Janácek String Quartets
The Strad Calendar 2018: The Friends of Stradivari
The Strad Directory 2018
The Strad Binder
French Cello Sonatas 1871-1939 by Steven Sensbach
Steven Sensbach has compiled a treasure trove for cellists and anyone interested in French cultural life. Setting the works in their cultural and historial context, he unearths many forgotten gems – 37 of the more than 130 sonatas discussed are unpublished – while shedding new light on repertoire works. Scholarly yet practical, Sensbach uses his knowledge as a cellist to offer performance tips and give his own recommendations.
Paperback: 320 pages
Publisher: The Lilliput Press (March 31, 2001)
Great Instruments 2
In 2011 The Strad published a 92-page collection of articles on some of the finest violins, violas and cellos to grace its pages over the previous decade. As well as examinations of historic works such as the Amati 'King', thought to be the oldest cello in existence, and Stradivari's 1713 'Huberman' violin, now played by Joshua Bell, this new collection introduces articles on double basses by Rocca, Gofriller and Gasparo da Salò. With high-quality photographs throughout, this is a must for anyone interested in the history and development of beautiful stringed instruments.
Full list of featured instruments
- c.1550 Gasparo da Salò double bass
- Mid-16th century Andrea Amati ‘King’ cello
- 1686Â Francesco Rugeri violin
- 1710 Antonio Stradivari ‘Baron Rothschild, Gore-Booth’ cello
- 1713 Antonio Stradivari ‘Huberman’ violin
- c.1720Â Matteo Gofriller double bass
- 1726 Antonio Stradivari ‘Saveuse’ cello
- 1743 Giuseppe Guarneri ‘del Gesù’ ‘Brusilow’ violin
- 1767 José Contreras violin
- 1774 Giovanni Battista Guadagnini ‘Salabue’, ‘Berta’ violin
- c.1851Â Giuseppe Rocca double bass
- 1865Â Jean-Baptiste Vuillaume cello
The Strad Directory 2017
Newly published, the current edition of The Strad Directory is as indispensable as ever. It provides you with everything you need to fulfil your stringed instrument needs, from makers and repairers to dealers, wholesalers and auction houses. It even gives details of making schools, insurance providers, teaching organisations, publishers and all kinds of other string-related businesses.
Lord Wilton’ Guarneri ‘del Gesù’ violin 1742 poster
Once the concert instrument of Yehudi Menuhin, this magnificent violin makes an interesting contrast with the ‘Alard’ of the same year
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‘Servais’ Stradivari cello 1701 poster
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Andrea Amati violin 1564 poster
The beauty of the workmanship, tonal properties and rich decoration of this royal instrument has seldom if ever been matched or surpassed. Includes measurements.
'For his scrolls, Andrea seems to have gone directly back to Nature itself. The concept was mathematically and optically so perfect that what followed over the centuries could only be a steady degeneration' – Roger Hargrave in the December 1991 issue of The Strad.
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‘Alard’ Amati violin 1649 poster
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Brothers Amati tenor viola 1592 poster
A fine example of the rarely played tenor viola, which set the standard for all the great Cremonese makers. Includes measurements
‘Generally the workmanship, though clean and delicate, lacks something of the usual pristine quality which one would normally associate with a Brothers instrument. Fortunately true art is seldom precise and the majestic beauty of this head is not marred by any shortfall in mathematical symmetry.' – Roger Hargrave in the March 1993 issue
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‘Sleeping Beauty’ Montagnana cello 1739 poster
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‘Conte Vitale’ Andrea Guarneri viola c.1676 poster
An important instrument from the first maker to concentrate on the smaller-pattern viola. Includes measurements.
‘Guarneri’s scrolls are always charming and totally distinctive. Careless in cutting the central eye perfectly round, he left a little tail into the first turn of the volute that is a Guarneri trademark, giving the bonus of having two different scrolls to enjoy either side of the one head. The fluting carries right round the front of the head and is very cleanly finished at the throat, ample testimony to Guarneri’s skill. What finally elevates this viola to highest rank is its almost entire coat of fine yellow varnish.’ – John Dilworth in the October 1996 issue.
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A Voice in the Dark, The Philharmonia Years by Alexander Kok
G.B. Guadagnini viola 1785 poster
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Matteo Gofriller violin 1700 poster
A classic example of the great Venetian's work: his own pattern with glorious varnish and individual wood selection. Includes measurements
'The violin's hollowed edge is characteristic and the purfling is swept across the corner in Stradivari fashion. The f-holes are typical of the Cremona-influenced Tyrolean makers – based on the Brothers Amati but wider and upright in stance. Over the wood Gofriller laid the most supple varnish, which often seems to have no substance at all but is steeped into the wood, turning it a deep burgundy colour. Beneath the dark patina there is a slight rose-madder tint to the red.' – John Dilworth in the December 2000 issue of The Strad
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‘Viotti’ Antonio Stradivari violin 1709 poster
One of the top Stradivari violins in the world, the 1709 'Viotti' helped to establish the master's name – thanks to its illustrious owner. The powerful tone and brilliance of sound created by this exceptional combination of instrument and performer (G.B. Viotti) helped to create the Stradivari legend. Includes measurements
‘The whole instrument seems to have been designed to be light, to exploit the minimum mass of wood in the plates and ribs which could support a low but characteristically stiff arching. The arching is full and seems undistorted and extremely regular. The front is delicately worked with a reverse gradation of 2.5–3mm around the perimeter reducing to 2mm in the centre. Yet still the arching is firm, with no sign of collapse around the fs or excessive pressure from the soundpost.’ – John Dilworth in the March 2006 issue
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Pietro Giacomo Rogeri cello 1717 poster
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Jean-Baptiste Vuillaume cello 1865 poster
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G.B. Guadagnini 1774 Salabue Berta Violin poster
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Andrea Amati ‘King’ cello poster
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