Nine of today’s top violinists, including Itzhak Perlman, Joshua Bell, Anne-Sophie Mutter, Maxim Vengerov and Nikolaj Znaider, talk about the players who have most influenced them. Plus, articles from The Strad’s archive give an insight into the greatest players of the last century, including Heifetz, Menuhin, Kreisler and Ysaÿe.
|Dimensions||29.5 x 21.5 cm|
Buy the December 2017 issue of The Strad. Includes focus on Stradivari’s final years and the turbulent social and political times in Cremona from 1702 to 1737.
Plus Renaud Capuçon on teaching; Steven Isserlis’ trench cello; double bassist Barry Guy; Dragonetti’s Gasparo da Salò bass and its seismic effect on English luthiery; Trondheim Chamber Music Festival; an 1856 violin by Giuseppe Rocca; luthiers David Finck and Eric Benning; exercises to release tension and improve movement; Daniel Müller-Schott on Shostakovich’s First Cello Concerto
British soloist Lawrence Power talks about his adventures with the viola, and luthiers share their experiences of collaborative making. There’s an insight into the psychology of teaching adult beginners, and we explore some of the 20th century’s most complex repertoire. Plus an in-depth look at a Domenico Busan viola.
James Ehnes, Hilary Hahn, Leonidas Kavakos, Maxim Vengerov, Nikolaj Znaider: some of the violin world's top names have given their thoughts on key works of string repertoire within The Strad's pages. Now, for the first time, Masterclass: Solo Violin brings together articles from the magazine's popular Masterclass section over the past nine years.