Antonio Stradivari ‘Harrison’ violin 1693 poster – FOLDED VERSION
FOLDED VERSION
A perfect example of Stradivari's Long Pattern, the 'Harrison' was for many years the principal performing instrument of Kyung Wha Chung. It is now part of the collection of the National Music Museum in Vermillion, South Dakota, US.
Read more in The Strad
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March 2023
February 2023
Christian-Pierre La Marca is on the cover of a French-themed issue, in which we examine pedagogue Lucien Capet’s legacy and luthier Pierre Flavetta investigates Cremonese varnish. There’s a look inside David Ayache’s Montpellier workshop and Yann Poulain explores modern lutherie techniques. Plus Midori’s 40 years in the spotlight
January 2023
The Best of Trade Secrets 5
December 2022
November 2022
October 2022
The Strad Calendar 2023: The Australian Collection
In the past few years, Australia has become a classical music heartland with a number of its orchestras and ensembles achieving world renown. Many of its string players now perform on world-class instruments made by some of the most respected luthiers ever to have lived.
· 1585 Gasparo da Salò double bass
· c.1600 G.P. Maggini viola
· 1709 'Scotta' Antonio Stradivari violin
· 1714 Guarneri ‘filius Andreae’ violin
· 1720 Guarneri ‘filius Andreae’ violin
· 1728/29 Antonio Stradivari violin
· 1729 Guarneri ‘filius Andreae’ cello
· 1743 'Carrodus' Guarneri ‘del Gesù’ violin
· 1743 G.B. Guadagnini cello
· 1760 Nicolò Gagliano violin
· 1784 G.B. Guadagnini violin
· 1859 'Karrman' Vuillaume violin
September 2022
August 2022
The Best of Trade Secrets 4
The Best of Trade Secrets 3
The Best of Trade Secrets 2
The Best of Trade Secrets
Girolamo Amati II violin 1671 poster
The son of Nicolò Amati, Girolamo Amati II was the last instrument maker of the illustrious Amati dynasty. Although he made fewer violins than his forebears, the ones that have survived show the work of a skilled luthier in his prime. This violin, made in the early part of his career, is a pristine example of his craftsmanship and shows many stylistic similarities to the work of his father. It is now housed in the Royal Academy of Music.
’The maple is delicately figured on the back and ribs, and plain for the neck-block. It has been perfectly quarter-cut. Unevenly scattered bearclaw figure ruffles the surface of the one-piece spruce front' – Barbara Meyer in the July 2022 issue
Read more in The Strad
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***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***
Girolamo Amati II violin 1671 poster – FOLDED VERSION
FOLDED VERSION
The son of Nicolò Amati, Girolamo Amati II was the last instrument maker of the illustrious Amati dynasty. Although he made fewer violins than his forebears, the ones that have survived show the work of a skilled luthier in his prime. This violin, made in the early part of his career, is a pristine example of his craftsmanship and shows many stylistic similarities to the work of his father. It is now housed in the Royal Academy of Music.
'The maple is delicately figured on the back and ribs, and plain for the neck-block. It has been perfectly quarter-cut. Unevenly scattered bearclaw figure ruffles the surface of the one-piece spruce front' – Barbara Meyer in the July 2022 issue
Read more in The Strad
***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***
July 2022
June 2022
May 2022
March 2022
April 2022
In a German-themed issue, Johannes Moser discusses his love of experimental repertoire and we examine the mystery of Jacob Stainer’s birthdate. There’s a Beethoven Session Report with Rachel Podger, and a look at two German lutherie families who found success in the US. Plus double bassist Christine Hoock’s Sentimental Work
G.B. Guadagnini ‘Cozio’ viola 1773 poster FOLDED VERSION
FOLDED VERSION
This viola is one of the first to be made by Giovanni Battista Guadagnini during his ‘Turin period’, which saw the crafting of some of his finest works. His regular income from Count Cozio di Salabue gave him greater freedom to experiment, as evidenced by this small-size viola with high-set f-holes and enlarged centre bouts. With a back length of 400mm, it has wide, full arching and a brilliant yellow-orange varnish. The poster includes high-definition CT scans as well as full measurements.
'The workmanship of the viola is of great quality and care: the archings are perfectly cut and finished, the interior appears to be in an excellent state of conservation, and it bears a number of the maker's marks' - Alberto Giordano in the January 2022 issue
