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  • Dedicated sections for luthiers, players and teachers
  • Every new monthly magazine delivered to you and also available online as a digital edition
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  • Access to over 140 digital magazines giving you a wealth of archived content
  • Two detailed instrument posters a year – Includes measurements and thickness maps (posters usually retail at £19.95 each)
  • The Strad Directory: the essential annual guide for the string music industry, with global listings for businesses, artisans and organisations (usually retails at £19.95)
To see our digital only subscription options click here.

The Strad Digital Subscription

Included in your digital subscription:
  • Dedicated sections for luthiers, players and teachers
  • Every new monthly magazine as a digital edition
  • Unlimited access to all premium online content, written by our editorial team and expert contributors
  • Access to over 140 issues giving you a wealth of archived content
  • Digital special supplements including Accessories, Degrees and String Courses
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To see our print and digital package options click here.

March-2014

£5.95
We investigate Berlin’s burgeoning chamber music scene in a German-themed issue, and find out why the nation’s music schools are so highly regarded. String players and luthiers remember the fall of the Berlin Wall in 1989 and Antoine Tamestit gives a Masterclass on Bach. Plus, cellist Jan Vogler’s practice diary and an in-depth interview with the Mandelring Quartet

May-2014

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Violinist Nadja Salerno-Sonnenberg talks about her multifaceted career and the Kronos Quartet looks back on 40 years at the cutting edge of contemporary music. Teachers discuss ways of preparing their students for orchestral auditions and we investigate the complex world of insurance for players and makers. Plus, Peter Herresthal gives a Masterclass on Thomas Adès.

November-2014

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James Ehnes is on the cover of our North America-focused issue, in which we pay tribute to the late bow maker William Salchow, report on schemes to promote diversity in US orchestras, and examine recordings of Leonard Bernstein’s Serenade. Plus, cellist Natalie Clein gives a Saint-Saëns Masterclass and Philip Kass examines the lives of Mantuan luthiers.

February-2015

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Philippe Graffin is on the cover of a French-themed issue, with articles on bow maker Joseph Lafleur, lutherie in Mirecourt, and Jean-Jacques Kantorow on Tartini. Plus a new series on Great Cellists begins with Paul Tortelier, Raphael Wallfisch gives tips on playing Tchaikovsky's Rococo Variations, and what classical players can learn from playing alternative styles

March-2015

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Nikolaj Znaider discusses how conducting informs his string playing, with further insights on the subject from Joshua Bell, Maxim Vengerov and Julian Rachlin among others. Instrument dealers explain how they help customers find their perfect instrument, and bassist Leon Bosch completes his analysis of Dittersdorf’s Second Double Bass Concerto. Plus violist Bruno Giuranna on tone production.

May-2015

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In a special edition to mark The Strad’s 125th anniversary, we look through the photo archives for some of the highlights of the past 13 decades. We examine how the dawn of recording influenced string playing, pay tribute to New York violinist David Nadien and examine possibly the world’s oldest cello: the Andrea Amati ‘King’.

July-2015

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We speak to the current members of the Borodin Quartet, celebrating its 70th anniversary this month, and reveal new findings about Mantua luthier Tommaso Balestrieri. Cellist Alexander Baillie analyses Britten, Lawrence Wheeler gives hints on playing spiccato, and we examine a late Guarneri ‘del Gesù’ for In Focus..

October-2015

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The members of the Pavel Haas Quartet discuss their love of Czech music, and we reconstruct Stradivari’s house and workshop from historical clues. Alban Gerhardt gives a Masterclass on Dvořák and Richard Tognetti reflects on performing Bach. Plus double bassist François Rabbath on improving finger dexterity.

November-2015

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In a North America-themed issue, we track the evolution of violin making in the US (with full-length photos of 10 instruments by American makers). We visit the elite Domaine Forget music camp in Canada, and examine the Metropolitan Museum of Art’s collection of Cremonese instruments. Plus articles by double bassists Edgar Meyer and Joel Quarrington, and our FREE 36-page Accessories 2015 supplement

January-2016

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Leonidas Kavakos discusses the Sibelius Violin Concerto and we explore the life of Paganini’s protégé Camillo Sivori. There’s a close-up examination of a Balestrieri violin and Ray Chen gives a Mozart Masterclass. Plus Summerplus 2016 – your guide to courses for players, teachers and makers worldwide.

February-2016

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In a French-themed issue, cellist Gautier Capuçon discusses his series of masterclasses for postgraduates and we report on new research that casts light on luthier Nicolas Lupot’s career. Paul Childs gives an in-depth appraisal of a Dominique Peccatte bow and we examine Pierre Fournier’s playing style in Great Cellists. Plus Pierre Amoyal on Heifetz and Saint-Saëns.

March-2016

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We report on the 2015 VSA/Oberlin Violin Makers Workshop, where 60 luthiers collaborated on a brand new model of violin. James Ehnes gives a Masterclass on Beethoven’s ‘Spring’ Sonata and we examine two cellos by the lesser-known maker Antonio Casini. Plus interviews with David Geringas, Christian Poltéra, Lynn Harrell, Rosalind Ventris and many more.

April-2016

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Frank Peter Zimmermann graces the cover of our special German issue, with articles on the Klotz violin making dynasty and modern-day luthier Stefan-Peter Greiner. Auction house directors give their top tips on buying instruments at auction, and Augustin Hadelich discusses Tchaikovsky’s Violin Concerto. Plus, the favourite encores of Leonidas Kavakos, Hilary Hahn, Arabella Steinbacher

June-2016

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What can the corners of Stradivari’s instruments tell us about the forms he used? Was Maud Powell the first virtuoso to favour a modern instrument? What are the best recordings of Prokofiev’s First Violin Concerto? The Strad investigates all this and more in its June issue, also containing interviews with Antje Weithaas, Nils Mönkemeyer and Lionel Handy.

August-2016

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Cellist Sol Gabetta talks about instruments, technique and finding her own voice, and we examine a rare 1710 Stradivari cello. There’s a historical look at quartet playing, and Christine Hoock gives a Vanhal Masterclass. Plus cellist Robert deMaine on Hindemith.

September-2016

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In this education-themed special issue, veteran violinist–violist Pinchas Zukerman talks about his life in string education; we take a look at the effectiveness of improvisation as a learning tool; lutherie schools divulge how they approach sound; and we explore the work of Dall'Aglio and Coppi, two Mantuan makers of the early 19th century.

October-2016

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Violinist Julia Fischer and cellist Daniel Müller-Schott talk about the challenges of working as a duo; Kronos Quartet violinist David Harrington discusses the ensemble’s relationship with composer Pelle Gudmundsen-Holmgreen; five string players in their twenties describe their experiences of building a performing career; and Paul Silverthorne gives fingerings and annotations for Brahms's Viola Sonata op.120 no.2.

November-2016

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We examine how strings became an integral part of minimalist music, and talk to Jennifer Koh about her return to the Tchaikovsky Concerto. Paul Neubauer discusses his love of Joan Tower’s works and we assess the career of Felix Salmond. Plus our annual Accessories supplement.

December-2016

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Tasmin Little discusses her love for British composers and we examine the 1727 ‘Benvenuti’ Stradivari violin using high-resolution micro-CT scans. Sarah Chang talks about her love of Brahms and Augustin Hadelich gives a detailed guide to Tchaikovsky’s Violin Concerto in Masterclass. Plus a collector’s guide to Bloch’s Schelomo

January-2017

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We examine how today's composers are pushing the boundaries of the violin concerto form, and Sam Zygmuntowicz discusses the cutting edge of violin research. Augustin Hadelich completes his Tchaikovsky Masterclass and we talk to the Emerson Quartet, 40 years after its formation. Plus Lynn Harrell's Sentimental Work.

February-2017

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Vuillaume's 'Evangelists' quartet, cellist and gambist Christophe Coin and a tour of French folk fiddling styles are among the highlights of a France-themed issue. Plus, interviews with Leon Bosch, Kim Kashkashian and Paul Silverthorne.

March-2017

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Richard Tognetti discusses new music and we find out how top players go about choosing a new bow. Rachel Barton Pine discusses Elgar and Bruch, and cellist Antonio Lysy talks intonation. Plus the life and instruments of Pietro Guarneri of Mantua.

April-2017

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We report on the restoration of the 'Paravicini' Stradivari and Matthew McDonald, the Berlin Philharmonic's first principal bassist, discusses creative interpretation. Rostropovich is featured in our Great Cellists section, and Natalie Clein gives her thoughts on the Schubert Quintet. Plus Cremona 2017: our annual supplement on the Italian capital of violin making.

May-2017

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Patricia Kopatchinskaja discusses her vision and inspiration, and we ask how young soloists prepare for their first concerto. Elena Rostropovich shares memories of her famous father and Ning Feng talks about his love for the Sibelius Concerto. Plus Degrees 2017–18 – your guide to courses for the next academic year.

June-2017

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Christian Tetzlaff discusses Bach and we investigate Vuillaume's self-rehairing bow, David Garrett's Sentimental Work and the results of the largest ever 'old vs new' blind-testing experiment. Plus a comprehensive history of vibrato on record.

July-2017

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The four members of the Chiaroscuro Quartet discuss their latest Haydn CD and we examine the 1708 ‘Dancla’ Stradivari violin. There’s an analysis of vibrato and a tribute to bow maker and author Bernard Millant, who died in April. Plus interviews with Jordi Savall, Paul Neubauer, Paul Katz and Maxim Rysanov among others.

August-2017

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Cellist Jan Vogler discusses his collaboration with Bill Murray and we investigate why cello ensembles have become so popular in Brazil. We discover the secrets of Stradivari’s wood and give a guide to the collé stroke. Plus an interview with Joshua Bell.

September-2017

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September 2017 issue of The Strad. Celebrated American violin tutor Dorothy DeLay remembered by former students, including Itzhak Perlman and Philippe Quint.

October-2017

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September 2017 issue of The Strad. Celebrated American violin tutor Dorothy DeLay remembered by former students, including Itzhak Perlman and Philippe Quint.

November-2017

£5.95
November 2017 issue of The Strad. Celebrating the centenary of Jascha Heifetz’s historic US debut at Carnegie Hall

January-2018

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Yo-Yo Ma discusses making musical connections, and some of Heinrich Schiff’s star students explain what made him a great cello tutor. We report from the Beijing Music Festival and bassist Edgar Meyer reveals his Life Lessons. Plus our 52-page String Courses 2018 supplement

February-2018

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In a French-themed issue, the Arod Quartet discuss their career to date, and we present a close analysis of a c.1790 Tourte bow. We mark Jean-Luc Ponty’s 75th birthday with an interview and examine the work of Jean-François Aldric. Plus bassist Gary Karr’s Sentimental Work.

March-2018

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British soloist Lawrence Power talks about his adventures with the viola, and luthiers share their experiences of collaborative making.  There’s an insight into the psychology of teaching adult beginners, and we explore some of the 20th century’s most complex repertoire. Plus an in-depth look at a Domenico Busan viola.

April-2018

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In a German-themed issue, we talk to Carolin Widmann and look at the instrument making traditions of Füssen. Jacob Stainer is the subject of In Focus and the Casals Quartet gives tips on playing Beethoven’s quartets. Plus Christian Tetzlaff discusses his Sentimental Work

July-2018

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We look at Leonard Bernstein’s contributions to string music and investigate the development of the French bow button. Joshua Bell gives a Masterclass on Bruch and Jennifer Koh gives her Sentimental Work. Plus a FREE guide to the inaugural Tokyo Stradivarius Festival

August-2018

£5.95
We talk to the Doric Quartet about bows and recordings, and get tips on making arrangements of non-classical works. Anne-Sophie Mutter tells us her Sentimental Work there’s a Beethoven Masterclass and we look back on Henryk Szeryng’s playing career. Plus, the fall and rise of violin making in Hungary.

September-2018

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Maxim Vengerov talks about his lifelong learning curve and we learn the teaching methods of Heifetz, Gingold and Galamian. There’s a look at conservatoire auditions and Guy Johnston discusses Mendelssohn in Masterclass. Plus Sartory, Guadagnini and Aldo Parisot in this 144-page bumper issue

October-2018

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Hilary Hahn talks about Bach and we discover how Brescian instruments developed. Edicson Ruiz gives a double bass Masterclass and we learn the secrets of orchestral auditions. Plus Rachel Podger’s Sentimental Work

November-2018

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We examine the legacy of string teacher Paul Rolland and ask whether female luthiers face discrimination in this day and age. James Ehnes gives us his Sentimental Work, and Viktoria Mullova tells of her Life Lessons. Plus a Masterclass with Carolin Widmann.

December-2018

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Vilde Frang talks about collaboration and we examine a case made in Stradivari’s workshop. Mischa Maisky discusses his half-century of performing, and there’s a look at folk songs with the Danish Quartet. Plus violist Bruno Giuranna’s Sentimental Work

January-2019

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Isabelle Faust discusses Mozart and we explore how string teaching is adapting to new technology. There’s a cello masterclass with Lynn Harrell, a look at jazz improvisation with bassist Lloyd Swanton, and Anne-Sophie Mutter’s Life Lessons. Plus our String Courses 2019 supplement

February-2019

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In a French special we talk to cellist Bruno Philippe and investigate Eugène Sartory’s infamous court case. Philippe Graffin tracks down a lost version of an Ysaÿe sonata and Nicolas Gilles reveals his oil varnish recipe. Plus Gautier Capuçon, François Rabbath, and Daniel Hope on Franck

April-2019

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Augustin Hadelich discusses his new CD and we explore the career of luthier Jacob Stainer. Jan Vogler gives a Schumann Masterclass and there’s a detailed examination of a Persoit bow. Plus Antje Weithaas on the Tchaikovsky Concerto.

May-2019

£5.95
The Shanghai Quartet celebrates its 35th anniversary and we hand on some yoga tips for string players. There’s an in-depth look at Stradivari’s working methods and Shostakovich’s violin works. Plus Maxim Rysanov’s Life Lessons and Rivka Golani’s Sentimental Work

July-2019

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Antoine Tamestit discusses his new recordings and we examine his viola, the 1672 ‘Gustav Mahler’ Stradivari. There’s a look at string teaching in Uganda and we have interviews with Sol Gabetta, Patricia Kopatchinskaja, Gary Hoffman, Natalie Clein – and many more!

August-2019

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Double bassist Leon Bosch discusses his career, and we investigate the bass makers of Manchester. There’s an interview with early music pioneer Eduard Melkus and cellist Johannes Moser gives a Mendelssohn Masterclass. Plus Leonidas Kavakos’s teaching tips

September-2019

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We talk to the members of the Belcea Quartet and ask why more young people are turning to period performance. Students of Kató Havas pay tribute to the late violin teacher, and there’s a look at asymmetric instruments. Plus a Mendelssohn Masterclass and Renaud Capuçon’s Life Lessons.

December-2019

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Alberto Giordano and Rudolf Hopfner tell the fascinating story of the 1677 ‘Romanov’ Amati viola: once part of Russia’s Imperial Collection, the instrument displays features of both Nicolò and his son Girolamo II. We also take a look at the Royal Danish Orchestra’s fine instrument collection, and explore casting professional musicians in film and TV roles.
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January-2020

£5.95
Lisa Batiashvili discusses her latest projects and we delve into the mysterious world of varnish making. There’s a look at strategies for teaching adolescents, and Leila Josefowicz completes her look at Berg’s Violin Concerto. Plus Sheku Kanneh-Mason’s Sentimental Work. Subscribe to the Strad

February-2020

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Ébène Quartet: The four players tell Charlotte Gardner about the group’s 20th anniversary, their current Beethoven project, and the challenge of finding a new violist Subscribe to the Strad

March-2020

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KAREN TUTTLE: The American viola pedagogue, who would have turned 100 this month, had a seismic influence on generations of players, as Carlos María Solare explains Subscribe to the Strad

April-2020

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ANNE-SOPHIE MUTTER: The German violinist on her Beethoven deep immersion during the composer’s 250th anniversary year, and collaborating with film composer John Williams. Plus: The Strad’s free Cremona 2020 supplement. Subscribe to the Strad

July-2020

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ISAAC STERN CENTENARY: The great American violinist would have celebrated his 100th birthday this month. Tully Potter looks back at his career, focusing on his chamber music recordings Subscribe to the Strad

October – 2020

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MIDORI: Toby Deller talks to the Japanese–American violinist about her passion for modern works, her teaching methods and undertaking a psychology degree Subscribe to the Strad

November-2020

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We talk to the Dover Quartet about recording Beethoven, and investigate the bow makers of Hollywood's golden age. There's a look at luthier Carlo Bisiach's business in America, and the teaching of cellist Leonard Rose. Plus David Burgess and Julie Lyonn Lieberman in this US-themed edition. Subscribe to the Strad

December 2020

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'WILLEMOTTE' STRADIVARI VIOLIN 1734 Sam Zygmuntowicz examines a masterpiece from Stradivari’s late period, comparing it with other instruments such as the ‘Huberman’ and ‘Titian’ (POSTER NOT INCLUDED IN THE ISSUE) Subscribe to the Strad

January 2021

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Cellist Jean-Guihen Queyras talks about his latest Beethoven recording and we take an in-depth look inside Stradivari’s ‘Messiah’ using CT scans. Students of the late George Neikrug reminisce about the great cello tutor, and Alban Gerhardt completes his Saint-Saëns Masterclass. Plus Rohan de Saram’s Life Lessons Subscribe to the Strad

February 2021

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In a French-themed issue, we talk to the Modigliani Quartet and examine the work of luthier Charles François Gand. There are interviews with Patricia Kopatchinskaja, Camille Thomas and Nikolaj Szeps-Znaider, and a Bach Masterclass from Simon Standage. Subscribe to the Strad

March 2021

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Francesca Dego talks about performing on Paganini’s Guarneri violin and we explore the growth of violin making in China. There’s a guide to playing Piazzolla’s tango music and Simon Standage completes his Baroque Bach Masterclass. Plus a look at the perils of orchestral playing. Subscribe to the Strad

April 2021

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Crossover superstar David Garrett discusses his career so far, and we examine the legacy of bow maker Ludwig Bausch. Daniel Hope talks about his friendship with Alfred Schnittke in Sentimental Work, and we learn the ins and out of gut string making. Plus a Haydn Masterclass with the Chiaroscuro Quartet. Subscribe to the Strad

May 2021

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Julian Lloyd Webber discusses his career at 70, and we investigate Stradivari’s early cellos. There’s a look at violin encores and Ysaÿe’s Second String Trio, and Alisa Weilerstein gives a Chopin Masterclass. Subscribe to the Strad

June 2021

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We talk to up-and-coming soloist Bomsori Kim and investigate the Knopf dynasty of bow makers. Jennifer Koh gives a Masterclass on Tchaikovsky’s Souvenir d’un lieu cher, and Carolin Widmann talks about Schubert in Sentimental Work. Plus our annual Accessories supplement, with everything you need to know on Covid-proofing your orchestra. Subscribe to the Strad

July 2021

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CARLO BERGONZI 1735 ‘BARON KNOOP’ VIOLIN Andrea Zanrè examines an instrument by one of the greatest 18th-century Cremonese luthiers, while Rudolf Hopfner reveals the results of CT scanning Subscribe to the Strad

August 2021

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We chat to rising star Esther Yoo and examine female violinists in Georgian England. Lewis Kaplan completes his tour of Bach’s Sonatas and Partitas and we trace the history of the Herrmann bow makers. Plus a viola Masterclass from Antoine Tamestit and Viktoria Mullova’s Sentimental Work Subscribe to the Strad

September 2021

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We investigate the Suzuki teaching method and early music performance in an education-themed issue. There’s a look at violin antiquing, finding the perfect viola, and a retrospective of Russian cellist Daniil Shafran. Plus Natalie Clein gives a Haydn Masterclass. Subscribe to the Strad

October 2021

£5.95
Janine Jansen talks about playing 12 Stradivaris and we investigate the varnishes of the old Italians. There’s a look back at Jacqueline du Pré’s career and Tim Kliphuis tells us his Sentimental Work. Plus a Beethoven Masterclass with Julia Fischer. 

November 2021

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We talk to US violinist Chad Hoopes, test the tone quality of Stradivaris, learn Gary Karr’s Life Lessons and report on the early bow makers of the Bay Area in an America-themed issue. Plus a Brahms Masterclass with violist Richard O’Neill.  

December 2021

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We examine the Venetian double bass and meet genre-defying cellist Abel Selaocoe. There’s a tribute to Bottesini and a look at Jascha Heifetz’s teaching methods. Plus a cello Masterclass on playing Fauré, Elgar and Saint-Saëns.

January 2022

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Steven Isserlis talks about his lockdown projects and we examine a rare 1773 Guadagnini viola. There’s a look at Alexander technique, Bach’s Cello Suites and how the pandemic has affected young musicians’ careers. Plus a Mozart Masterclass with violinist Francesco Dego.    

February 2022

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We talk to Baroque violinist Théotime Langlois de Swarte in a French-themed issue, also looking at Vuillaume’s bows and the life of Pierre Baillot. Plus Sol Gabetta, a Bruch Masterclass, and Philippe Graffin’s Sentimental Work.  

April 2022

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In a German-themed issue, Johannes Moser discusses his love of experimental repertoire and we examine the mystery of Jacob Stainer’s birthdate. There’s a Beethoven Session Report with Rachel Podger, and a look at two German lutherie families who found success in the US. Plus double bassist Christine Hoock’s Sentimental Work

March 2022

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Leonidas Kavakos discusses his new Bach recording and we find out why some orchestras have dispensed with conductors. There’s a look at Samuel Coleridge-Taylor’s string music and luthiers recall their earliest experiences in the violin business. Plus Jennifer Pike chooses her Sentimental Work

May 2022

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Viktoria Mullova discusses her latest Schubert recording and we examine the life of pedagogue Paul Makanowitzky. There’s a look at violin making in Seoul and Renaud Capuçon reveals his Sentimental Work. Plus our annual Degrees supplement.

June 2022

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The members of the Pavel Haas Quartet discuss their latest Brahms recording and we look into learning an instrument as an adult. Collector David Fulton presents a mini-tour of his collection and Joshua Bell gives his Sentimental Work. Plus our 60-page Accessories supplement.

July 2022

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We examine a 1671 violin by Girolamo Amati II and the members of the Brodsky Quartet discuss their 50th anniversary. There’s a look at Bach’s Cello Suites, string playing’s ‘lost arts’, and the career of François-Nicolas Voirin comes under the spotlight. Plus Kenneth Sillito’s Sentimental Work.

August 2022

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Pekka Kuusisto discusses making the leap from violinist to conductor, and we examine three Guarneri violins from 1734. There’s a look at musicians and exercise and cellist Maria Kliegel gives her Sentimental Work. Plus a Mozart Masterclass from the Armida Quartet.  

September 2022

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In an education special, Pinchas Zukerman invites us to a masterclass and we examine violin making schools around the world. There’s a look at string teaching in Australia and the story of Soviet viola tutor Yuri Kramarov. Plus violinist Jack Liebeck’s Sentimental Work.  

October 2022

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Double bassist Rick Stotijn discusses his mission to increase the repertoire, and we examine the evolution of the Viennese bass. There’s a look at Scottish fiddling, a Masterclass with Abel Selaocoe and tips on developing your own sound. Plus Nobuko Imai’s Sentimental Work.    

December 2022

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We take a close look at the 1693 ‘Harrison’ Stradivari violin and speak to superstar Czech violinist Pavel Å porcl. There’s a look at the late bows of François Xavier Tourte and a peep into the orchestra pit at the Bayreuth Festival. Plus violinist Philippe Quint’s Sentimental Work.  

January 2023

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British violinist Daniel Pioro discusses his influences and we ask how players can get the most out of entering competitions. There’s a Masterclass on Beethoven’s Grosse Fuge and we rewrite the early history of Russian bow making. Plus cellist Matt Haimovitz’s Life Lessons  

February 2023

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Christian-Pierre La Marca is on the cover of a French-themed issue, in which we examine pedagogue Lucien Capet’s legacy and luthier Pierre Flavetta investigates Cremonese varnish. There’s a look inside David Ayache’s Montpellier workshop and Yann Poulain explores modern lutherie techniques. Plus Midori’s 40 years in the spotlight  

April 2023

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Carolin Widmann is the cover star of a German-themed issue, with a profile of the 12 Cellists of the Berlin Philharmonic and the story of collector Baron Johann Knoop. We look at how luthiers can calculate their instrument prices, and the Tippett Quartet discuss recording Korngold. Plus cellist Tanja Tetzlaff’s Sentimental Work.  

March 2023

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We talk to the Danish Quartet about the philosophy behind their music, and explore the history of the baryton. There’s a look at violin making in Argentina and the story of Russia cello tutor Natalia Shakhovskaya. Plus Jean-Guihen Queyras’s Life Lessons.  

November 2022

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In a North America special, we talk to the Emerson Quartet and investigate black community orchestras in the United States. There’s an interview with violinist–composer Caroline Shaw and Matt Wehling completes his examination of Voirin bows. Plus Nicolas Altstaedt’s Sentimental Work.        

May 2023

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Alina Ibragimova talks about her latest projects and we take a look at the work of Luthiers sans Frontières. Blind violist Myra Ross discusses her playing methods and we examine the various versions of Shostakovich’s Cello Sonata. Plus Antoine Tamestit’s Sentimental Work.  

June 2023

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British cellist Ayanna Witter-Johnson discusses her influences and we report on the efforts to help young displaced musicians from Ukraine. There’s a Masterclass on Fauré and we mark the 100th anniversary of Ligeti’s birth. Plus Francesca Dego’s Sentimental Work. Read more in The Strad  

July 2023

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We examine the 1709 ‘King Carlos IV’ Stradivari violin and chat to US fiddler Mark O’Connor. There’s a look at the early history of Brahms’s Violin Concerto and cellist Thomas Demenga gives a Debussy Masterclass. Plus our annual Accessories supplement. Read the review in The Strad  

August 2023

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Nicola Benedetti talks about becoming director of the Edinburgh International Festival, and there’s a look at the life of luthier Marino Capicchioni. We ask what Stradivari used as a pre-varnish preparation layer, and Julian Rachlin gives his Sentimental Work. Plus a Dvořák Masterclass with Pavel Å porcl. Read more in The Strad  

September 2023

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In an education special, we talk to violinist Randall Goosby and explore strategies to help adult learners on the cello. There’s a look at training a lutherie apprentice, and what conservatoires are doing to safeguard students’ mental health. Plus interviews with Hilary Hahn, Ronald Copes and Eldbjørg Hemsing. Read more in The Strad  

October 2023

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We talk to the Leonkoro Quartet and investigate the history of the Hardanger fiddle. There’s a look at Pablo Casals’ unique interpretation of Bach’s Cello Suites, and double bassist Leon Bosch gives a Masterclass on Koussevitzky. Plus interviews with Johan Dalene, Nils Mönkemeyer and Sergej Krylov. Read more in The Strad  

November 2023

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In a North American special, we talk to double bassist Joseph Conyers and look at the work of the Sphinx Organization. There’s a look at the immigration of German bow makers to the US and we find out how over 30 luthiers collaborated on a single cello at Oberlin. Plus Aleksey Igudesman’s Sentimental Work. Read more in The Strad  

December 2023

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We talk to US violinist Anne Akiko Meyers and investigate the lives of two Italian luthiers: Filippo de Filippi and Luigi Mozzani. There’s an in-depth look at Telemann and we look at techniques to play more effortlessly. Plus a Dvořák Masterclass with cellist Hannah Roberts. Read more in The Strad  

February 2024

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We talk to British violist Timothy Ridout and learn about the history of violin making in Schönbach. Philippe Graffin talks about the discovery of a ‘lost’ work by Ysaÿe and we examine what might be the last violin ever made by Guadagnini. Plus a Brahms Masterclass with Daniel Kurganov. Read more in The Strad  

March 2024

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We talk to superstar violinist Augustin Hadelich and explore the life of composer Pierre Rode. Cellist Laurence Lesser looks back on his six-decade career and there’s a Masterclass on Ravel’s Violin Sonata no.2. Plus a look at setting up a double bass, and Gidon Kremer reveals his Sentimental Work. Read more in The Strad

April 2024

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We talk to superstar violinist Joshua Bell and report on an innovative ‘improvised’ concerto. There’s a look at the career of bow maker Richard Otto Gläsel and Elena Urioste reveals her Sentimental Work. Plus a Beethoven Masterclass courtesy of cellist Gary Hoffman. Read more in The Strad

January-2009

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In an issue themed around fresh perspectives, we examine carbon-fibre bows, electric violins and how new technology is being used to inspect old instruments. Greek violinist Leonidas Kavakos reveals his plans and ambitions and we report from the Brno double bass competition.

February-2009

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We examine the 1715 ‘Titian’ Stradivari using the latest technological methods, celebrate the 200th anniversary of Mendelssohn’s birth and investigate the history of the Cretan lyra. Plus, a report from the VSA Competition, advice on commissioning instruments and an interview with the Paris-based Calvet Quartet.

March-2009

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Yehudi Menuhin’s career comes under the spotlight and we report from the Eindhoven string competition. Steven Isserlis reveals his passion for Schumann, we hand on tips on buying an instrument and there’s a profile of the Sacconi Quartet. Plus, Peter Cropper discusses how to play Beethoven’s ‘Kreutzer’ Sonata.

April-2009

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We talk to British bassist Danny Thompson as he celebrates his 70th birthday, teachers discuss how prodigies should be tutored and we explore the stories of France’s unsung cello heroines. Kenneth Sillito discusses playing Dvorak’s Serenade and Roger Rose gives a guide to making a viol bridge.

May-2009

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Viktoria Mullova discusses playing on a Baroque violin and there’s a report on research into Stradivari’s varnish. Players discuss performing Haydn’s quartets and we ask how luthiers can market themselves successfully. Plus, a look at the violin-playing skills of super-sleuth Sherlock Holmes.

June-2009

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Gary Karr gives tips on playing by touch alone, and Joseph Curtin begins a two-part exploration into the acoustic tones of Italian instruments. We examine the dazzling technique of Jascha Heifetz, explore unusual repertoire for quintet, and look back at the career of Szymon Goldberg, ‘the man who put Mozart on the map’.

July-2009

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A 1717 Rogeri cello comes under the spotlight and we explore the career of violinist Henryk Szeryng. There’s a look at recordings of Bloch’s Schelomo, a c.1770 violin by Paolo Castello and an investigation into Hindemith’s relationship with the viola. Plus, Simon Fischer on how to ‘warm down’.

August-2009

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The St Lawrence Quartet talks about combining high-jinks with high-quality playing, and viol expert Jordi Savall discusses his passion for Scottish and Irish folk music. We tell the stories of early Australian luthiers and there’s a Masterclass by top Gypsy violinist Roby Lakatos.

September-2009

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In a teaching special, we investigate the optimum age to start learning, and why teaching all levels together pays dividends. We review the life of the late Chinese pedagogue Lin Yaoji and explore chamber music courses in the UK. Plus, Nathan Milstein, Levon Chilingirian and Mischa Maisky.

October-2009

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We investigate string allusions in Shakespeare’s plays and there’s an appreciation of 90-year-old concertmaster Michel Schwalbé. Arnold Steinhardt gives a touching farewell as the Guarneri Quartet disbands, and Ida Haendel remembers French violinist Ginette Niveu.

November-2009

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Hollywood’s unsung heroes come under the spotlight as we search out the string players on some of the movies’ greatest soundtracks. David Finckek talks about health matters, Leonidas Kavakos discusses Alban Berg and Jan Vogler and Mira Wang take part in Double Acts. Plus a report on the Credo Festival.

December-2009

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Violinist Gil Shaham explains his passion for Sarasate, we find out how the Nazis plundered priceless instruments and there’s a look back at the career of David Oistrakh. We also assess some recently rediscovered etudes by Otakar Sevcik. Plus, interviews with Donald and Alisa Weilerstein and maker Mads Hjorth.

January-2010

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Double bassist Esperanza Spalding describes how she discovered the jazz world, we investigate how sports psychology can help your practice regime, and Tracy Silverman offers a guide to the essential electric violin kit.

February-2010

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We celebrate Ole Bull’s bicentenary by looking back at the Norwegian violinist’s career, and taking a detailed look at his famed ‘Del Gesù’. There’s a guide to buying tonewood, David Waterman discusses Schubert, and François Denis reveals the connections between violin arching and medieval architecture.

March-2010

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We examine a tenor viola by Jacob Stainer that reveals his attention to detail and Italian influences. There are articles on violin concertos by Beethoven and Barber, interviews with Antoine Tamestit, Laurence Lesser and Nicholas Tzavaras, and Daniel Bernard Roumain gives tips on rock and hip-hop violin technique.

April-2010

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The Artemis Quartet discuss Beethoven and the benefits of standing up to perform, and we examine how Rostropovich may have influenced Prokofiev. There’s a retrospective of Leonid Kogan’s career, and a Masterclass on Strauss’s Don Quixote. Plus, the results of a seven-year study into Stradivari’s varnish.

May-2010

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In a special edition marking The Strad’s 120th anniversary, we look back at the origins of the magazine, profile Nicolò Paganini and trace the history of research using Stradivari’s ‘Betts’ violin. Plus, articles on top female soloists of yesteryear, Ruggiero Ricci’s tips on playing, and Ida Haendel on Bach’s Chaconne in D minor.

June-2010

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Cellist Natalie Clein discusses Kodály, crossover and her musical ambitions, and we explore the treasures of Korea’s celebrated Chi-Mei collection. Levon Chilingirian talks about teaching in Venezuela, John Goldsby gives a Masterclass in jazz bass, and string stars analyse the fragile beauty of Schumann.

July-2010

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John Dilworth gives a personal guide to identifying violins and Carlo Chiesa examines the spectacular 1736 ‘Cessole’, ‘Teja–Ferni’ Guarneri ‘del Gesù’. We find out the best and worst airlines for travelling with instruments and bassist Gary Karr explains how to improve your technique by varying tempo. There’s also an interview with violinist Leila Josefowicz.

August-2010

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In a Spanish-themed issue, we talk to the Casals Quartet and celebrate the career of violinist Pablo de Sarasate. Ara Malikian presents a guide to flamenco violin and three experts give their perspectives on Spanish lutherie. Plus, an investigation into musicians’ use of beta-blockers – are they destroying string playing?

September-2010

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We investigate the success of Venezuela’s El Sistema education programme in an education-themed edition, which also examines how conservatoires are catering for jazz students and asks luthiers how they entered their profession. There’s a look at the legacy of Russian pedagogue Nelli Shkolnikova and Orin O’Brien describes exercises for the double bass.

October-2010

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Gidon Kremer discusses a lifetime of pushing boundaries and Truls Mørk talks about the things that mean most to him. Arnold Steinhardt celebrates Paganini’s legacy and Tully Potter explores the career of Adolf Busch. Plus, an analysis of the beautifully decorated ‘King Henry IV’ violin.

November-2010

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Jascha Heifetz is the cover star of our North America-themed issue, in which we examine his career Stateside. We ask whether there’s such a thing as an American string sound and talk to visionary quartet Ethel. Plus, Joseph Curtin on the ‘Vieuxtemps’ Guarneri ‘del Gesù’, and luthier Carl Becker’s favourite things.

December-2010

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In an issue themed around the question of ‘Real or fake’, we speak to Dutch violinist André Rieu and consider his impact on the world of popular classics. Experts talk about spotting a fake Stradivari and we investigate the fake Baroque works written by modern composers. Plus, interviews with Jack Liebeck, Christian Ferras and Sheila Nelson.

January-2011

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We profile some of the young talents making a name for themselves in the string world, including Ray Chen, David Aaron Carpenter and Edicson Ruiz. Matthew Barley explains how to create a sound studio, and Matthew Rye reviews the career of Eugène Ysaÿe.

February-2011

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Violinist Lisa Batiashvili discusses her empathy with Shostakovich’s music and we discover what happens when top instruments are stolen. We also visit the Amsterdam Cello Biennale, explore the history of gut strings and appraise the career of Russian pedagogue Yuri Yankelevich. Plus, Norman Lebrecht asks whether concertmasters have lost their punch.

March-2011

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Stradivari’s ‘Messiah’, one of the most revered instruments ever made, gets a full appraisal including dendrochronological analysis. Fabio Biondi discusses Baroque performance and we examine the legacy of Czech violinist Jan Kubelík. Plus, interviews with Harrison Birtwistle, Christian Tetzlaff, Baiba and Lauma Skride, Philip Dukes and Lesley Robertson, as well as Daniel Hope’s practice diary.

April-2011

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In our special focus on Germany, cellist Alban Gerhardt discusses Casals, fellow players and allowing imperfection. We look back at the career of violinist Georg Kulenkampff, and investigate lutherie in Markneukirchen. Igor Oistrakh recalls his past career as he reaches his 80th birthday, and John Goldsby explains how to interpret Gershwin’s I Got Rhythm.

May-2011

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Violist and pedagogue Kim Kashkashian kicks off our viola special, in which we consider why this century is proving to be a halcyon era for the instrument. Steve Reich and David Harrington consider their myriad collaborations, there’s a focus on great violinist Jelly d’Arányi, and Peter Cropper hands on tips for playing Mozart’s K526 violin sonata.

June-2011

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In our Benelux special, Dutch violinist Janine Jansen discusses her return to performing after an enforced break, there’s a focus on the string scene in Luxembourg and an examination of the Belgian string playing school. Mischa Elman is the subject of our Great Violinists feature, and William Conway advises on achieving balance in Shostakovich’s Piano Quintet.

July-2011

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This month’s issue features a detailed analysis of the ‘Plowden’ Guarneri ‘del Gesù’ violin, an interview with double bass pedagogue Evgeny Kolosov, an essay on the career of US violinist Maud Powell, tips on coping with desk partners, and interviews with Benjamin Hughes and Charles Mutter from the BBC Concert Orchestra.

August-2011

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Jan Vogler analyses Schumann’s Cello Concerto, Tully Potter reviews the career of Polish violinist Bronislaw Huberman, and we look back at some of the record-breaking sales for rare violins. Plus, tributes to cellist and teacher Bernard Greenhouse, who died in May 2011.

September-2011

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In a special edition on teaching, we talk to psychologists and string instructors about how students react to words of feedback, encouragement and criticism. Cello pedagogue Aldo Perisot talks to his former student, Ralph Kirshbaum, and Thomas Kemp analyses Schoenberg’s Verklärte Nacht. Plus a look at a groundbreaking instrument scheme in South Africa.

October-2011

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We celebrate the 300th anniversary of Guadagnini’s birth with a look at the master maker’s mysterious life. Tully Potter looks back on the life of Swiss violinist and teacher Aïda Stucki, and violist Geraldine Walther discusses Bartók’s Sixth Quartet.

November-2011

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Cellist Yo-Yo Ma, cellist and founder of the Silk Road Project, is the cover star for our North America-themed issue, which includes reports on the Marlboro summer festival and the Lafayette Quartet. Hilary Hahn gives her thoughts on the Ives Sonata no.3 and there’s an interview with Joseph Silverstein of the Boston Symphony Orchestra.

December-2011

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In an issue themed around money, we ask: How much could a violin cost you over a lifetime? Why do players pay huge sums without getting proper instrument checks? Can the Internet help you with project funding? Does a portfolio career make good financial sense? Plus: a Tasmin Little Masterclass, Stephan von Baehr’s workshop, movement exercises and lots more

January-2012

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In an issue that takes ‘fresh thinking’ as its theme, we talk to UK-based duo 2Cellos, who secured a record deal and concert tour through the power of YouTube. We learn how particle-accelerator technology unlocked the secrets of a Guadagnini, and get the lowdown on using ‘extended techniques’ in playing.

February-2012

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Can professional players tell a Strad from a modern instrument in a blind test? We report on the experiment and its controversial findings. There’s also a discussion on the perils of teacher–student relationships and a look back at the life of master restorer René Morel, who died in December. Plus a report on dendrochronology.

March-2012

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Germany is the theme for this issue, with an interview with player and teacher Antje Weithaas, a Masterclass with cellist Alban Gerhardt, and a report on the resurgence of lutherie in the Vogtland region. Plus, quartet members discuss the works of Wolfgang Rihm, and violinist Frank Peter Zimmermann explains his love for Beethoven’s late string quartets.

April-2012

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The members of the Brodsky Quartet talk about their love of experimentation, and Maxim Vengerov discusses his return to performing after years away. There’s also a report on Scottish fiddling, a rtrospective on viola player Frederick Riddle, and an analysis of violins in 17th-century Dutch artworks. Plus, Mats Lindström’s tips on playing cello scales.

May-2012

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This issue features a detailed analysis of the ‘Saveuse’ Stradivari cello, tips on connecting with an audience, James Ehnes’s thoughts on Bartók’s Sonata for Solo Violin, and interviews with top soloists on how becoming a parent affected their professional lives.

June-2012

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This issue’s guest editor, violinist Hilary Hahn, has chosen a theme of ‘conversations’, in which members of the string world talk to people from other professions to discover new perspectives on their craft. Teachers give their thoughts on tackling difficult subjects with students, and in Masterclass, Jean-Guihen Queyras takes us through Bach’s Cello Suite no.5

July-2012

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In this issue, Finnish violinist Pekka Kuusisto discusses his experiments in sound, and we find out how Les 24 Violons du Roi – one of the first string orchestras – has been recreated. There’s a guide to busking, tips on teaching different styles, and interviews with final-year string students as they start their professional careers.

August-2012

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Cellist Antonio Meneses graces the cover of this Latin American-themed issue, which includes features on string teaching in Venezuela and Colombia, lutherie in Mexico, Piazzolla’s string music and cellist Carlos Prieto’s favourite things. Plus, as he reaches his 90th birthday, violinist Ivry Gitlis looks back on his long career.

September-2012

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Teaching is the focus for this month's edition, in which we discover how Suzuki teaching has spread across the world in recent years. Lutherie pedagogues give their views on the contentious issue of studying restoration, and we consider the legacy of Francesco Geminiani, author of one of the earliest books on studying technique.

October-2012

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Leila Josefowicz talks about her passion for new works and modern composers, Thomas Demenga discusses his love for Bach’s Cello Suites and Gary Hoffman offers his thoughts on Mendelssohn’s Variations concertantes.

November-2012

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Oberlin: what happens at the Ohio violin making workshops? Caldwell Collection: some of the world's most perfect surviving viols William Salchow: the veteran US bow maker shares his memories US touring: the gruelling schedules of Fritz Kreisler, Jascha Heifetz and Gregor Piatigorsky

December-2012

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Ruggiero Ricci: friends and collegues pay tribute to the great violinist and teacher Practice techniques: what can players learn from sport psychology? Francesco Rugeri: we assess a 1686 violin and delve into the maker’s history Basics: Simon Fischer explodes some string-playing myths

January-2013

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Félix Lajkó: the Hungarian violinist is the cover artist for our ‘Fresh Thinking’ issue Electric string concertos: why composers are taking on the challenge Design innovations: examples of high-tech thinking in the string world

February-2013

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We talk to cellist Alisa Weilerstein and review her latest CD of Elgar and Carter concertos. This edition also includes a short video interview in which Weilerstein discusses the latter piece with the composer. There’s also a look at the bows of Persoit, hiring a publicist, and collaborative teaching.

March-2013

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We talk to the Calder Quartet, a foursome equally at home performing with punk bands as on the concert stage. Pedagogue Mimi Zweig advises on children’s first violin lessons, and Roger Hargrave concludes his look at the evolution of Baroque instruments. We also ask the question: should musicians ever perform for free?

April-2013

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Violinist Christian Tetzlaff is the cover star of our German-themed issue, and we have ten copies of his latest CD to give away. We find out how to play the ‘Kreutzer’ Sonata like a Beethoven-era player and ask whether there is still a ‘German’ orchestral sound. Plus, musical insights from violist Nils Mönkemeyer, klezmer player Alicia Svigals and cello teacher Hans Rabus.

May-2013

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Tabea Zimmermann: the violist with a taste for challenging repertoire Viola favourites: players choose their greatest quartet moments. Developing a violist: teachers pass on top tips Masterclass: Nobuko Imai on Takemitsu. All this and more in our viola-themed issue.

June-2013

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Raphael Wallfisch: the pragmatic cellist with a penchant for new works Vuillaume cello: the 1865 ‘Sheremetev’, one of the maker’s finest works Joseph Hague: we uncover the man behind a mysterious set of recordings Group teaching: different methods for injecting energy into rehearsasls Plus: a guide to antiquing instruments, a Masterclass on Britten, and a preview of the Stradivari exhibition at Oxford’s Ashmolean Museum

Jul-13

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Jordi Savall, early music pioneer and multi-instrumentalist, heads up a Baroque-themed issue featuring articles on viol consorts, instruments in Dutch

August-2013

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US violist David Aaron Carpenter explains how he’s using star power to broaden the appeal of his instrument. We report on a Chinese music education programme inspired by El Sistema and look back at the life of Albert Spalding, one of the top violinists of his day. Plus, James Ehnes talks about Prokofiev and we appraise a 1658 Nicolò Amati violin.

September-2013

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Violist and pedagogue Bruno Giuranna heads up an issue focused on teaching, in which we investigate the tuition of string quartets, the value of apprenticeships, and methods of teacher-training. Jean-Guihen Queyras gives a guide to Elgar’s Cello Concerto, there’s a practice diary from bassist Waldemar Schwiertz and Zakhar Bron lists his favourite things.

October-2013

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Jacques Thibaud, Fritz Kreisler and Pablo Casals adorn the cover of a special issue celebrating the great players of the past. It includes guest editor Steven Isserlis on Thibaud, Ivry Gitlis on Enescu and Gary Karr on Koussevitsky. Bonnie Hampton and Arnold Steinhardt recall their lessons with Casals and Szigeti respectively, and we look back on some of the 20th century’s lesser-known string stars.

November-2013

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Joshua Bell is on the cover of our North America-focused issue, which contains a detailed examination of his 1713 ‘Huberman’ Stradivari. We explore San Francisco’s chamber music scene, look back on the varied career of Harry Lookofsky, and report on the Banff string quartet competition. Plus, musicians discuss Britten’s string works and Tim Kliphuis gives tips on playing like Stéphane Grappelli.

December-2013

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Violinist Anne-Sophie Mutter talks about reaching out to the next generation of classical music lovers, and we report on the downfall of disgraced violin dealer Dietmar Machold. Top viola players discuss playing Hindemith and there’s a tribute to the late US luthier Carl F. Becker. Plus, Mihaela Martin on Enescu, Simon Fischer on bowing and a report on lutherie in Afghanistan.

January-2014

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Cellist Zoë Keating explains how her success as a DIY musician in an issue with a ‘fresh thinking’ theme. We report on ensembles with alternative repoertoire such as the Silk Road Ensemble and discover why luthiers have started creating their own exhibitions. Plus Gary Hoffman on Brahms, David Harrington on teaching new music, and Summerplus, our annual guide to short string courses worldwide.

February-2014

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The double bass takes centre stage, as we interview six of today’s top young bassists and investigate teaching, making, and travelling with a bass. There’s a Masterclass from Dan Styffe, Joel Quarrington’s practice diary, François Rabbath on the things that inspire him, and a report on the state of the international double bass market. Plus an interview with veteran bassist Barbara Sanderling

April-2014

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The late cellist János Starker receives an eight-page tribute, with exclusive photo galleries and memories from friends and colleagues. Fiddler Sam Sweeney gives a Masterclass on the English folk style, complete with videos, and we investigate career development in the orchestral world. Plus, in-depth interviews with the Arditti Quartet and Neville Marriner

June-2014

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We examine a 1774 Guadagnini violin that has survived in almost pristine condition, and talk to string players who have set up their own festivals. Concertmaster Glenn Dicterow recalls his time at the New York Philharmonic, and orchestra principals discuss the works of Strauss. Plus Leonidas Kavakos gives a Masterclass on the Brahms Violin Concerto

July-2014

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Latvian violinist Baiba Skride discusses her love of modern repertoire and Didier Lockwood talks about his genre-hopping career. We talk to artists including Natalie Clein, Daniel Hope and Rachel Barton Pine about premiering new works, and explore the world of commissioning instruments. Plus Gary Karr on the plight of orchestral bassists.

August-2014

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We mark the centenary of the First World War’s outbreak with an issue on music and conflict, exploring string works about war, soldiers’ instruments, and the work of Musicians without Borders. Plus Tamsin Waley-Cohen’s Practice Diary, the Henschel Quartet on Schulhoff, and taking care of instruments in summer.

September-2014

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In our special education issue, some of today’s top string players and teachers recall the tutors who made the biggest impression on them. We explore a youth education scheme in London, the Bologna school of violin making, and how to deal with unruly kids. Plus, Leon Bosch on Dittersdorf’s Second Double Bass Concerto

October-2014

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A Girolamo Amati contralto viola reveals its secrets in an extensive study, and we talk to US quartet Brooklyn Rider about its latest multidisciplinary project. We examine the legacy of French violinist–composer Jean-Marie Leclair and there’s a Masterclass on Rimsky-Korsakov. Plus mutes, chin rests, violin cases and carbon-fibre bows in Accessories 2014.

December-2014

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We interview Korean violinist Kyung Wha Chung and examine a 1767 violin by José Contreras, described by some as ‘the Spanish Stradivari’. Russian pedagogue Maya Glezarova recalls her 70 years of teaching, and Augustin Dumay and Louis Lortie reflect on performing as a duo. Plus a Dvořák Masterclass with 14 audio examples

January-2015

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With a new look for 2015, The Strad interviews the Nightingale Quartet and investigates the finer details of Stradivari’s scrolls. Daniel Hope gives a Vivaldi Masterclass and we discover the teaching methods of his mentor, Zakhar Bron. Plus Ida Haendel on Brahms’s Violin Concerto.

April-2015

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Simon Rattle discusses the Berlin Philharmonic’s characteristic string sound in a German speical, which also includes articles on cellist Anja Thauer and the development of instruments in Markneukirchen. Alban Gerhardt discusses playing Dvořák’s Cello Concerto, Tabea Zimmermann gives a Masterclass on Hindemith and there’s a guide to double bass bowing from Jeff Bradetich. Plus Sarah Chang’s practice diary.

June-2015

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We talk to the Carducci Quartet about its upcoming Shostakovich quartet cycle, and examine the career of Gregor Piatigorsky. There’s a report on how acting techniques can benefit string players, and the second of two articles on the Andrea Amati ‘King’ cello. Plus Hilary Hahn on Vieuxtemps, Christian Tetzlaff on Beethoven, and a celebration of Leopold Auer’s life and career.

August-2015

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We talk to Itzhak Perlman, 70 this month, and investigate the story of America’s first female violin maker. Lynn Harrell gives a guide to resonant cello sound, and Rachel Barton Pine explains why Mozart’s Third Violin Concerto is her ‘good friend’. Plus a Masterclass on Brahms’s Viola Sonata and a tribute to Lindsay Quartet co-founder Peter Cropper.

September-2015

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Violinist Nicola Benedetti discusses her work with young players in our education special, while recent competition winners discuss their practice methods. We look back at the life and teaching style of luthier Peter Paul Prier, and Roby Lakatos gives a guide to gypsy fiddling. Plus Jaime Laredo and Sharon Robinson on the Brahms ‘Double’

December-2015

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Baroque violinist Rachel Podger discusses the perils of scordatura and we a late-period Guarneri violin comes under scrutiny. Christian Tetzlaff completes his Masterclass on Beethoven, there’s a Kodály retrospective and double bassist DaXun Zhang gives his Practice Diary. Plus Jan Vogler on Tchaikovsky’s Rococo Variations

May-2016

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In a special edition to mark the 100th anniversary of Yehudi Menuhin’s birth, we ask some of the people who knew him best fr their memories of the great violinist. We also explore Menuhin’s photo archive and examine his favourite instrument, the ‘Lord Wilton’ Guarneri. Plus two free supplements: Cremona 2016 and Degrees, your guide to string teaching courses around the world.

July-2016

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Chamber music tutor Tim Frederiksen discusses putting together string quartets and we examine the history of violin making in Amsterdam. Joshua Bell and Steven Isserlis discuss their latest collaboration, and there’s an In Focus on a Stradivari cello. Plus bassist Dan Styffe on Arvo Pärt’s Spiegel im Spiegel.

December-2017

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Buy the December 2017 issue of The Strad. Includes focus on Stradivari's final years and the turbulent social and political times in Cremona from 1702 to 1737. Plus Renaud Capuçon on teaching; Steven Isserlis’ trench cello; double bassist Barry Guy; Dragonetti’s Gasparo da Salò bass and its seismic effect on English luthiery; Trondheim Chamber Music Festival; an 1856 violin by Giuseppe Rocca; luthiers David Finck and Eric Benning; exercises to release tension and improve movement; Daniel Müller-Schott on Shostakovich’s First Cello Concerto

May-2018

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Ray Chen on the importance of social media and popular culture in encouraging a new generation of players; a close look at the most expensive violin in the world, the ‘Vieuxtemps’ Guarneri ‘Del Gesù’; Quartet coaching with Alfred Brendel; Life Lessons from violinist Leila Josefowicz

June-2018

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We complete our analysis of the ‘Vieuxtemps’ Guarneri, with Anne Akiko Meyers’ views on playing the priceless violin. There’s a look at the pitfalls of playing outdoors, we go in search of Stradivari’s ‘lost’ mould, and Kyung Wha Chung gives her Life Lessons. Plus Accessories 2018: your guide to strings, bridges, rosin, pickups, and much more.

March-2019

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We chat to rising British star Sheku Kanneh-Mason and look into the work of Turin luthier Pressenda. Gidon Kremer discusses Polish music and Lynn Harrell gives us his Life Lessons. Plus fingerboards, singing bassists and much more

June-2019

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We conclude our investigation of Stradivari’s moulds and examine some radical teaching methods. Vadim Gluzman, Philip Dukes and Matthew Barley are interviewed and there’s our annual Accessories supplement, featuring carbon fibre bows, wolf eliminators, mutes and lots more.

October-2019

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Raphael Wallfisch marks the centenary of Elgar's Cello Concerto with the story of the work's composition, premiere and subsequent interpretations. Plus we speak to the Kuss Quartet about performing Beethoven on the 'Paganini' set of Stradivaris, and investigate how instrument set-up can affect sound.
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November-2019

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Sarah Chang discusses her passion projects and we explore the lives of Chicago's early bow makers. Joseph Curtin examines bridges, there's a look at Brazil's classical music and Alisa Weilerstein reveals her Sentimental Work. Plus David Kim on sautillé.

May-2020

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THE STRAD’S 130TH ANNIVERSARY: As we mark thirteen decades of string music journalism, Charlotte Gardner looks at the future of string playing while Philip Kass examines the violin industry

June-2020

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TETZLAFF QUARTET: The four members give Tom Stewart their thoughts on Beethoven’s late works – and why it’s taken 25 years for them to record any pieces by the composer at all

August-2020

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TWOSET VIOLIN: Kimon Daltas talks to Australian violinists Brett Yang and Eddy Chen, whose comedy videos have brought them millions of followers on YouTube Subscribe to the Strad

September-2020

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NICOLA BENEDETTI: The violinist’s Benedetti Sessions have proved stunningly popular for teacher and students alike. Peter Somerford finds out how they began, and where they might lead Subscribe to the Strad

January 2024

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We examine the 1713 ‘Boissier, Sarasate’ violin by Antonio Stradivari and chat to young virtuoso cellist Zlatomir Fung. There’s a look at how Maud Powell championed the Sibelius Violin Concerto in the US, and Carolin Widmann reveals her Life Lessons. Plus a Mozart Masterclass with Dmitry Sitkovetsky Read more in The Strad