“The only example which combines the grandeur of the pre-1700 instruments with the more masculine build of the master’s earlier years.” (Hill Brothers – Life and Work of Antonio Stradivari)
‘Servais’ Stradivari cello 1701 poster
£22.95
Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
Out of stock
SKU:
P106
Categories: Cello, Cello posters, Flat rolled posters, Lutherie, Lutherie posters, Posters, Produced by The Strad
Sold by: The Strad Shop
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Nicolò Amati cello 1642 poster – FOLDED VERSION
£14.95
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FOLDED VERSION
***Don't miss our Folded Poster Tailored Bundle. Choose any two or more of The Strad’s folded posters and pay just £9.99 for each. Watch a video of some of the selection here***
***Product not included in any current discount offers***
One of only seven surviving cellos by Nicolò Amati, this is one of the few Baroque cellos that has never been altered or cut down. Now played by British cellist Jamie Walton, it is a stunning instrument in an excellent state of preservation.
'This extraordinary instrument from 1642 is striking in every possible way: the sculpture of the full and powerful archings; the simple and elegant edges; the balance of the design of the f-holes; the elegance of the scroll cut; and the varnish, from which the observer’s eye cannot detach itself' - Alberto Giordano in the February 2026 issue of The Strad.
Jean-Baptiste Vuillaume cello 1865 poster
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Our posters are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by purchasing up to 10 posters per tube today.
Nicolò Amati cello 1642 poster
£22.95
Sold by: The Strad Shop
One of only seven surviving cellos by Nicolò Amati, this is one of the few Baroque cellos that has never been altered or cut down. Now played by British cellist Jamie Walton, it is a stunning instrument in an excellent state of preservation.
'This extraordinary instrument from 1642 is striking in every possible way: the sculpture of the full and powerful archings; the simple and elegant edges; the balance of the design of the f-holes; the elegance of the scroll cut; and the varnish, from which the observer’s eye cannot detach itself' - Alberto Giordano in the February 2026 issue of The Strad.
