Subscriptions Offer Magazine 2023
£5.95 Original price was: £5.95.£2.60Current price is: £2.60.
Strad magazine issues from May 2023 to February 2024
Please select the number of magazines required (£2.60+p&p per issue), then specify which editions in the order notes at the checkout.
Description
Additional information
| Weight | 0.20 kg |
|---|---|
| Dimensions | 21 × 30 × 0.5 cm |
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June 2023
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British cellist Ayanna Witter-Johnson discusses her influences and we report on the efforts to help young displaced musicians from Ukraine. There’s a Masterclass on Fauré and we mark the 100th anniversary of Ligeti’s birth. Plus Francesca Dego’s Sentimental Work.
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July 2023
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We examine the 1709 ‘King Carlos IV’ Stradivari violin and chat to US fiddler Mark O’Connor. There’s a look at the early history of Brahms’s Violin Concerto and cellist Thomas Demenga gives a Debussy Masterclass. Plus our annual Accessories supplement.
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September 2023
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In an education special, we talk to violinist Randall Goosby and explore strategies to help adult learners on the cello. There’s a look at training a lutherie apprentice, and what conservatoires are doing to safeguard students’ mental health. Plus interviews with Hilary Hahn, Ronald Copes and Eldbjørg Hemsing.
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May 2023
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August 2023
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Nicola Benedetti talks about becoming director of the Edinburgh International Festival, and there’s a look at the life of luthier Marino Capicchioni. We ask what Stradivari used as a pre-varnish preparation layer, and Julian Rachlin gives his Sentimental Work. Plus a Dvořák Masterclass with Pavel Šporcl.
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October 2023
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We talk to the Leonkoro Quartet and investigate the history of the Hardanger fiddle. There’s a look at Pablo Casals’ unique interpretation of Bach’s Cello Suites, and double bassist Leon Bosch gives a Masterclass on Koussevitzky. Plus interviews with Johan Dalene, Nils Mönkemeyer and Sergej Krylov.
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November 2023
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In a North American special, we talk to double bassist Joseph Conyers and look at the work of the Sphinx Organization. There’s a look at the immigration of German bow makers to the US and we find out how over 30 luthiers collaborated on a single cello at Oberlin. Plus Aleksey Igudesman’s Sentimental Work.
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