October 2025
Cellist Alisa Weilerstein talks about her new project Fragments and we examine the Tieffenbrucker family of luthiers. There’s a look at the Carnatic violin tradition of South India and an exploration of Biber’s Mystery Sonatas. Plus a Dvořák Masterclass and a Technique article on pizzicato.
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Violin Bundle – 4 Books
** SAVE OVER 25% **
For string players and teachers, The Strad's Masterclass and Technique sections are a treasure trove of knowledge, information and playing advice. Some of the world's best-known teachers and soloists have given their top tips on how to get the best out of your instrument, and perform some of the greatest works in the repertoire.
Violin Bundle – Violin Works
*SAVE OVER 25%*
For string players and teachers, The Strad's Masterclass and Technique sections are a treasure trove of knowledge, information and playing advice. Some of the world's best-known teachers and soloists have given their top tips on how to get the best out of your instrument, and perform some of the greatest works in the repertoire.
The Strad Calendar 2026: The Canimex Collection
One of the most active foundations supporting the arts in Canada, Canimex has been running for 25 years. The 2026 Calendar showcases twelve of the finest instruments it regularly loans to players, including five by Antonio Stradivari, two by Guarneri 'del Gesù' and – a first for The Strad Calendar – a modern octobass.
September 2025
We talk to violist Tabea Zimmermann and report on an innovative adult strings camp in Denver. There’s a look at the the history of lutherie in Berlin and a tribute to the late double bassist Gary Karr. Plus an Ysaÿe Masterclass and Thomas Demenga’s Sentimental Work
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August 2025
We talk to South African cellist and composer Abel Selaocoe and mark the 150th anniversary of Samuel Coleridge-Taylor’s birth. There’s a look at a project to train young luthiers in Latin America, and we investigate the resources for players hit by injury. Plus bassist Joseph Conyers’ Life Lessons and a Beethoven Masterclass with Kristin Lee.
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Domenico Montagnana ‘Farina’ cello 1730 – FOLDED VERSION
FOLDED VERSION
Domenico Montagnana was possibly the greatest cello maker in history, and the 1730 'Farina' was made during the period when he was at the height of his powers. Unlike most Montagnana cellos, it has never been cut down and retains its original proportions. Now owned by the Cincinnati Symphony Orchestra, the instrument has a very powerful sound with a wide array of colours. Previous owners have included May Mukle, one of the first successful female cello soloists.
'The abundant famous Venetian varnish is of a rich, dark red colour, with a fascinating array of textures and patinas. In the areas where the varnish has worn off, a beautiful golden amber ground is revealed. As with most uncut Montagnana cellos, the outline is wide in the upper bouts and corners, and deeply swept in at the C-bouts, with big, broad lower bouts.' - John Waddle and Steve Sirr in the July 2025 edition of The Strad.
'When making recordings, the sound engineer has to turn down my microphone because it sounds up to eight decibels louder than any other cello' - Ilya Finkelshteyn, principal cellist, Cincinnati Symphony Orchestra
Find out how more than 30 luthiers collaborated to build a copy of the c.1730 ‘Farina’ in the November 2023 Strad magazine article, "COPYING A MONTAGNANA CELLO – Robin Aitchison reports from the annual Oberlin Violin Makers Workshop"
***Don't miss our Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***
***Product not included in any current discount offers***
Domenico Montagnana ‘Farina’ cello 1730 poster
Domenico Montagnana was possibly the greatest cello maker in history, and the 1730 'Farina' was made during the period when he was at the height of his powers. Unlike most Montagnana cellos, it has never been cut down and retains its original proportions. Now owned by the Cincinnati Symphony Orchestra, the instrument has a very powerful sound with a wide array of colours. Previous owners have included May Mukle, one of the first successful female cello soloists.
'The abundant famous Venetian varnish is of a rich, dark red colour, with a fascinating array of textures and patinas. In the areas where the varnish has worn off, a beautiful golden amber ground is revealed. As with most uncut Montagnana cellos, the outline is wide in the upper bouts and corners, and deeply swept in at the C-bouts, with big, broad lower bouts.' - John Waddle and Steve Sirr in the July 2025 edition of The Strad.
'When making recordings, the sound engineer has to turn down my microphone because it sounds up to eight decibels louder than any other cello' - Ilya Finkelshteyn, principal cellist, Cincinnati Symphony Orchestra
Find out how more than 30 luthiers collaborated to build a copy of the c.1730 ‘Farina’ in the November 2023 Strad magazine article, "COPYING A MONTAGNANA CELLO – Robin Aitchison reports from the annual Oberlin Violin Makers Workshop"
***Don't miss our Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***
July 2025
We examine the 1730 ‘Farina’ cello by Montagnana, and pay tribute to instrument expert Charles Beare, who died in April. There’s a look at adventurous US string quartets and an interview with British violinist–composer Adam Summerhayes. Plus a Dvořák Masterclass with Camden Shaw of the Dover Quartet.
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June 2025
We celebrate 50 years of the Australian Chamber Orchestra and the 90th birthday of composer Terry Riley. There’s a look at 18th-century instrumental innovations, while Tanja Tetzlaff hands on her Life Lessons. Plus Baiba Skride’s Sentimental Work and our annual Accessories brochure.
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Masterclass Volume 2: Violin Works
The second volume in The Strad's best-selling Masterclass series brings together some of the greatest pieces ever written for the violin, along with commentary by many of the world's leading soloists. James Ehnes, Jennifer Koh, Philippe Graffin, Carolin Widmann, Daniel Hope and Arabella Steinbacher are among the artists passing on their hints and tips, as well as explaining their interpretations of works by Bach, Beethoven, Ravel, Tchaikovsky and many more. In addition, every artist has annotated the sheet music with their own bowings, fingerings and comments on the music – provided in association with G. Henle Verlag.
May 2025
US violinist Philippe Quint discusses his new album and we examine the 1732 ‘Baron d’Erlanger’ violin by Guarneri ‘del Gesù’. There’s a look at string trios and the life of George Enescu, and Alina Ibragimova reveals her Sentimental Work. Plus a Mozart Masterclass with Tobias Feldmann.
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The Strad Magazine Archive – IV: 2000 to 2004
In response to reader requests, The Strad is offering customers the chance to purchase print magazines from its archives, while stocks last. A very limited number of copies are available. Once they are gone, they are gone! This could be your last chance to possess these magazines in hard copy.
These Pre-2005 issues are in good condition, with occasional damages consistent with their age. We will be gradually adding more issues, so if you can't find what you're looking for, do contact us at services@thestrad.com to ask.
Please note that these are unpackaged and the supplements or inserts that are indicated on the covers may not be included.
Click on the dropdown menu to find out whether we have the issue you require in stock.
These issues have recently been unearthed and are being made available in good condition. Please contact us if you require more information about the issue in which you are interested.
Great Instruments 3
This third volume in The Strad’s Great Instruments series brings together the finest scholarship, research and analysis by some of the world’s leading experts on stringed instruments. Among the highlights are a detailed look at the 1741 ‘Vieuxtemps’ violin by Guarneri ‘del Gesù’, including an acoustic analysis by Joseph Curtin and an interview with its player, Anne Akiko Meyers. There’s also a rare examination of the ‘Boissier, Sarasate’, one of two Stradivari violins formerly owned by Pablo Sarasate, which rarely leaves its current home, the Real Conservatorio Superior de Música de Madrid. And we examine some of the most extraordinary restoration jobs on fine instruments in history: the ‘Mara’ Stradivari cello, almost consigned to a watery grave, and the ‘Paravicini’ Stradivari, which took more than a year to restore to its former glory.
Full list of featured instruments
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Antonio Stradivari ‘Mara’ cello, 1711
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Antonio Stradivari ‘Cecil’ violin, 1724
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violin, 1732
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Giuseppe Guarneri ‘del Gesù’ ‘Paravicini’ violin, 1734
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Jean-Baptiste Vuillaume ‘Evangelists’ quartet, 1863
April 2025
We talk to violinist Arabella Steinbacher and investigate the work of Viennese luthier Franz Geissenhof and the makers of Markneukirchen. There’s a look at concert music written by film composers, and we ask top string players for the best advice they’ve ever had. Plus a Saint-Saëns Masterclass and Frank Peter Zimmermann’s Sentimental Work.
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March 2025
We talk to Canadian virtuoso James Ehnes and pay tribute to the work of British bow maker James Tubbs. There’s a retrospective of Zara Nelsova’s career and a Masterclass on the first of Schumann’s Five Pieces in Folk Style. Plus Julia Fischer’s Life Lessons and Fabio Biondi’s Sentimental Work.
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The Strad Directory 2025
Updated and expanded for 2025, the latest edition of The Strad Directory is as indispensable as ever, remaining an essential and ever-popular resource for the string world. It provides you with everything you need to fulfil your stringed instrument needs.
If you would like your business or organisation to be included in The Strad's Directory online and in print, please complete the information here and we will be in touch.
February 2025
We talk to the members of the Attacca Quartet, while Nigel Kennedy discusses his latest foray into composition. There’s a look at the work of Polish luthier Ladislaus Baczyński and the bows of Charles Nicolas Bazin. Plus David Finckel’s views on teaching chamber music and Glenn Dicterow’s Sentimental Work.
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Montagnana c.1720–Guarneri ‘del Gesù’ c.1742 ‘Paderewski, Wendling’ violin – FOLDED VERSION
FOLDED VERSION
This is a unique instrument with a body by Montagnana and a top plate by Guarneri 'del Gesù'. Artists such as Vilde Frang, Isabelle Faust and Augustin Dumay have unanimously praised the violin's sound, recognising its unmistakably ‘del Gesù’ character, with dark basses, great projection and a particularly warm and open E string.
'The large Venetian model combined with the distinctive ‘del Gesù’ front arching, well-preserved thickness and f-holes, offers a particularly attractive and inspiring reference model.' - Balthazar Soulier in the January 2025 issue.
***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***
January 2025
We celebrate the life of cellist Jacqueline du Pré on what would have been her 80th birthday. There’s a look at tonewoods from South Africa, how to rectify wolf tones, and Daniel Hope reveals his Life Lessons. Plus Paul Huang gives a Masterclass on Mendelssohn’s Violin Concerto.
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Montagnana c.1720–Guarneri ‘del Gesù’ c.1742 ‘Paderewski, Wendling’ violin
This is a unique instrument with a body by Montagnana and a top plate by Guarneri 'del Gesù'. Artists such as Vilde Frang, Isabelle Faust and Augustin Dumay have unanimously praised the violin's sound, recognising its unmistakably ‘del Gesù’ character, with dark basses, great projection and a particularly warm and open E string.
'The large Venetian model combined with the distinctive ‘del Gesù’ front arching, well-preserved thickness and f-holes, offers a particularly attractive and inspiring reference model.' - Balthazar Soulier in the January 2025 issue.
***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here*** 
December 2024
We examine the early years of lutherie in Venice and talk to Chinese violinist Ning Feng about his latest projects. There’s a look back at the life of violinist Ivan Mane Jarnović and a Schubert Masterclass with violist William Coleman of the Kuss Quartet. Plus Harriet Krijgh’s Sentimental Work.
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November 2024
We talk to US violinist Rachel Barton Pine and explore the world of string groups in the US military. There’s a retrospective of Leonid Kogan and a Saint-Saëns Masterclass with Max Baillie. Plus interviews with US cellists Alisa Weilerstein and Astrid Schween.
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October 2024
The current members of the Takács Quartet discuss the group’s 50th anniversary and we ask whether it’s possible to teach yourself the violin. French violinist Régis Pasquier shares some stories from his long career and we examine the career of luthier Amedeo Simonazzi. Plus interviews with Alexander Baillie, Matthew Barley and Alexander Sitkovetsky.
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