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Home Produced by The Strad Posters Flat rolled posters Antonio Stradivari ‘Titian’ violin 1715 poster
Nicolas Lupot violin 1808 poster
Nicolas Lupot violin 1808 poster £22.95
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Pietro Giacomo Rogeri cello 1717 poster
Pietro Giacomo Rogeri cello 1717 poster £22.95

Antonio Stradivari ‘Titian’ violin 1715 poster

£22.95

The ‘Titian’ Stradivari of 1715 has long been counted among the finest violins of the maker’s golden period. It has revealed itself to be a formidable concert instrument of unusual power and scope, remarkable for its focus and resilience under the bow. The violin was dubbed ‘Titian’ by the French dealer Albert Caressa because of its clear orange–red colour, which reminded him of the work of the famous Venetian painter. Includes photographs, scans and measurements.

‘On first look, the violin seems strong and solid, with its smoothly worn patina, sturdy arching and edgework, and immaculate finishing with virtually no visible trace of the hand – all is pure architecture, with the execution almost completely subsumed. The patina shows careful use, with the edges rounded and the varnish smoothed to a luminous film.’ – Sam Zygmuntowicz in the February 2009 issue of The Strad

Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.

***Don’t miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***

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SKU: P210 Categories: Flat rolled posters, Lutherie, Lutherie posters, Posters, Produced by The Strad, Violin, Violin Poster
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Description

The ‘Titian’ Stradivari of 1715 has long been counted among the finest violins of the maker’s golden period. It has revealed itself to be a formidable concert instrument of unusual power and scope, remarkable for its focus and resilience under the bow. The violin was dubbed ‘Titian’ by the French dealer Albert Caressa because of its clear orange–red colour, which reminded him of the work of the famous Venetian painter. Includes photographs, scans and measurements.

‘On first look, the violin seems strong and solid, with its smoothly worn patina, sturdy arching and edgework, and immaculate finishing with virtually no visible trace of the hand – all is pure architecture, with the execution almost completely subsumed. The patina shows careful use, with the edges rounded and the varnish smoothed to a luminous film.’ – Sam Zygmuntowicz in the February 2009 issue of The Strad

 

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Additional information
Weight 0.1 kg
Dimensions 84 × 67 cm

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