Weight | 0.1 kg |
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G.B. Guadagnini viola 1785 poster
£22.95
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
Out of stock
SKU:
P129
Categories: Flat rolled posters, Lutherie, Lutherie posters, Posters, Produced by The Strad, Viola, Viola posters
Sold by: The Strad Shop
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Currently played by Antoine Tamestit, the 'Mahler' is one of only ten surviving violas by Antonio Stradivari – and the earliest known viola he made. The instrument bears all the hallmarks of the Cremonese master, as well as some intriguing details that suggest the 28-year-old luthier was already experimenting with the form.
'The more one looks into the "Mahler", the more facets and curiosities reveal themselves. Like all great artworks it is a product of its time and circumstances, as well as a result of experiments to bring something totally new and unique into the world'
– Jonathan Marolle in the July 2019 issue
The poster includes full measurements, outlines of the back, scroll side, f-holes, and front and back archings and rib outline.
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***
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Once the concert instrument of Yehudi Menuhin, this magnificent violin makes an interesting contrast with the ‘Alard’ of the same year
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
Alessandro Gagliano ‘Rotondo’ violin 1710 poster
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Sold by: The Strad Shop
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
Nicolò Amati ‘Romanov’ Viola 1677 Poster
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The 1677 'Romanov' was made when Nicolò Amati was 81 years old and clearly shows the hand of the master, along with that of his son, Girolamo Amati II. It has been part of the collections of the Venetian nobility and Russian imperial dynasty, and was for many years the concert instrument of Max Aronoff, violinist with the Curtis Quartet.
'This is only the third poster of a Nicolò Amati instrument in The Strad’s history – perhaps surprising given the maker’s significance to the world of violin making. Nicolò’s violins have been overshadowed by the great works of Stradivari, Guarneri ‘del Gesù’ and Guadagnini which are generally better for large concert halls: as a consequence, contemporary makers seldom choose Nicolò Amati models for their violins (unless making a Baroque instrument specifically). When it comes to violas, however, there is a different trend: when I was a judge at the 2018 Cremona Triennale it was a nice surprise for me to see how many violas were based on Amati models.
'When using a Stradivari violin pattern it’s important to respect the original design. It is not advisable to make significant changes to the proportions to a mould that is apparently perfect: you cannot mess up with a Strad model. For viola making, a Nicolò Amati model can be modified much more successfully without losing its original spirit and balance: the relationship between the f-holes and the central body, for instance, can be more easily modified when resizing the instrument. For this reason, it makes sense to publish a poster of a resized large viola; and given that digital technologies are now available to everyone, makers will be able to adjust the model according to their own needs and personal solutions.
'The good side of viola making is that there is still a great deal to be learnt in terms of sound research, and that it gives makers a chance to develop their own style while respecting the classical roots of our tradition.'
– Alberto Giordano in The Strad's December 2019 edition
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***
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Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
Jacob Stainer tenor viola c. 1650 poster
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The only remaining tenor viola made by the Tyrolean maker Jacob Stainer reveals the maker's painstaking attention to detail and offers tantalising clues about Italian influence on his style. It is in superb condition: the scroll is a replacement but the rest of the instrument – including, remarkably, the neck and fingerboard – are believed to be original. The label, which is a facsimile, states that it was made in 1650. Includes measurements.
'The viola's most striking feature is its size. The body stretches more than 18 arm-aching inches. The neck is relatively short, however. In the 18th century, many tenor violas were cut down to more manageable sizes, though a few were left large. Three of the best examples are the 1690 Antonio Stradivari 'Medici', the 1574 Andrea Amati, and this Jacob Stainer' – Darren Freeman in the March 2010 issue of The Strad
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
***Don't miss our NEW Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of the selection here***
The Strad Varnish Colour Swatch
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Sold by: The Strad Shop
The Strad Colour Swatch has been designed to help you match varnish colours between instruments. Ideal for specifying colours with partners and suppliers in other locations.
The collection of 70 graded and uniquely coded colour tabs comes with a protective plastic cover and should be an essential tool in your workshop.