May 2021
April 2021
Crossover superstar David Garrett discusses his career so far, and we examine the legacy of bow maker Ludwig Bausch. Daniel Hope talks about his friendship with Alfred Schnittke in Sentimental Work, and we learn the ins and out of gut string making. Plus a Haydn Masterclass with the Chiaroscuro Quartet.

March 2021
February 2021
January 2021
Cellist Jean-Guihen Queyras talks about his latest Beethoven recording and we take an in-depth look inside Stradivari’s ‘Messiah’ using CT scans. Students of the late George Neikrug reminisce about the great cello tutor, and Alban Gerhardt completes his Saint-Saëns Masterclass. Plus Rohan de Saram’s Life Lessons

December 2020
November-2020
October – 2020
April-2020
March-2020
February-2020
January-2020
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The Strad Varnish Colour Swatch
The Strad Colour Swatch has been designed to help you match varnish colours between instruments. Ideal for specifying colours with partners and suppliers in other locations.
The collection of 70 graded and uniquely coded colour tabs comes with a protective plastic cover and should be an essential tool in your workshop.
Guarneri Del Gusu Heifetz, 1742
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
Gibson viola, 1734
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Tuscan’ Medici’ Stradivari viola, 1690
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Maggini Contralto viola poster
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Domenico Montagnana cello 1740
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Andrea Amati ‘King’ cello poster
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G.B. Guadagnini 1774 Salabue Berta Violin poster
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Guarneri ‘del Gesù’ ‘Brusilow’ violin 1743 poster
A superb violin from the last years of the maker's life, the 'Brusilow' is in an incredible state of preservation. Played for many years by Anshel Brusilow during his years as concertmaster of the Philadelphia Orchestra, the instrument displays many of the idiosyncratic qualities that characterise the late period of 'del Gesù'. Includes scans and measurements.
'It has a kind of powerful three-dimensionailty that hits the eyes and makes the viewer want to touch it lightly in order to scan its unpredictable surface' – Alberto Giordano in the December 2015 issue of The Strad
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