT Violinist Fenella Humphreys and composer Adrian Sutton talk to Michael White about the inspiration, genesis and recording of Sutton’s Violin Concerto
  • LEONID KOGAN CENTENARY Marking the 100th anniversary of the Russian violinist’s birth, Tully Potter looks back at his life and talks to former student Isabelle Flory about his teaching style
  • DOUBLE BASS REPAIR The size of the bass can be off-putting to luthiers working alone. Nick Lloyd describes his one-person method for re-fitting a bass top after a repair job.

Regulars:

  • IN FOCUS A 1740 violin by J.C. Hoffmann
  • TRADE SECRETS Luthier Renate Fink presents her method for making a peg shaper
  • MY SPACE Hawai‘i-based luthier Yam Uri Raz
  • MAKING MATTERS How ten luthiers in nine countries collaborated on a single violin
  • MASTERCLASS Violinist Max Baillie gives his thoughts on the Havanaise by Saint-Saëns
  • TECHNIQUE US violist Jordan Bak gives tips on how to find flexibility in the left hand
  • LIFE LESSONS The memories and opinions of American cellist Alisa Weilerstein
  • OPINION The importance of studying scales, arpeggios and etudes
  • POSTCARD FROM SWITZERLAND A report from the 2024 Gstaad Menuhin Festival
  • FROM THE ARCHIVE The teaching styles of Vieuxtemps and Joachim, from November 1894
  • SENTIMENTAL WORK Cellist Astrid Schween explains her love for Dvořák’s Waldesruhe

 

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Weight 0.48 kg
Dimensions 21 × 30 × 0.5 cm

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