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Home Produced by The Strad Single issues April 2025
March 2025
March 2025 £5.95
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April 2025

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We talk to violinist Arabella Steinbacher and investigate the work of Viennese luthier Franz Geissenhof and the makers of Markneukirchen. There’s a look at concert music written by film composers, and we ask top string players for the best advice they’ve ever had. Plus a Saint-Saëns Masterclass and Frank Peter Zimmermann’s Sentimental Work.

Read more in The Strad

 

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SKU: Apr-25 Categories: Produced by The Strad, Single issues
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Contents:

  • ARABELLA STEINBACHER The German violinist’s latest album pairs Beethoven’s Violin Concerto with a new work written for her by Georges Lentz. Pauline Harding finds out more
  • FRANZ GEISSENHOF Rudolf Hopfner examines a typical violin by the Austrian luthier to ascertain how much his instruments were indebted to the work of Antonio Stradivari
  • CONCERT WORKS BY SCREEN COMPOSERS From Erich Wolfgang Korngold to Hildur Guðnadóttir, Rita Fernandes looks at the concert pieces by composers better known for their work writing for the movies
  • MAKERS OF MARKNEUKIRCHEN Although the German town is best known for its production-line instruments, much of its output leaned towards the high-end market, as Bruce Babbitt explains
  • SESSION REPORT Adrian Butterfield and Gavin Kibble of the London Handel Players talk to Robin Stowell about the group’s latest album of quartets by Telemann
  • ADVICE FROM PEERS String players’ musical education lasts long after their time at conservatoire. Charlotte Gardner discovers the best tips they’ve had from their contemporaries

Regulars:

  • IN FOCUS A 1923 Guarneri copy made by the Berlin-based luthier Michael Dötsch
  • TRADE SECRETS Sharon Que demonstrates her method of wing crack repair using silk
  • MY SPACE Bernhard Ritschard of Lübeck
  • MAKING MATTERS The use of tulipwood
  • MASTERCLASS Benjamin Beilman gives his thoughts on performing the first movement of Saint-Saëns’s Violin Concerto no.3
  • TECHNIQUE Double bassist Susan Hagen with tips on how to find one’s individual technique
  • LIFE LESSONS The memories and opinions of German cellist Maximilian Hornung
  • OPINION Suzuki teacher Helen Brunner reflects on the ‘beauty of earnest repetition’
  • POSTCARD FROM HEIDELBERG The 20th anniversary of the city’s String Quartet Festival
  • FROM THE ARCHIVE From April 1925
  • SENTIMENTAL WORK Violinist Frank Peter Zimmermann on Schumann’s Violin Concerto

 

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Weight 0.48 kg
Dimensions 21 × 30 × 0.5 cm

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