{"id":3806,"date":"2022-07-15T15:20:47","date_gmt":"2022-07-15T14:20:47","guid":{"rendered":"https:\/\/www.thestradshop.com\/store\/?post_type=product&p=3806"},"modified":"2026-02-28T18:03:17","modified_gmt":"2026-02-28T18:03:17","slug":"girolamo-amati-ii-violin-1671-poster-folded-version","status":"publish","type":"product","link":"https:\/\/www.thestradshop.com\/store\/thestrad\/girolamo-amati-ii-violin-1671-poster-folded-version\/","title":{"rendered":"Girolamo Amati II violin 1671 poster – FOLDED VERSION"},"content":{"rendered":"

The son of Nicol\u00f2 Amati, Girolamo Amati II was the last instrument maker of the illustrious Amati dynasty. Although he made fewer violins than his forebears, the ones that have survived show the work of a skilled luthier in his prime. This violin, made in the early part of his career, is a pristine example of his craftsmanship and shows many stylistic similarities to the work of his father. It is now housed in the Royal Academy of Music.<\/p>\n

‘The maple is delicately figured on the back and ribs, and plain for the neck-block. It has been perfectly quarter-cut. Unevenly scattered bearclaw figure ruffles the surface of the one-piece spruce front’<\/em> \u2013 Barbara Meyer in the July 2022<\/a> issue<\/p>\n

Our rolled posters<\/a>\u00a0are shipped separately from other products. One tube can hold up to 10 posters. Save on postage costs by\u00a0purchasing up to 10 posters<\/a>\u00a0per tube today.<\/p>\n

FOLDED VERSION<\/p>\n

 <\/p>\n

Subscribe to The Strad<\/a> and receive 2 free posters per year<\/p>\n","protected":false},"excerpt":{"rendered":"

FOLDED VERSION<\/p>\n

The son of Nicol\u00f2 Amati, Girolamo Amati II was the last instrument maker of the illustrious Amati dynasty. Although he made fewer violins than his forebears, the ones that have survived show the work of a skilled luthier in his prime. This violin, made in the early part of his career, is a pristine example of his craftsmanship and shows many stylistic similarities to the work of his father. It is now housed in the Royal Academy of Music.<\/p>\n

‘The maple is delicately figured on the back and ribs, and plain for the neck-block. It has been perfectly quarter-cut. Unevenly scattered bearclaw figure ruffles the surface of the one-piece spruce front’<\/em> \u2013 Barbara Meyer in the July 2022<\/a> issue<\/p>\n

Read more<\/a> in The Strad<\/strong><\/p>\n

***Don’t miss our NEW Folded Poster Tailored Bundle.<\/a> Choose any two or more of The Strad\u2019s folded posters and pay just \u00a39.99 for each. Watch a video of the selection here<\/a>***<\/p>\n

 <\/p>\n

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