The Best of Technique
Masterclass: Violin Concertos
The Strad’s Masterclass series brings together the finest string players with some of the greatest string works ever written. Always one of our most popular sections, Masterclass has been an invaluable aid to aspiring soloists, chamber musicians and string teachers since the 1990s. Now, in association with publisher G. Henle Verlag, The Strad is releasing the best of its Masterclasses as a bespoke anthology series.
December 2022
November 2022
October 2022
The Strad Calendar 2023: The Australian Collection
In the past few years, Australia has become a classical music heartland with a number of its orchestras and ensembles achieving world renown. Many of its string players now perform on world-class instruments made by some of the most respected luthiers ever to have lived.
· 1585 Gasparo da Salò double bass
· c.1600 G.P. Maggini viola
· 1709 'Scotta' Antonio Stradivari violin
· 1714 Guarneri ‘filius Andreae’ violin
· 1720 Guarneri ‘filius Andreae’ violin
· 1728/29 Antonio Stradivari violin
· 1729 Guarneri ‘filius Andreae’ cello
· 1743 'Carrodus' Guarneri ‘del Gesù’ violin
· 1743 G.B. Guadagnini cello
· 1760 Nicolò Gagliano violin
· 1784 G.B. Guadagnini violin
· 1859 'Karrman' Vuillaume violin
September 2022
August 2022
The Best of Trade Secrets 4
The Best of Trade Secrets 3
The Best of Trade Secrets 2
The Best of Trade Secrets
July 2022
June 2022
May 2022
March 2022
Girolamo Amati II violin 1671 poster
The son of Nicolò Amati, Girolamo Amati II was the last instrument maker of the illustrious Amati dynasty. Although he made fewer violins than his forebears, the ones that have survived show the work of a skilled luthier in his prime. This violin, made in the early part of his career, is a pristine example of his craftsmanship and shows many stylistic similarities to the work of his father. It is now housed in the Royal Academy of Music.
’The maple is delicately figured on the back and ribs, and plain for the neck-block. It has been perfectly quarter-cut. Unevenly scattered bearclaw figure ruffles the surface of the one-piece spruce front' – Barbara Meyer in the July 2022 issue
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April 2022
In a German-themed issue, Johannes Moser discusses his love of experimental repertoire and we examine the mystery of Jacob Stainer’s birthdate. There’s a Beethoven Session Report with Rachel Podger, and a look at two German lutherie families who found success in the US. Plus double bassist Christine Hoock’s Sentimental Work
The Strad Directory 2022
February 2022
January 2022
