{"id":1138,"date":"2022-08-18T17:35:39","date_gmt":"2022-08-18T16:35:39","guid":{"rendered":"https:\/\/dev.thestradshop.com\/store\/thestrad\/sep-22\/"},"modified":"2026-01-07T12:34:49","modified_gmt":"2026-01-07T12:34:49","slug":"september-2022","status":"publish","type":"product","link":"https:\/\/www.thestradshop.com\/store\/thestrad\/september-2022\/","title":{"rendered":"September 2022"},"content":{"rendered":"<p>Contents:<\/p>\n<ul>\n<li><strong>PINCHAS ZUKERMAN<\/strong>\u00a0 The veteran violinist and violist tells Pauline Harding his views on everything from his new masterclass series to the role of technology in string teaching<\/li>\n<li><strong>INTERNATIONAL LUTHERIE SCHOOLS<\/strong>\u00a0 What are the options for young violin makers looking to improve their skills? Peter Somerford talks to tutors from seven European and US schools to find out<\/li>\n<li><strong>NEWARK SCHOOL OF VIOLIN MAKING<\/strong>\u00a0 The Strad looks back on 50 years of the UK\u2019s best-known institution for lutherie and the many well-known names who have passed through its doors as students<\/li>\n<li><strong>STRINGS IN WESTERN AUSTRALIA<\/strong>\u00a0 Teachers in the largest, and most remote, Australian state face unique challenges. Rita Fernandes finds out why bringing strings to regional areas is worth it<\/li>\n<li><strong>SESSION REPORT<\/strong>\u00a0 Katie Stillman and Carmen Flores of the Villiers Quartet talk to Harry White about their latest recording of works by Frederick Delius and Ethel Smyth<\/li>\n<li><strong>PIETRO GUARNERI OF MANTUA<\/strong>\u00a0 \u00a0 Andrea Zanr\u00e8 examines three unusual instruments that have been repurposed during their lifetimes, but still retain the Mantua maker\u2019s unique characteristics<\/li>\n<li><strong>YURI KRAMAROV<\/strong>\u00a0 The Russian violist and pedagogue was one of the Soviet era\u2019s greatest successes \u2013 but today he is almost forgotten. Misha Galaganov reassesses his legacy<\/li>\n<\/ul>\n<p>Regulars:<\/p>\n<ul>\n<li><strong>IN FOCUS<\/strong>\u00a0 Jordi Pinto examines an unusual tenor viola made by his own grandfather, Jacint Pinto<\/li>\n<li><strong>TRADE SECRETS\u00a0<\/strong> Luthier Fany Bourel presents a\u00a0traditional way of gluing the C-bout ribs<\/li>\n<li><strong>MY SPACE<\/strong>\u00a0 Mechthild Ossenbrunner of Cologne<\/li>\n<li><strong>MAKING MATTERS<\/strong>\u00a0 Andrew Ryan examines a\u00a0curious detail of Cremonese archings<\/li>\n<li><strong>MASTERCLASS<\/strong>\u00a0 Tabea Zimmermann on the first movement of Hummel\u2019s Viola Sonata op.5 no.3<\/li>\n<li><strong>TECHNIQUE<\/strong>\u00a0 Marcos Santos on the coll\u00e9 stroke<\/li>\n<li><strong>LIFE LESSONS<\/strong>\u00a0 With violinist Carmine Lauri<\/li>\n<li><strong>OPINION<\/strong>\u00a0 How a different discipline, such as learning a new language, can bring new ideas<\/li>\n<li><strong>POSTCARD FROM BELGIUM<\/strong>\u00a0 \u00a0String quartets compete in France\u2019s wine-making capital<\/li>\n<li><strong>POSTCARD FROM HELSINKI<\/strong>\u00a0 \u00a0The finals of the International Jean Sibelius Violin Competition<\/li>\n<li><strong>FROM THE ARCHIVE<\/strong>\u00a0 From September 1892<\/li>\n<li><strong>SENTIMENTAL WORK<\/strong>\u00a0 Violinist Jack Liebeck on Prokofiev\u2019s Violin Concerto no.1 in D major<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>In an education special, Pinchas Zukerman invites us to a masterclass and we examine violin making schools around the world. There\u2019s a look at string teaching in Australia and the story of Soviet viola tutor Yuri Kramarov. Plus violinist Jack Liebeck\u2019s Sentimental Work.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/account.thestrad.com\/subscribe?Sourcecode=TSPO2019&amp;campaigncode=TSSHOPSDB1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-14186 size-large\" src=\"https:\/\/www.thestradshop.com\/store\/wp-content\/uploads\/2022\/08\/2_Banner-1500x300-Subscribe-1024x205.jpg\" alt=\"\" width=\"1024\" height=\"205\" 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