{"id":374,"date":"2022-07-15T15:13:03","date_gmt":"2022-07-15T14:13:03","guid":{"rendered":"https:\/\/dev.thestradshop.com\/store\/product\/jun-20\/"},"modified":"2023-05-22T14:04:08","modified_gmt":"2023-05-22T13:04:08","slug":"june-2020","status":"publish","type":"product","link":"https:\/\/www.thestradshop.com\/store\/thestrad\/june-2020\/","title":{"rendered":"June-2020"},"content":{"rendered":"<div>Features:<\/div>\n<ul>\n<li>TETZLAFF QUARTET: The four members give Tom Stewart their thoughts on Beethoven\u2019s late works \u2013 and why it\u2019s taken 25 years for them to record any pieces by the composer at all<\/li>\n<li>AN AMATI MYSTERY: Could a cello bearing the decoration of the famous \u2018Charles IX\u2019 instruments by Andrea Amati be genuine or a clever fake? Filip Kuijken examines the evidence<\/li>\n<li>SOLOISTS AND CONDUCTORS: Relationships between the musician and the maestro can often be a minefield. Three players and one conductor relate their experiences to Charlotte Gardner<\/li>\n<li>SARASATE LETTERS: Nicholas Sackman and Bastien Terraz examine the correspondence from the violinist to his adoptive mother during his two-year tour of North and South America<\/li>\n<li>NAPOLEONIC BOWS: Several examples from the court of Napoleon III still survive \u2013 and two from that of his uncle, Napoleon Bonaparte. Gennady Filimonov explains their significance<\/li>\n<\/ul>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<div>TETZLAFF QUARTET: The four members give Tom Stewart their thoughts on Beethoven\u2019s late works \u2013 and why it\u2019s taken 25 years for them to record any pieces by the composer at all<\/div>\n<div><a href=\"https:\/\/account.thestrad.com\/subscribe?Sourcecode=TSPO2019&amp;campaigncode=TSSHOPSDB1\" target=\"_blank\" rel=\"noopener\"><br \/>\n<img decoding=\"async\" src=\"https:\/\/www.thestradshop.com\/store\/wp-content\/uploads\/2020\/07\/SUBSCRIBE-TO-THE-STRAD-1.png\" alt=\"Subscribe to the Strad\" \/><\/a><\/div>\n","protected":false},"featured_media":719,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[108,113],"product_tag":[],"class_list":{"0":"post-374","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-the-strad-merchandise","7":"product_cat-the-strad-merchandise-single-issue","8":"product_shipping_class-the-strad-standard","10":"first","11":"outofstock","12":"taxable","13":"shipping-taxable","14":"purchasable","15":"product-type-simple"},"bundled_by":[],"bundle_stock_status":"outofstock","bundle_stock_quantity":0,"bundle_virtual":false,"bundle_layout":"","bundle_add_to_cart_form_location":"","bundle_editable_in_cart":false,"bundle_sold_individually_context":"","bundle_item_grouping":"","bundle_min_size":"","bundle_max_size":"","bundle_price":[],"bundled_items":[],"bundle_sell_ids":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Strad June 2020<\/title>\n<meta name=\"description\" content=\"The musicians of the Tetzlaff Quartet discuss balancing chamber playing with busy individual careers \u2013 and recording their first Beethoven album after 25 years together. We publish English translations of letters by violinist Pablo Sarasate for the first time, and top soloists discuss working with conductors. There is also an article on bows from the courts of Napoleons I and III.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thestradshop.com\/store\/thestrad\/june-2020\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Strad June 2020\" \/>\n<meta property=\"og:description\" content=\"The musicians of the Tetzlaff Quartet discuss balancing chamber playing with busy individual careers \u2013 and recording their first Beethoven album after 25 years together. We publish English translations of letters by violinist Pablo Sarasate for the first time, and top soloists discuss working with conductors. There is also an article on bows from the courts of Napoleons I and III.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.thestradshop.com\/store\/thestrad\/june-2020\/\" \/>\n<meta property=\"og:site_name\" content=\"The Strad Shop\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/pages\/The-Strad\/261337077226434\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-22T13:04:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dev.thestradshop.com\/store\/wp-content\/uploads\/2022\/07\/jun20-cover.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"780\" \/>\n\t<meta property=\"og:image:height\" content=\"780\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@TheStradMag\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.thestradshop.com\\\/store\\\/thestrad\\\/june-2020\\\/\",\"url\":\"https:\\\/\\\/www.thestradshop.com\\\/store\\\/thestrad\\\/june-2020\\\/\",\"name\":\"The Strad June 2020\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.thestradshop.com\\\/store\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.thestradshop.com\\\/store\\\/thestrad\\\/june-2020\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.thestradshop.com\\\/store\\\/thestrad\\\/june-2020\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.thestradshop.com\\\/store\\\/wp-content\\\/uploads\\\/2022\\\/07\\\/jun20-cover.jpg\",\"datePublished\":\"2022-07-15T14:13:03+00:00\",\"dateModified\":\"2023-05-22T13:04:08+00:00\",\"description\":\"The musicians of the Tetzlaff Quartet discuss balancing chamber playing with busy individual careers \u2013 and recording their first Beethoven album after 25 years together. 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