- SARAH CHANG: The US violinist talks to Charlotte Smith about her passion projects, her 1717 ‘del Gesù’, and why playing chamber music holds a new fascination for her
- NEW YORK STRING ORCHESTRA SEMINAR: For the past five decades, the orchestral training programme has given young players a taste of the professional life. Bruce Hodges speaks to directors and students
- AMERICAN BOW MAKING: Three outstanding bow makers got their start at the Chicago shop of William Lewis & Son. Raphael Gold tells the stories of Kovanda, Lohberg and Halvarson
- THE MUSIC OF BRAZIL: As a new anthology of that name is released on Naxos, Peter Quantrill discovers the variety and vitality of music from South America’s largest nation
- BRIDGES: Joseph Curtin concludes his two-part examination of set-up with a look at the acoustic properties of bridges from the Baroque era to the present day
- LIFE LESSONS: The memories and opinions of British violinist Anthony Marwood
- OPINION: The cello has never enjoyed such popularity as it has today
- POSTCARD FROM CANADA: The 2019 Banff International String Quartet Competition
- IN FOCUS: A 1929 violin by Paolo Guadagnini, the last of the illustrious dynastic line
- TRADE SECRETS: Antoine Nédélec’s method that unites arching, channelling and edgework
- MY SPACE: The workshop of Lionnel Genovart
- MAKING MATTERS: The role of the humble wedge
- MASTERCLASS: Nils Mönkemeyer on the first movement of Stamitz’s First Viola Concerto
- TECHNIQUE: Violinist David Kim on sautillé
- FROM THE ARCHIVE: An interview with violinist Marie Hall from November 1929
- SENTIMENTAL WORK: Why Don Giovanni has a special place in Alisa Weilerstein’s heart
Sarah Chang discusses her passion projects and we explore the lives of Chicago’s early bow makers. Joseph Curtin examines bridges, there’s a look at Brazil’s classical music and Alisa Weilerstein reveals her Sentimental Work. Plus David Kim on sautillé.
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|Dimensions||21 x 30 x 0.5 cm|
The Strad ’s second compilation of fascinating articles, written within the last 5 years, brings together fine instruments by some of the world’s greatest instrument experts. In this new anthology, every instrument has been given three pages to include more close-up photographs, archings, angles and tiny details.
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The Strad is the world’s most authoritative and influential string music magazine, read by makers, musicians and teachers since 1890. It brings you Interviews with star string players, In-depth articles examining instruments by master makers, reports on the latest advances in instrument research and technology, Masterclass sheet music section and news, comment and analysis from the string music world and more.
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