Carlo Bergonzi violin 1736 Poster
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Domenico Montagnana violin 1717 poster
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‘Kruse’ Stradivari violin 1721 poster
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Andrea Amati violin c.1566 poster
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Pietro Guarneri of Mantua violin 1704 poster
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Carlo Giuseppe Testore violin c.1703 poster
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G.P. Maggini violin c.1630 poster
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‘Alard’ Guarneri ‘del Gesù’ violin 1742 poster
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‘Milanollo’ Stradivari violin 1728 poster
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G.B. Rogeri violin 1704 poster
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Nicolò Amati violin 1666 poster
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Pietro Guarneri of Venice violin 1735 poster
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‘Kochanski’ Guarneri ‘del Gesù’ violin 1741 poster
One of The Strad's most popular posters is now available with brand new artwork showing the 1741 'Kochanski' Guarneri ‘del Gesù’ in all its glory.
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‘Muir-Mackenzie’ Stradivari violin 1694 poster
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Lachmann Schwechter Guadagnini violin 1776 poster
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Jacob Stainer violin 1679 poster
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Alessandro Gagliano ‘Rotondo’ violin 1710 poster
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Giuseppe Guarneri ‘filius Andrea’ violin 1705 poster
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‘Kreisler’ Guarneri ‘del Gesù’ violin 1733 poster
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G.B. Guadagnini 1774 Salabue Berta Violin poster
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‘Viotti’ Antonio Stradivari violin 1709 poster
One of the top Stradivari violins in the world, the 1709 'Viotti' helped to establish the master's name – thanks to its illustrious owner. The powerful tone and brilliance of sound created by this exceptional combination of instrument and performer (G.B. Viotti) helped to create the Stradivari legend. Includes measurements
‘The whole instrument seems to have been designed to be light, to exploit the minimum mass of wood in the plates and ribs which could support a low but characteristically stiff arching. The arching is full and seems undistorted and extremely regular. The front is delicately worked with a reverse gradation of 2.5–3mm around the perimeter reducing to 2mm in the centre. Yet still the arching is firm, with no sign of collapse around the fs or excessive pressure from the soundpost.’ – John Dilworth in the March 2006 issue
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Basics by Simon Fischer
Basics is a collection of practice methods and exercises for violin and viola players of all standards, from concert soloists to students. Based on Simon Fischer's monthly series in The Strad, Basics makes it possible to work directly on any aspect of technique. Simon Fischer, performer and teacher, studied the violin in London with Yfrah Neaman and in New York with Dorothy DeLay.
Paperback. 231pp; illustrations.
Matteo Gofriller violin 1700 poster
A classic example of the great Venetian's work: his own pattern with glorious varnish and individual wood selection. Includes measurements
'The violin's hollowed edge is characteristic and the purfling is swept across the corner in Stradivari fashion. The f-holes are typical of the Cremona-influenced Tyrolean makers – based on the Brothers Amati but wider and upright in stance. Over the wood Gofriller laid the most supple varnish, which often seems to have no substance at all but is steeped into the wood, turning it a deep burgundy colour. Beneath the dark patina there is a slight rose-madder tint to the red.' – John Dilworth in the December 2000 issue of The Strad
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‘Alard’ Amati violin 1649 poster
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