We conclude our investigation of Stradivari’s moulds and examine some radical teaching methods. Vadim Gluzman, Philip Dukes and Matthew Barley are interviewed and there’s our annual Accessories supplement, featuring carbon fibre bows, wolf eliminators, mutes and lots more.
The Shanghai Quartet celebrates its 35th anniversary and we hand on some yoga tips for string players. There’s an in-depth look at Stradivari’s working methods and Shostakovich’s violin works. Plus Maxim Rysanov’s Life Lessons and Rivka Golani’s Sentimental Work
Augustin Hadelich discusses his new CD and we explore the career of luthier Jacob Stainer. Jan Vogler gives a Schumann Masterclass and there’s a detailed examination of a Persoit bow. Plus Antje Weithaas on the Tchaikovsky Concerto.
We chat to rising British star Sheku Kanneh-Mason and look into the work of Turin luthier Pressenda. Gidon Kremer discusses Polish music and Lynn Harrell gives us his Life Lessons. Plus fingerboards, singing bassists and much more
In a French special we talk to cellist Bruno Philippe and investigate Eugène Sartory’s infamous court case. Philippe Graffin tracks down a lost version of an Ysaÿe sonata and Nicolas Gilles reveals his oil varnish recipe. Plus Gautier Capuçon, François Rabbath, and Daniel Hope on Franck
Isabelle Faust discusses Mozart and we explore how string teaching is adapting to new technology. There’s a cello masterclass with Lynn Harrell, a look at jazz improvisation with bassist Lloyd Swanton, and Anne-Sophie Mutter’s Life Lessons. Plus our String Courses 2019 supplement
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Vilde Frang talks about collaboration and we examine a case made in Stradivari’s workshop. Mischa Maisky discusses his half-century of performing, and there’s a look at folk songs with the Danish Quartet. Plus violist Bruno Giuranna’s Sentimental Work
We examine the legacy of string teacher Paul Rolland and ask whether female luthiers face discrimination in this day and age. James Ehnes gives us his Sentimental Work, and Viktoria Mullova tells of her Life Lessons. Plus a Masterclass with Carolin Widmann.
Hilary Hahn talks about Bach and we discover how Brescian instruments developed. Edicson Ruiz gives a double bass Masterclass and we learn the secrets of orchestral auditions. Plus Rachel Podger’s Sentimental Work
Maxim Vengerov talks about his lifelong learning curve and we learn the teaching methods of Heifetz, Gingold and Galamian. There’s a look at conservatoire auditions and Guy Johnston discusses Mendelssohn in Masterclass. Plus Sartory, Guadagnini and Aldo Parisot in this 144-page bumper issue