We report on the restoration of the ‘Paravicini’ Stradivari and Matthew McDonald, the Berlin Philharmonic’s first principal bassist, discusses creative interpretation. Rostropovich is featured in our Great Cellists section, and Natalie Clein gives her thoughts on the Schubert Quintet. Plus Cremona 2017: our annual supplement on the Italian capital of violin making.
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Maxim Vengerov talks about his lifelong learning curve and we learn the teaching methods of Heifetz, Gingold and Galamian. There’s a look at conservatoire auditions and Guy Johnston discusses Mendelssohn in Masterclass. Plus Sartory, Guadagnini and Aldo Parisot in this 144-page bumper issue