December 2020
£5.95‘WILLEMOTTE’ STRADIVARI VIOLIN 1734 Sam Zygmuntowicz examines a masterpiece from Stradivari’s late period, comparing it with other instruments such as the ‘Huberman’ and ‘Titian’ (POSTER NOT INCLUDED IN THE ISSUE)
Carlo Bergonzi violin 1736 Poster
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Girolamo Amati II violin 1671 poster – FOLDED VERSION
£14.95FOLDED VERSION
The son of Nicolò Amati, Girolamo Amati II was the last instrument maker of the illustrious Amati dynasty. Although he made fewer violins than his forebears, the ones that have survived show the work of a skilled luthier in his prime. This violin, made in the early part of his career, is a pristine example of his craftsmanship and shows many stylistic similarities to the work of his father. It is now housed in the Royal Academy of Music.
‘The maple is delicately figured on the back and ribs, and plain for the neck-block. It has been perfectly quarter-cut. Unevenly scattered bearclaw figure ruffles the surface of the one-piece spruce front’ – Barbara Meyer in the July 2022 issue
Read more in The Strad
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The Strad Directory 2023
£19.95Newly published for 2023, the latest edition of The Strad Directory is as indispensable as ever remaining an essential and ever-popular resource for the string world. It provides you with everything you need to fulfil your stringed instrument needs.
February 2022
£5.95We talk to Baroque violinist Théotime Langlois de Swarte in a French-themed issue, also looking at Vuillaume’s bows and the life of Pierre Baillot. Plus Sol Gabetta, a Bruch Masterclass, and Philippe Graffin’s Sentimental Work.
Pietro Guarneri of Mantua violin 1704 poster
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‘Milanollo’ Stradivari violin 1728 poster
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Alessandro Gagliano ‘Rotondo’ violin 1710 poster
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Antonio Stradivari ‘Cecil’ violin 1724 poster
£22.95The 1724 ‘Cecil’ is that rare thing: a genuine Stradivari violin that has gone virtually unreported for the past three centuries. It spent decades in the possession of an Italian family, which means it remains in an excellent state of preservation – the varnish is virtually unblemished and its sound quality is excellent. It was one of the instruments in the collection of Count Cozio di Salabue, and has also been examined and verified by Charles-Eugène Gand and Charles Beare. Despite coming from Stradivari’s late period (he was 80 at the time), the hand of the master, rather than that of his sons, is identifiable all over the instrument. The poster includes full measurements, outlines of the back, scroll, f-holes, and front and back archings, as well as thickness maps and the rib heights.
‘The varnish is the same deep, rich red–brown seen on great examples of the golden period like the 1721 ‘Lady Blunt’ and 1716 ‘Medici’. It is, apart from the repairs to the front, unadulterated by polish and other accretions that camouflage the texture of so many well-used and restored examples‘ – John Dilworth in the November 2018 issue of The Strad
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Nicolas Lupot violin 1808 poster
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Carlo Giuseppe Testore violin c.1703 poster
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January 2023
£5.95British violinist Daniel Pioro discusses his influences and we ask how players can get the most out of entering competitions. There’s a Masterclass on Beethoven’s Grosse Fuge and we rewrite the early history of Russian bow making. Plus cellist Matt Haimovitz’s Life Lessons
December 2022
£5.95We take a close look at the 1693 ‘Harrison’ Stradivari violin and speak to superstar Czech violinist Pavel Å porcl. There’s a look at the late bows of François Xavier Tourte and a peep into the orchestra pit at the Bayreuth Festival. Plus violinist Philippe Quint’s Sentimental Work.
Montagnana c.1720–Guarneri ‘del Gesù’ c.1742 ‘Paderewski, Wendling’ violin – FOLDED VERSION
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October 2022
£5.95Double bassist Rick Stotijn discusses his mission to increase the repertoire, and we examine the evolution of the Viennese bass. There’s a look at Scottish fiddling, a Masterclass with Abel Selaocoe and tips on developing your own sound. Plus Nobuko Imai’s Sentimental Work.
June 2022
£5.95The members of the Pavel Haas Quartet discuss their latest Brahms recording and we look into learning an instrument as an adult. Collector David Fulton presents a mini-tour of his collection and Joshua Bell gives his Sentimental Work. Plus our 60-page Accessories supplement.
G.B. Guadagnini ‘Cozio’ viola 1773 poster FOLDED VERSION
£14.95FOLDED VERSION
This viola is one of the first to be made by Giovanni Battista Guadagnini during his ‘Turin period’, which saw the crafting of some of his finest works. His regular income from Count Cozio di Salabue gave him greater freedom to experiment, as evidenced by this small-size viola with high-set f-holes and enlarged centre bouts. With a back length of 400mm, it has wide, full arching and a brilliant yellow-orange varnish. The poster includes high-definition CT scans as well as full measurements.
‘The workmanship of the viola is of great quality and care: the archings are perfectly cut and finished, the interior appears to be in an excellent state of conservation, and it bears a number of the maker’s marks’ – Alberto Giordano in the January 2022 issue
July 2021
£5.95CARLO BERGONZI 1735 ‘BARON KNOOP’ VIOLIN Andrea Zanrè examines an instrument by one of the greatest 18th-century Cremonese luthiers, while Rudolf Hopfner reveals the results of CT scanning
Lachmann Schwechter Guadagnini violin 1776 poster
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Cremona map 1580 poster
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November 2022
£5.95In a North America special, we talk to the Emerson Quartet and investigate black community orchestras in the United States. There’s an interview with violinist–composer Caroline Shaw and Matt Wehling completes his examination of Voirin bows. Plus Nicolas Altstaedt’s Sentimental Work.
April 2022
£5.95In a German-themed issue, Johannes Moser discusses his love of experimental repertoire and we examine the mystery of Jacob Stainer’s birthdate. There’s a Beethoven Session Report with Rachel Podger, and a look at two German lutherie families who found success in the US. Plus double bassist Christine Hoock’s Sentimental Work