November 2020
We talk to the Dover Quartet about recording Beethoven, and investigate the bow makers of Hollywood’s golden age. There’s a look at luthier Carlo Bisiach’s business in America, and the teaching of cellist Leonard Rose. Plus David Burgess and Julie Lyonn Lieberman in this US-themed edition.
October 2020
MIDORI: Toby Deller talks to the Japanese–American violinist about her passion for modern works, her teaching methods and undertaking a psychology degree
The Strad Print + Online Subscription Package
The Strad is the world’s most authoritative and influential string music magazine, read by makers, musicians and teachers since 1890. It brings you Interviews with star string players, In-depth articles examining instruments by master makers, reports on the latest advances in instrument research and technology, Masterclass sheet music section and news, comment and analysis from the string music world and more.
Also included with your subscription:
- Monthly issue in print and as a digital edition
- Three special supplements and The Strad Directory
- Archive of digital issues from January 2010
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- Two detailed instrument posters a year
To see our online subscription options click here.
The Strad Online Subscription
The Strad is the world’s most authoritative and influential string music magazine, read by makers, musicians and teachers since 1890. It brings you Interviews with star string players, In-depth articles examining instruments by master makers, reports on the latest advances in instrument research and technology, Masterclass sheet music section and news, comment and analysis from the string music world and more.
Included in your online subscription:
- Twelve digital issues a year available online at thestrad.com
- Digital versions of special supplements, including
Accessories, Cremona, String Courses and Degrees - An online archive of digital editions back to January 2010
- Unlimited access to all premium online content at thestrad.com
To see our print + online options click here.
April 2020
ANNE-SOPHIE MUTTER: The German violinist on her Beethoven deep immersion during the composer’s 250th anniversary year, and collaborating with film composer John Williams.
Plus: The Strad’s free Cremona 2020 supplement.
March 2020
KAREN TUTTLE: The American viola pedagogue, who would have turned 100 this month, had a seismic influence on generations of players, as Carlos María Solare explains
February 2020
Ébène Quartet: The four players tell Charlotte Gardner about the group’s 20th anniversary, their current Beethoven project, and the challenge of finding a new violist
January 2020
Lisa Batiashvili discusses her latest projects and we delve into the mysterious world of varnish making. There’s a look at strategies for teaching adolescents, and Leila Josefowicz completes her look at Berg’s Violin Concerto. Plus Sheku Kanneh-Mason’s Sentimental Work.
December 2019
Alberto Giordano and Rudolf Hopfner tell the fascinating story of the 1677 ‘Romanov’ Amati viola: once part of Russia’s Imperial Collection, the instrument displays features of both Nicolò and his son Girolamo II. We also take a look at the Royal Danish Orchestra’s fine instrument collection, and explore casting professional musicians in film and TV roles.
October 2019
Raphael Wallfisch marks the centenary of Elgar’s Cello Concerto with the story of the work’s composition, premiere and subsequent interpretations. Plus we speak to the Kuss Quartet about performing Beethoven on the ‘Paganini’ set of Stradivaris, and investigate how instrument set-up can affect sound.
September 2019
We talk to the members of the Belcea Quartet and ask why more young people are turning to period performance. Students of Kató Havas pay tribute to the late violin teacher, and there’s a look at asymmetric instruments. Plus a Mendelssohn Masterclass and Renaud Capuçon’s Life Lessons.
August 2019
Double bassist Leon Bosch discusses his career, and we investigate the bass makers of Manchester. There’s an interview with early music pioneer Eduard Melkus and cellist Johannes Moser gives a Mendelssohn Masterclass. Plus Leonidas Kavakos’s teaching tips