A 1717 Rogeri cello comes under the spotlight and we explore the career of violinist Henryk Szeryng. There’s a look at recordings of Bloch’s Schelomo, a c.1770 violin by Paolo Castello and an investigation into Hindemith’s relationship with the viola. Plus, Simon Fischer on how to ‘warm down’.
|Dimensions||21 x 30 x 0.5 cm|
The Strad is the world’s most authoritative and influential string music magazine, read by makers, musicians and teachers since 1890. It brings you Interviews with star string players, In-depth articles examining instruments by master makers, reports on the latest advances in instrument research and technology, Masterclass sheet music section and news, comment and analysis from the string music world and more.
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James Ehnes, Hilary Hahn, Leonidas Kavakos, Maxim Vengerov, Nikolaj Znaider: some of the violin world's top names have given their thoughts on key works of string repertoire within The Strad's pages. Now, for the first time, Masterclass: Solo Violin brings together articles from the magazine's popular Masterclass section over the past nine years.