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April 2021

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Crossover superstar David Garrett discusses his career so far, and we examine the legacy of bow maker Ludwig Bausch. Daniel Hope talks about his friendship with Alfred Schnittke in Sentimental Work, and we learn the ins and out of gut string making. Plus a Haydn Masterclass with the Chiaroscuro Quartet.


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March 2021

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Francesca Dego talks about performing on Paganini’s Guarneri violin and we explore the growth of violin making in China. There’s a guide to playing Piazzolla’s tango music and Simon Standage completes his Baroque Bach Masterclass. Plus a look at the perils of orchestral playing.


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January 2021

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Cellist Jean-Guihen Queyras talks about his latest Beethoven recording and we take an in-depth look inside Stradivari’s ‘Messiah’ using CT scans. Students of the late George Neikrug reminisce about the great cello tutor, and Alban Gerhardt completes his Saint-Saëns Masterclass. Plus Rohan de Saram’s Life Lessons


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December 2020

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‘WILLEMOTTE’ STRADIVARI VIOLIN 1734 Sam Zygmuntowicz examines a masterpiece from Stradivari’s late period, comparing it with other instruments such as the ‘Huberman’ and ‘Titian’ (POSTER NOT INCLUDED IN THE ISSUE)


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November 2020

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We talk to the Dover Quartet about recording Beethoven, and investigate the bow makers of Hollywood’s golden age. There’s a look at luthier Carlo Bisiach’s business in America, and the teaching of cellist Leonard Rose. Plus David Burgess and Julie Lyonn Lieberman in this US-themed edition.


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October 2020

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MIDORI: Toby Deller talks to the Japanese–American violinist about her passion for modern works, her teaching methods and undertaking a psychology degree


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The Strad Print + Online Subscription Package

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The Strad is the world’s most authoritative and influential string music magazine, read by makers, musicians and teachers since 1890. It brings you Interviews with star string players, In-depth articles examining instruments by master makers, reports on the latest advances in instrument research and technology, Masterclass sheet music section and news, comment and analysis from the string music world and more.

Also included with your subscription:

  • Monthly issue in print and as a digital edition
  • Three special supplements and The Strad Directory
  • Archive of digital issues from January 2010
  • Unlimited access to all premium online content
  • Two detailed instrument posters a year

To see our online subscription options click here.

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The Strad Online Subscription

Sold by: The Strad Shop

The Strad is the world’s most authoritative and influential string music magazine, read by makers, musicians and teachers since 1890. It brings you Interviews with star string players, In-depth articles examining instruments by master makers, reports on the latest advances in instrument research and technology, Masterclass sheet music section and news, comment and analysis from the string music world and more.

Included in your online subscription:

  • Twelve digital issues a year available online at thestrad.com
  • Digital versions of special supplements, including
    Accessories, Cremona, String Courses and Degrees
  • An online archive of digital editions back to January 2010
  • Unlimited access to all premium online content at thestrad.com

To see our print + online options click here.

April 2020 Front Cover
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April 2020

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ANNE-SOPHIE MUTTER: The German violinist on her Beethoven deep immersion during the composer’s 250th anniversary year, and collaborating with film composer John Williams.

Plus: The Strad’s free Cremona 2020 supplement.


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The Strad March 2020
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March 2020

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KAREN TUTTLE: The American viola pedagogue, who would have turned 100 this month, had a seismic influence on generations of players, as Carlos María Solare explains

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February 2020

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Ébène Quartet: The four players tell Charlotte Gardner about the group’s 20th anniversary, their current Beethoven project, and the challenge of finding a new violist

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January 2020

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Lisa Batiashvili discusses her latest projects and we delve into the mysterious world of varnish making. There’s a look at strategies for teaching adolescents, and Leila Josefowicz completes her look at Berg’s Violin Concerto. Plus Sheku Kanneh-Mason’s Sentimental Work.

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