September-2009
August-2009
July-2009
June-2009
Gary Karr gives tips on playing by touch alone, and Joseph Curtin begins a two-part exploration into the acoustic tones of Italian instruments. We examine the dazzling technique of Jascha Heifetz, explore unusual repertoire for quintet, and look back at the career of Szymon Goldberg, ‘the man who put Mozart on the map’.
May-2009
April-2009
March-2009
Yehudi Menuhin’s career comes under the spotlight and we report from the Eindhoven string competition. Steven Isserlis reveals his passion for Schumann, we hand on tips on buying an instrument and there’s a profile of the Sacconi Quartet. Plus, Peter Cropper discusses how to play Beethoven’s ‘Kreutzer’ Sonata.
February-2009
We examine the 1715 ‘Titian’ Stradivari using the latest technological methods, celebrate the 200th anniversary of Mendelssohn’s birth and investigate the history of the Cretan lyra. Plus, a report from the VSA Competition, advice on commissioning instruments and an interview with the Paris-based Calvet Quartet.
January-2009
Andrea Amati ‘King’ cello poster
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G.B. Guadagnini 1774 Salabue Berta Violin poster
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Guarneri ‘del Gesù’ ‘Brusilow’ violin 1743 poster
A superb violin from the last years of the maker's life, the 'Brusilow' is in an incredible state of preservation. Played for many years by Anshel Brusilow during his years as concertmaster of the Philadelphia Orchestra, the instrument displays many of the idiosyncratic qualities that characterise the late period of 'del Gesù'. Includes scans and measurements.
'It has a kind of powerful three-dimensionailty that hits the eyes and makes the viewer want to touch it lightly in order to scan its unpredictable surface' – Alberto Giordano in the December 2015 issue of The Strad
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Jean-Baptiste Vuillaume cello 1865 poster
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Pietro Giacomo Rogeri cello 1717 poster
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‘Viotti’ Antonio Stradivari violin 1709 poster
One of the top Stradivari violins in the world, the 1709 'Viotti' helped to establish the master's name – thanks to its illustrious owner. The powerful tone and brilliance of sound created by this exceptional combination of instrument and performer (G.B. Viotti) helped to create the Stradivari legend. Includes measurements
‘The whole instrument seems to have been designed to be light, to exploit the minimum mass of wood in the plates and ribs which could support a low but characteristically stiff arching. The arching is full and seems undistorted and extremely regular. The front is delicately worked with a reverse gradation of 2.5–3mm around the perimeter reducing to 2mm in the centre. Yet still the arching is firm, with no sign of collapse around the fs or excessive pressure from the soundpost.’ – John Dilworth in the March 2006 issue
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An A-Z of Instrument Care by Jane Dorner (2nd Edition)
Matteo Gofriller violin 1700 poster
A classic example of the great Venetian's work: his own pattern with glorious varnish and individual wood selection. Includes measurements
'The violin's hollowed edge is characteristic and the purfling is swept across the corner in Stradivari fashion. The f-holes are typical of the Cremona-influenced Tyrolean makers – based on the Brothers Amati but wider and upright in stance. Over the wood Gofriller laid the most supple varnish, which often seems to have no substance at all but is steeped into the wood, turning it a deep burgundy colour. Beneath the dark patina there is a slight rose-madder tint to the red.' – John Dilworth in the December 2000 issue of The Strad
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G.B. Guadagnini viola 1785 poster
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‘Conte Vitale’ Andrea Guarneri viola c.1676 poster
An important instrument from the first maker to concentrate on the smaller-pattern viola. Includes measurements.
‘Guarneri’s scrolls are always charming and totally distinctive. Careless in cutting the central eye perfectly round, he left a little tail into the first turn of the volute that is a Guarneri trademark, giving the bonus of having two different scrolls to enjoy either side of the one head. The fluting carries right round the front of the head and is very cleanly finished at the throat, ample testimony to Guarneri’s skill. What finally elevates this viola to highest rank is its almost entire coat of fine yellow varnish.’ – John Dilworth in the October 1996 issue.
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‘Sleeping Beauty’ Montagnana cello 1739 poster
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Brothers Amati tenor viola 1592 poster
A fine example of the rarely played tenor viola, which set the standard for all the great Cremonese makers. Includes measurements
‘Generally the workmanship, though clean and delicate, lacks something of the usual pristine quality which one would normally associate with a Brothers instrument. Fortunately true art is seldom precise and the majestic beauty of this head is not marred by any shortfall in mathematical symmetry.' – Roger Hargrave in the March 1993 issue
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‘Alard’ Amati violin 1649 poster
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Andrea Amati violin 1564 poster
The beauty of the workmanship, tonal properties and rich decoration of this royal instrument has seldom if ever been matched or surpassed. Includes measurements.
'For his scrolls, Andrea seems to have gone directly back to Nature itself. The concept was mathematically and optically so perfect that what followed over the centuries could only be a steady degeneration' – Roger Hargrave in the December 1991 issue of The Strad.
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‘Servais’ Stradivari cello 1701 poster
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