Masterclass: Volume 2 – Violin Works
The second volume in The Strad's best-selling Masterclass series brings together some of the greatest pieces ever written for the violin, along with commentary by many of the world's leading soloists. James Ehnes, Jennifer Koh, Philippe Graffin, Carolin Widmann, Daniel Hope and Arabella Steinbacher are among the artists passing on their hints and tips, as well as explaining their interpretations of works by Bach, Beethoven, Ravel, Tchaikovsky and many more. In addition, every artist has annotated the sheet music with their own bowings, fingerings and comments on the music – provided in association with G. Henle Verlag.
May 2025
US violinist Philippe Quint discusses his new album and we examine the 1732 ‘Baron d’Erlanger’ violin by Guarneri ‘del Gesù’. There’s a look at string trios and the life of George Enescu, and Alina Ibragimova reveals her Sentimental Work. Plus a Mozart Masterclass with Tobias Feldmann.
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Great Instruments 3
This third volume in The Strad’s Great Instruments series brings together the finest scholarship, research and analysis by some of the world’s leading experts on stringed instruments. Among the highlights are a detailed look at the 1741 ‘Vieuxtemps’ violin by Guarneri ‘del Gesù’, including an acoustic analysis by Joseph Curtin and an interview with its player, Anne Akiko Meyers. There’s also a rare examination of the ‘Boissier, Sarasate’, one of two Stradivari violins formerly owned by Pablo Sarasate, which rarely leaves its current home, the Real Conservatorio Superior de Música de Madrid. And we examine some of the most extraordinary restoration jobs on fine instruments in history: the ‘Mara’ Stradivari cello, almost consigned to a watery grave, and the ‘Paravicini’ Stradivari, which took more than a year to restore to its former glory.
Full list of featured instruments
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Antonio Stradivari ‘Mara’ cello, 1711
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Antonio Stradivari ‘Cecil’ violin, 1724
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violin, 1732
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Giuseppe Guarneri ‘del Gesù’ ‘Paravicini’ violin, 1734
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Jean-Baptiste Vuillaume ‘Evangelists’ quartet, 1863
April 2025
We talk to violinist Arabella Steinbacher and investigate the work of Viennese luthier Franz Geissenhof and the makers of Markneukirchen. There’s a look at concert music written by film composers, and we ask top string players for the best advice they’ve ever had. Plus a Saint-Saëns Masterclass and Frank Peter Zimmermann’s Sentimental Work.
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March 2025
We talk to Canadian virtuoso James Ehnes and pay tribute to the work of British bow maker James Tubbs. There’s a retrospective of Zara Nelsova’s career and a Masterclass on the first of Schumann’s Five Pieces in Folk Style. Plus Julia Fischer’s Life Lessons and Fabio Biondi’s Sentimental Work.
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The Strad Directory 2025
February 2025
We talk to the members of the Attacca Quartet, while Nigel Kennedy discusses his latest foray into composition. There’s a look at the work of Polish luthier Ladislaus Baczyński and the bows of Charles Nicolas Bazin. Plus David Finckel’s views on teaching chamber music and Glenn Dicterow’s Sentimental Work.
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Montagnana c.1720–Guarneri ‘del Gesù’ c.1742 ‘Paderewski, Wendling’ violin (FOLDED)
(FOLDED VERSION)
This is a unique instrument with a body by Montagnana and a top plate by Guarneri 'del Gesù'. Artists such as Vilde Frang, Isabelle Faust and Augustin Dumay have unanimously praised the violin's sound, recognising its unmistakably ‘del Gesù’ character, with dark basses, great projection and a particularly warm and open E string.
'The large Venetian model combined with the distinctive ‘del Gesù’ front arching, well-preserved thickness and f-holes, offers a particularly attractive and inspiring reference model.' - Balthazar Soulier in the January 2025 issue.
***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***
(FOLDED VERSION) 
January 2025
We celebrate the life of cellist Jacqueline du Pré on what would have been her 80th birthday. There’s a look at tonewoods from South Africa, how to rectify wolf tones, and Daniel Hope reveals his Life Lessons. Plus Paul Huang gives a Masterclass on Mendelssohn’s Violin Concerto.
Read more in The Strad
Montagnana c.1720–Guarneri ‘del Gesù’ c.1742 ‘Paderewski, Wendling’ violin
This is a unique instrument with a body by Montagnana and a top plate by Guarneri 'del Gesù'. Artists such as Vilde Frang, Isabelle Faust and Augustin Dumay have unanimously praised the violin's sound, recognising its unmistakably ‘del Gesù’ character, with dark basses, great projection and a particularly warm and open E string.
'The large Venetian model combined with the distinctive ‘del Gesù’ front arching, well-preserved thickness and f-holes, offers a particularly attractive and inspiring reference model.' - Balthazar Soulier in the January 2025 issue.
***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here*** 
December 2024
We examine the early years of lutherie in Venice and talk to Chinese violinist Ning Feng about his latest projects. There’s a look back at the life of violinist Ivan Mane Jarnović and a Schubert Masterclass with violist William Coleman of the Kuss Quartet. Plus Harriet Krijgh’s Sentimental Work.
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November 2024
We talk to US violinist Rachel Barton Pine and explore the world of string groups in the US military. There’s a retrospective of Leonid Kogan and a Saint-Saëns Masterclass with Max Baillie. Plus interviews with US cellists Alisa Weilerstein and Astrid Schween.
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October 2024
The current members of the Takács Quartet discuss the group’s 50th anniversary and we ask whether it’s possible to teach yourself the violin. French violinist Régis Pasquier shares some stories from his long career and we examine the career of luthier Amedeo Simonazzi. Plus interviews with Alexander Baillie, Matthew Barley and Alexander Sitkovetsky.
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The Strad Calendar 2025: Canada Council for the Arts
Launched in 1985, the Canada Council’s Musical Instrument Bank celebrates its 40th anniversary in 2025. This year’s calendar showcases twelve of the finest instruments it regularly loans to Canadian players, including four by Antonio Stradivari and beautiful works by Montagnana, Tecchler, Pressenda, Vuillaume and two of the Gagliano family.
September 2024
Ray Chen talks about his latest projects and we examine a unique Montagnana with a top by Guarneri ‘del Gesù’. There’s a look at the work of the Scandinavian Cello School, Suzuki around the world, and the centenary of the Curtis Institute. Plus Daniel Müller-Schott’s Life Lessons.
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The Strad Magazine Archive 3 – 2005-2009
In response to reader requests, The Strad is offering customers the chance to purchase print magazines from its archives, while stocks last. A very limited number of copies are available. Once they are gone, they are gone! This could be your last chance to possess these magazines in hard copy.
These Pre-2010 issues are in good condition, with occasional damages consistent with their age. We will be gradually adding more issues, so if you can't find what you're looking for, do contact us at services@thestrad.com to ask.
Please note that these are unpackaged and the supplements or inserts that are indicated on the covers may not be included.
Click on the dropdown menu to find out whether we have the issue you require in stock.
These issues have recently been unearthed and are being made available in good condition. Please contact us if you require more information about the issue in which you are interested.
August 2024
We talk to Baroque violinist Rachel Podger and examine a bow that might possibly have come from Stradivari’s workshop. There’s a focus on the new generation of double bass players and a look back at the career of cello pedagogue Christopher Bunting. Plus Tasmin Little’s Life Lessons and Simone Lamsma’s Sentimental Work.
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The Strad Magazine Archive 2 – 2010 to 2014
The Strad Magazine Archive 1 – 2015 to 2019
July 2024
We examine the 1733 ‘Salabue, Martzy’ violin by Carlo Bergonzi, and violinist Daniel Rowland reflects on his multifaceted career. There’s a look at the life of bassist Serge Koussevitzky and the results of an investigation into the bass-bar. Plus Sarah Chang’s Life Lessons and the first of a two-part Schubert Masterclass.
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Buy Carlo Bergonzi 'Salabue, Martzy' violin 1733 poster here
Carlo Bergonzi ‘Salabue, Martzy’ violin 1733 poster
This stunning instrument, still in immaculate condition, bears all the hallmarks of the luthier Carlo Bergonzi, who moved into Antonio Stradivari's workshop following the latter's death. The famed instrument collector Count Cozio di Salabue called it 'my largest and most beautiful Bergonzi'. It was later used as the principal performing instrument of Hungarian virtuoso Johanna Martzy (1924–79).
'The f-holes of the ‘Salabue, Martzy’ are bold and distinctive. In concept, they derive from a Stradivari model but the stems are more angled and the wings are broader' - Jason Price in the July 2024 edition of The Strad.
***Product not included in any current discount offers***
Our rolled posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***
Carlo Bergonzi ‘Salabue, Martzy’ violin 1733 poster – FOLDED VERSION
FOLDED VERSION
This stunning instrument, still in immaculate condition, bears all the hallmarks of the luthier Carlo Bergonzi, who moved into Antonio Stradivari's workshop following the latter's death. The famed instrument collector Count Cozio di Salabue called it 'my largest and most beautiful Bergonzi'. It was later used as the principal performing instrument of Hungarian virtuoso Johanna Martzy (1924–79).
'The f-holes of the ‘Salabue, Martzy’ are bold and distinctive. In concept, they derive from a Stradivari model but the stems are more angled and the wings are broader' - Jason Price in the July 2024 edition of The Strad.
***Product not included in any current discount offers***
***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***
June 2024
Cellist Laura van der Heijden discusses her new album of concertos and we celebrate three decades of the Henschel Quartet. There’s a look at piano trios and a guide to good customer relations in a violin shop. Plus Jennifer Koh’s Life Lessons and our annual Accessories guide.
Read more in The Strad
Girolamo Amati II violin 1671 poster – FOLDED VERSION
FOLDED VERSION
The son of Nicolò Amati, Girolamo Amati II was the last instrument maker of the illustrious Amati dynasty. Although he made fewer violins than his forebears, the ones that have survived show the work of a skilled luthier in his prime. This violin, made in the early part of his career, is a pristine example of his craftsmanship and shows many stylistic similarities to the work of his father. It is now housed in the Royal Academy of Music.
'The maple is delicately figured on the back and ribs, and plain for the neck-block. It has been perfectly quarter-cut. Unevenly scattered bearclaw figure ruffles the surface of the one-piece spruce front' – Barbara Meyer in the July 2022 issue
Read more in The Strad
***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***
