December 2020
Carlo Bergonzi violin 1736 Poster
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Violin Virtuosos: From Paganini to the 21st Century by Henry Roth
Renowned critic Henry Roth brings his formidable knowledge and enthusiasm to bear on some of the greatest violinists in history. Paganini, Thibaud and Huberman rub shoulders with the likes of Isaac Stern and Itzhak Perlman in his comprehensive survey, which also provides an unusual history of the instrument itself. Paperback. 392pp.
California Classics Books; First Printing edition (March 1997)
Girolamo Amati II violin 1671 poster – FOLDED VERSION
FOLDED VERSION
The son of Nicolò Amati, Girolamo Amati II was the last instrument maker of the illustrious Amati dynasty. Although he made fewer violins than his forebears, the ones that have survived show the work of a skilled luthier in his prime. This violin, made in the early part of his career, is a pristine example of his craftsmanship and shows many stylistic similarities to the work of his father. It is now housed in the Royal Academy of Music.
'The maple is delicately figured on the back and ribs, and plain for the neck-block. It has been perfectly quarter-cut. Unevenly scattered bearclaw figure ruffles the surface of the one-piece spruce front' – Barbara Meyer in the July 2022 issue
Read more in The Strad
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The Strad Directory 2023
February 2022
Pietro Guarneri of Mantua violin 1704 poster
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‘Milanollo’ Stradivari violin 1728 poster
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Alessandro Gagliano ‘Rotondo’ violin 1710 poster
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Antonio Stradivari ‘Cecil’ violin 1724 poster
The 1724 'Cecil' is that rare thing: a genuine Stradivari violin that has gone virtually unreported for the past three centuries. It spent decades in the possession of an Italian family, which means it remains in an excellent state of preservation – the varnish is virtually unblemished and its sound quality is excellent. It was one of the instruments in the collection of Count Cozio di Salabue, and has also been examined and verified by Charles-Eugène Gand and Charles Beare. Despite coming from Stradivari's late period (he was 80 at the time), the hand of the master, rather than that of his sons, is identifiable all over the instrument. The poster includes full measurements, outlines of the back, scroll, f-holes, and front and back archings, as well as thickness maps and the rib heights.
'The varnish is the same deep, rich red–brown seen on great examples of the golden period like the 1721 ‘Lady Blunt’ and 1716 ‘Medici’. It is, apart from the repairs to the front, unadulterated by polish and other accretions that camouflage the texture of so many well-used and restored examples' – John Dilworth in the November 2018 issue of The Strad
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Nicolas Lupot violin 1808 poster
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Carlo Giuseppe Testore violin c.1703 poster
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Masterclass Volume 2: Violin Works
The second volume in The Strad's best-selling Masterclass series brings together some of the greatest pieces ever written for the violin, along with commentary by many of the world's leading soloists. James Ehnes, Jennifer Koh, Philippe Graffin, Carolin Widmann, Daniel Hope and Arabella Steinbacher are among the artists passing on their hints and tips, as well as explaining their interpretations of works by Bach, Beethoven, Ravel, Tchaikovsky and many more. In addition, every artist has annotated the sheet music with their own bowings, fingerings and comments on the music – provided in association with G. Henle Verlag.
January 2023
December 2022
Montagnana c.1720–Guarneri ‘del Gesù’ c.1742 ‘Paderewski, Wendling’ violin – FOLDED VERSION
FOLDED VERSION
This is a unique instrument with a body by Montagnana and a top plate by Guarneri 'del Gesù'. Artists such as Vilde Frang, Isabelle Faust and Augustin Dumay have unanimously praised the violin's sound, recognising its unmistakably ‘del Gesù’ character, with dark basses, great projection and a particularly warm and open E string.
'The large Venetian model combined with the distinctive ‘del Gesù’ front arching, well-preserved thickness and f-holes, offers a particularly attractive and inspiring reference model.' - Balthazar Soulier in the January 2025 issue.
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October 2022
June 2022
G.B. Guadagnini ‘Cozio’ viola 1773 poster FOLDED VERSION
FOLDED VERSION
This viola is one of the first to be made by Giovanni Battista Guadagnini during his ‘Turin period’, which saw the crafting of some of his finest works. His regular income from Count Cozio di Salabue gave him greater freedom to experiment, as evidenced by this small-size viola with high-set f-holes and enlarged centre bouts. With a back length of 400mm, it has wide, full arching and a brilliant yellow-orange varnish. The poster includes high-definition CT scans as well as full measurements.
'The workmanship of the viola is of great quality and care: the archings are perfectly cut and finished, the interior appears to be in an excellent state of conservation, and it bears a number of the maker's marks' - Alberto Giordano in the January 2022 issue
July 2021
Lachmann Schwechter Guadagnini violin 1776 poster
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Cremona map 1580 poster
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November 2022
April 2022
In a German-themed issue, Johannes Moser discusses his love of experimental repertoire and we examine the mystery of Jacob Stainer’s birthdate. There’s a Beethoven Session Report with Rachel Podger, and a look at two German lutherie families who found success in the US. Plus double bassist Christine Hoock’s Sentimental Work
